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    <title>Twentieth-Century Music - Current Issue</title>
    <link>http://journals.cambridge.org/action/displayJournal?jid=TCM</link>
    <description />
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      <title>Journals Cambridge Online</title>
      <url>http://journals.cambridge.org/images/logo_6699CC_large.gif</url>
      <link>http://journals.cambridge.org</link>
      <description>Journals Cambridge Online</description>
    </image>
    <item>
      <title>Volume 10 Issue 01</title>
      <link>http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;volumeId=10&amp;issueId=01&amp;seriesId=0</link>
      <description>Twentieth-Century Music, Volume 10 Issue 01&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt; Twentieth-Century Music  is dedicated to leading research on all aspects of  the music of the twentieth century -a period which may be interpreted flexibly to encompass music from the late-nineteenth century to the early years of the twenty-first. The journal explores Western art music, music from non-Western traditions, popular music, film music, jazz, improvised music, and performance practice.  Whilst it does not style itself as revisionist, the journal is guided by the principle that existing assumptions about twentieth-century music and the ways in which it has been, and is currently, studied should be rigorously examined and re-examined.   Please direct submissions and queries to  tcm@cambridge.org &lt;/td&gt;&lt;td&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' border='1' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DTCM%26volumeId%3D10%26issueId%3D01%26seriesId%3D0&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25' /&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DTCM%26volumeId%3D10%26issueId%3D01%26seriesId%3D0&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25' /&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DTCM%26volumeId%3D10%26issueId%3D01%26seriesId%3D0&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25' /&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DTCM%26volumeId%3D10%26issueId%3D01%26seriesId%3D0&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25' /&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DTCM%26volumeId%3D10%26issueId%3D01%26seriesId%3D0' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25' /&gt;&lt;/a&gt;</description>
      <pubDate>Fri, 01 Mar 2013 00:00:00 GMT</pubDate>
      <guid>http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;volumeId=10&amp;issueId=01&amp;seriesId=0</guid>
    </item>
    <item>
      <title>Notes on Contributors</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870967</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Editorial &lt;br /&gt; &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;Twentieth-Century Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;amp;volumeId=10&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 10 Issue 01&lt;/a&gt;, pp 1-1&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8870967'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870967&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870967&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870967&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870967&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870967' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870967</guid>
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      <title>The Art Ensemble of Chicago's ‘Get in Line’: Politics, Theatre, and Play</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870970</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Research Articles &lt;br /&gt;PAUL STEINBECK,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;Twentieth-Century Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;amp;volumeId=10&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 10 Issue 01&lt;/a&gt;, pp 3-23&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8870970'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870970&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870970&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870970&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870970&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870970' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870970</guid>
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    <item>
      <title>Ernst Krenek's ‘Problem of Freedom’ in  Jonny spielt auf</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870974</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Research Articles &lt;br /&gt;NANETTE NIELSEN,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;Twentieth-Century Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;amp;volumeId=10&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 10 Issue 01&lt;/a&gt;, pp 25-57&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8870974'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870974&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870974&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870974&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870974&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870974' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870974</guid>
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      <title>Straightening the Record: Morton Feldman's Return to Graph Music</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870977</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Research Articles &lt;br /&gt;DAVID CLINE,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;Twentieth-Century Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;amp;volumeId=10&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 10 Issue 01&lt;/a&gt;, pp 59-90&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8870977'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870977&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870977&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870977&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870977&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870977' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870977</guid>
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      <title>Understanding Indeterminate Music through Performance: Cage's  Solo for Piano</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870980</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Research Articles &lt;br /&gt;PHILIP THOMAS,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;Twentieth-Century Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;amp;volumeId=10&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 10 Issue 01&lt;/a&gt;, pp 91-113&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8870980'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870980&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870980&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870980&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870980&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870980' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870980</guid>
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      <title>Composing Individuals: Ethnographic Reflections on Success and Prestige in the British New Music Network</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870983</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Research Articles &lt;br /&gt;HETTIE MALCOMSON,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;Twentieth-Century Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;amp;volumeId=10&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 10 Issue 01&lt;/a&gt;, pp 115-136&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8870983'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870983&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870983&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870983&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870983&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870983' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870983</guid>
    </item>
    <item>
      <title>Richard H. Pells,  Modernist America: Art, Music, Movies, and the Globalization of American Culture  (New Haven and London: Yale University Press, 2011), ISBN 978-0-300-11504-8 (hb), 978-0-300-18173-9 (pb)</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870986</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Book Reviews &lt;br /&gt;DAVID C. PAUL,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;Twentieth-Century Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;amp;volumeId=10&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 10 Issue 01&lt;/a&gt;, pp 137-141&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8870986'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870986&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870986&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870986&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870986&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870986' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870986</guid>
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      <title>Matthew Riley, ed.,  British Music and Modernism, 1895–1960  (Farnham: Ashgate, 2010), ISBN 978-0-7546-6585-4 (hb)</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870989</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Book Reviews &lt;br /&gt;CHRISTOPHER MARK,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;Twentieth-Century Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;amp;volumeId=10&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 10 Issue 01&lt;/a&gt;, pp 141-149&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8870989'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870989&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870989&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870989&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870989&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870989' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870989</guid>
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      <title>Daniel Grimley,  Carl Nielsen and the Idea of Modernism  (Woodbridge: Boydell Press, 2010), ISBN 978-1-84383-581-3 (hb)</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870992</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Book Reviews &lt;br /&gt;PATRICK McCRELESS,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;Twentieth-Century Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;amp;volumeId=10&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 10 Issue 01&lt;/a&gt;, pp 149-156&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8870992'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870992&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870992&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870992&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870992&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870992' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870992</guid>
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    <item>
      <title>Martin Munro,  Different Drummers: Rhythm and Race in the Americas  (Berkeley: University of California Press, 2010), ISBN 978-0-520-26283-6 (pb)</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870996</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Book Reviews &lt;br /&gt;J. GRIFFITH ROLLEFSON,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;Twentieth-Century Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;amp;volumeId=10&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 10 Issue 01&lt;/a&gt;, pp 156-163&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8870996'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870996&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870996&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870996&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870996&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870996' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870996</guid>
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    <item>
      <title>Jason Toynbee and  Byron Dueck, eds,  Migrating Music  (London: Routledge, 2011), ISBN 978-0-415-59448-6 (hb)</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870999</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Book Reviews &lt;br /&gt;ABIGAIL WOOD,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;Twentieth-Century Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=TCM&amp;amp;volumeId=10&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 10 Issue 01&lt;/a&gt;, pp 163-166&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8870999'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_TCM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/TCM/TCM.jpg' align='right' alt='Twentieth-Century Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870999&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870999&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870999&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870999&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8870999' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870999</guid>
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    <item>
      <title>TCM volume 10 issue 1 Cover and Front matter</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8870965</link>
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      <title>TCM volume 10 issue 1 Cover and Back matter</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8871002</link>
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