<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0">
  <channel>
    <title>Journal of the Society for American Music - Current Issue</title>
    <link>http://journals.cambridge.org/action/displayJournal?jid=SAM</link>
    <description />
    <image>
      <title>Journals Cambridge Online</title>
      <url>http://journals.cambridge.org/images/logo_6699CC_large.gif</url>
      <link>http://journals.cambridge.org</link>
      <description>Journals Cambridge Online</description>
    </image>
    <item>
      <title>Volume 7 Issue 01</title>
      <link>http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;volumeId=7&amp;issueId=01&amp;seriesId=0</link>
      <description>Journal of the Society for American Music, Volume 7 Issue 01&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt; Journal of the Society for American Music  (JSAM) is an international, peer-reviewed journal dealing with all aspects of American music and music in the Americas.  JSAM is dedicated to supporting scholarship that transcends disciplinary boundaries, cutting across historical musicology, music theory, ethnomusicology, cultural theory, identity studies, and American studies.  JSAM encourages international dialogue across disciplines.  The journal will feature articles, reviews of books, recordings, and multimedia items, and explorations of special topics.   Journal of the Society for American Music  welcomes papers covering cultural hierarchy; social, political, economic, gender, and sexuality issues; race and ethnicity; the impact and role of the media; sacred, secular, and popular contexts and traditions; geographical and historical patterns; composers, performers, and audiences; historiography and reception history; problems of research, analysis, criticism, and aesthetics.&lt;/td&gt;&lt;td&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' border='1' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DSAM%26volumeId%3D7%26issueId%3D01%26seriesId%3D0&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25' /&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DSAM%26volumeId%3D7%26issueId%3D01%26seriesId%3D0&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25' /&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DSAM%26volumeId%3D7%26issueId%3D01%26seriesId%3D0&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25' /&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DSAM%26volumeId%3D7%26issueId%3D01%26seriesId%3D0&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25' /&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DSAM%26volumeId%3D7%26issueId%3D01%26seriesId%3D0' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25' /&gt;&lt;/a&gt;</description>
      <pubDate>Fri, 01 Feb 2013 00:00:00 GMT</pubDate>
      <guid>http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;volumeId=7&amp;issueId=01&amp;seriesId=0</guid>
    </item>
    <item>
      <title>“Why We Sing”: David Mahler's Communities</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827137</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Research Articles &lt;br /&gt;AMY C. BEAL,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp 1-28&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827137'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827137&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827137&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827137&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827137&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827137' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827137</guid>
    </item>
    <item>
      <title>“Those Entertaining Frisco Boys”: Hedges Brothers and Jacobson</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827140</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Research Articles &lt;br /&gt;BRUCE VERMAZEN,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp 29-63&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827140'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827140&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827140&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827140&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827140&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827140' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827140</guid>
    </item>
    <item>
      <title>Doubled Selves: Eleanor Powell and the MGM Backstage Musical, 1935–37</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827143</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Research Articles &lt;br /&gt;ALLISON ROBBINS,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp 65-93&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827143'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827143&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827143&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827143&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827143&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827143' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827143</guid>
    </item>
    <item>
      <title>I Wonder As I Wander: The Life of John Jacob Niles . By   Pen. Lexington: University Press of Kentucky, 2010.</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827146</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Book Reviews &lt;br /&gt;Anne Dhu McLucas,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp 95-97&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827146'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827146&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827146&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827146&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827146&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827146' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827146</guid>
    </item>
    <item>
      <title>American Orchestras in the Nineteenth Century . Edited by   Spitzer. Chicago: University of Chicago Press, 2012.</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827149</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Book Reviews &lt;br /&gt;Douglas Shadle,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp 97-101&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827149'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827149&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827149&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827149&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827149&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827149' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827149</guid>
    </item>
    <item>
      <title>George F. Root, Civil War Songwriter: A Biography . By   Carder. Jefferson, NC: McFarland, 2008.</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827152</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Book Reviews &lt;br /&gt;Juanita Karpf,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp 101-104&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827152'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827152&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827152&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827152&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827152&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827152' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827152</guid>
    </item>
    <item>
      <title>Music in Imperial Rio de Janeiro: European Culture in a Tropical Milieu . By   Magaldi. Lanham, MD: Scarecrow Press, 2004.   Choro: A Social History of a Brazilian Popular Music . By   Livingston-Isenhour and   Garcia. Bloomington: Indiana University Press, 2005.</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827155</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Book Reviews &lt;br /&gt;Rogério Budasz,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp 104-109&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827155'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827155&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827155&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827155&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827155&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827155' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827155</guid>
    </item>
    <item>
      <title>Carole King.  The Legendary Demos . Hear Music HRM-33681-02, 2012.</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827158</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Product Review &lt;br /&gt;James E. Perone,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp 111-112&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827158'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827158&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827158&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827158&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827158&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827158' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827158</guid>
    </item>
    <item>
      <title>Scott Joplin.  Treemonisha . Paragon Ragtime Orchestra and Singers; Rick Benjamin, conductor. New World Records 80729-2, 2011, 2 CDs.</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827161</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Product Review &lt;br /&gt;Edward A. Berlin,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp 112-115&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827161'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827161&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827161&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827161&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827161&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827161' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827161</guid>
    </item>
    <item>
      <title>The Asphalt Orchestra.  The Asphalt Orchestra . Cantaloupe Music CD 21066, 2010.</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827164</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Product Review &lt;br /&gt;Lisa Nielson,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp 115-117&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827164'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827164&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827164&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827164&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827164&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827164' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827164</guid>
    </item>
    <item>
      <title>Aaron Copland: Music in the 20's . David M. Davis, director. Kultur D4760, 2011, 3 DVDs.</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827167</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Product Review &lt;br /&gt;Howard Pollack,  &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp 119-121&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827167'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827167&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827167&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827167&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827167&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827167' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827167</guid>
    </item>
    <item>
      <title>SAM volume 7 issue 1 Cover and Front matter</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827135</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Miscellaneous &lt;br /&gt; &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp f1-f9&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827135'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827135&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827135&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827135&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827135&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827135' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827135</guid>
    </item>
    <item>
      <title>SAM volume 7 issue 1 Cover and Back matter</title>
      <link>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827170</link>
      <description>&lt;table border='0'&gt;&lt;tr&gt;&lt;td&gt;Miscellaneous &lt;br /&gt; &lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;Journal of the Society for American Music&lt;/a&gt;, &lt;a href='http://journals.cambridge.org/action/displayIssue?jid=SAM&amp;amp;volumeId=7&amp;amp;issueId=01&amp;amp;seriesId=0'&gt;Volume 7 Issue 01&lt;/a&gt;, pp b1-b5&lt;br /&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;amp;aid=8827170'&gt;Abstract&lt;/a&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;a href='http://journals.cambridge.org/jid_SAM'&gt;&lt;img src='http://journals.cambridge.org/cover_images/SAM/SAM.jpg' align='right' alt='Journal of the Society for American Music'/&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br/&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827170&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827170&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827170&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827170&amp;amp;pubid=xa-502df628072bfd96' target='_blank' &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/&gt;&lt;/a&gt;&lt;a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;amp;=250&amp;amp;pubid=xa-502df628072bfd96&amp;amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8827170' target='_blank'  &gt;&lt;img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/&gt;&lt;/a&gt;</description>
      <guid>http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8827170</guid>
    </item>
  </channel>
</rss>

