Plainsong and Medieval Music - Current Issue

Volume 22 Issue 01

Sun, 31 Mar 2013 23:00:00 GMT

Plainsong and Medieval Music, Volume 22 Issue 01

Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.

Text and formula in the Milanese cantus

Research Articles
EMMA HORNBY,
Plainsong and Medieval Music, Volume 22 Issue 01, pp 1-35

Abstract

Ordering in the motet fascicles of the Florence manuscript

Research Articles
CATHERINE A. BRADLEY,
Plainsong and Medieval Music, Volume 22 Issue 01, pp 37-64

Abstract

Augustinian networks and the Chicago music theory manuscript

Research Articles
RENATA PIERAGOSTINI,
Plainsong and Medieval Music, Volume 22 Issue 01, pp 65-85

Abstract

Recent recordings of plainchant

Product Review
JEROME F. WEBER,
Plainsong and Medieval Music, Volume 22 Issue 01, pp 87-91

Abstract

Blair Sullivan, The Classical Analogy between Speech and Music and its Transmission in Carolingian Music Theory , Medieval and Renaissance Texts and Studies 400 (Tempe: Arizona Center for Medieval & Renaissance Studies, 2011). 96 pp. $47. ISBN 978 0 86698 448 5.

Book Reviews
MARIKEN TEEUWEN,
Plainsong and Medieval Music, Volume 22 Issue 01, pp 93-95

Abstract

Actes du colloque ‘1000 ans de chant grégorien’, Sablé-sur-Sarthe, Bibliothèque nationale de France, Abbaye de Solesmes, 9–10 septembre 2010 , ed. Patrick Hala, Études grégoriennes 38 (Solesmes: Éditions de Solesmes, 2011). 320 pp. €29. ISBN 978 2 85274 361 8.

Book Reviews
KATE HELSEN,
Plainsong and Medieval Music, Volume 22 Issue 01, pp 95-98

Abstract

Fred Büttner, Das Klauselrepertoire der Handschrift Saint-Victor (Paris, BN, lat. 15139): eine Studie zur mehrstimmigen Komposition im 13. Jahrhundert (Lecce: Milella, 2011). 408 pp.+6 colour plates. €30. ISBN 978 88 7048 487 8.

Book Reviews
CATHERINE A. BRADLEY,
Plainsong and Medieval Music, Volume 22 Issue 01, pp 98-101

Abstract

Judith A. Peraino, Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut (New York: Oxford University Press, 2011). xxi+346 pp. £30. ISBN 978 0 19 975724 4.

Book Reviews
NICOLETTE ZEEMAN,
Plainsong and Medieval Music, Volume 22 Issue 01, pp 101-104

Abstract

Elizabeth Eva Leach, Guillaume de Machaut: Secretary, Poet, Musician (Ithaca, NY: Cornell University Press, 2011). xv+367 pp. $59.95. ISBN 978 0 8014 4933 8.

Book Reviews
ALICE V. CLARK,
Plainsong and Medieval Music, Volume 22 Issue 01, pp 105-107

Abstract

Robert Nosow, Ritual Meanings in the Fifteenth-Century Motet (Cambridge: Cambridge University Press, 2012). xvi+275 pp. £60. ISBN 978 0 521 19347 4.

Book Reviews
MARGARET BENT,
Plainsong and Medieval Music, Volume 22 Issue 01, pp 107-113

Abstract

John Potter and Neil Sorrell, A History of Singing (Cambridge: Cambridge University Press, 2012). vii+349 pp. £75. ISBN 978 0 521 81705 9.

Book Reviews
GREGORIO BEVILACQUA,
Plainsong and Medieval Music, Volume 22 Issue 01, pp 114-115

Abstract

PMM volume 22 issue 1 Cover and Front matter

Miscellaneous

Plainsong and Medieval Music, Volume 22 Issue 01, pp f1-f4

Abstract

PMM volume 22 issue 1 Cover and Back matter

Miscellaneous

Plainsong and Medieval Music, Volume 22 Issue 01, pp b1-b7

Abstract