Organised Sound - Current Issue

Volume 18 Special Issue 01

Sun, 31 Mar 2013 23:00:00 GMT

Organised Sound, Volume 18 Special Issue 01

Organised Sound is an international peer-reviewed journal which focuses on the rapidly developing methods and issues arising from the use of technology in music today. It concentrates upon the impact which the application of technology is having upon music in a variety of genres, including multimedia, performance art, sound sculpture and music ranging from popular idioms to experimental electroacoustic composition. It provides a unique forum for anyone interested in electroacoustic music studies, its creation and related developments to share the results of their research as they affect musical issues. An accompanying CD/CD-ROM/DVD is sent to subscribers annually.

Editorial

Editorial
Lonce Wyse,
Organised Sound, Volume 18 Special Issue 01, pp 1-2

Abstract

‘The Open Work’: Ecologies of participation

Research Articles
Guy Harries,
Organised Sound, Volume 18 Special Issue 01, pp 3-13

Abstract

Lowercase Strategies in Public Sound Art: celebrating the transient audience

Research Articles
Peter Batchelor,
Organised Sound, Volume 18 Special Issue 01, pp 14-21

Abstract

My Content/My Space/My Music

Research Articles
Alexandros Kontogeorgakopoulos, Olivia Kotsifa,
Organised Sound, Volume 18 Special Issue 01, pp 22-29

Abstract

massMobile: towards a flexible framework for large-scale participatory collaborations in live performances

Research Articles
Nathan Weitzner, Jason Freeman, Yan-Ling Chen, Stephen Garrett,
Organised Sound, Volume 18 Special Issue 01, pp 30-42

Abstract

Understanding Interpretation, Informing Composition: audience involvement in aesthetic result

Research Articles
Andrew Hill,
Organised Sound, Volume 18 Special Issue 01, pp 43-59

Abstract

On Performing Electroacoustic Musics: a non-idiomatic case study for Adorno's theory of musical reproduction

Research Articles
Elizabeth Hoffman,
Organised Sound, Volume 18 Special Issue 01, pp 60-70

Abstract

The Naturalised and the Surreal: changes in the perception of popular music sound

Research Articles
Ragnhild Brøvig-Hanssen, Anne Danielsen,
Organised Sound, Volume 18 Special Issue 01, pp 71-80

Abstract

Schaeffer's Values, Henry's Monsters and Orchestral Noise Reduction

Research Articles
Jeffrey DeThorne,
Organised Sound, Volume 18 Special Issue 01, pp 81-91

Abstract

Boulanger Richard and Lazzarini Victor, eds, The Audio Programming Book . Cambridge, MA: The MIT Press, 2010. ISBN 978-0-262-01446-5 Wilson Scott, Cottle David and Collins Nick, eds, The SuperCollider Book . Cambridge, MA: The MIT Press, 2011. ISBN 978-0-262-23269-2

Book Reviews
Joseph Anderson,
Organised Sound, Volume 18 Special Issue 01, pp 92-96

Abstract

Florence Feiereisen and Alexandra Merley Hill, Germany in the Loud Twentieth Century: An Introduction . New York: Oxford University Press, 2012. ISBN 978-0-19-975938-5

Book Reviews
Tatjana Böhme-Mehner,
Organised Sound, Volume 18 Special Issue 01, pp 96-97

Abstract

Sound and movie examples – issue 18(1)

Miscellaneous

Organised Sound, Volume 18 Special Issue 01, pp 98-98

Abstract

OSO volume 18 issue 1 Cover and Front matter

Miscellaneous

Organised Sound, Volume 18 Special Issue 01, pp f1-f2

Abstract

OSO volume 18 issue 1 Cover and Back matter

Miscellaneous

Organised Sound, Volume 18 Special Issue 01, pp b1-b8

Abstract