Organised Sound - Current Issue
Volume 18 Special Issue 01
2013-03-31T23:00:00Z
Organised Sound, Volume 18 Special Issue 01<br /><br /><br /><table border='0'><tr><td> Organised Sound is an international peer-reviewed journal which focuses on the rapidly developing methods and issues arising from the use of technology in music today. It concentrates upon the impact which the application of technology is having upon music in a variety of genres, including multimedia, performance art, sound sculpture and music ranging from popular idioms to experimental electroacoustic composition. It provides a unique forum for anyone interested in electroacoustic music studies, its creation and related developments to share the results of their research as they affect musical issues. An accompanying CD/CD-ROM/DVD is sent to subscribers annually.</td><td><a href='http://journals.cambridge.org/jid_OSO'><img src='http://journals.cambridge.org/cover_images/OSO/OSO.jpg' align='right' border='1' alt='Organised Sound'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DOSO%26volumeId%3D18%26issueId%3D01%26seriesId%3D0&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25' /></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DOSO%26volumeId%3D18%26issueId%3D01%26seriesId%3D0&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25' /></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DOSO%26volumeId%3D18%26issueId%3D01%26seriesId%3D0&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25' /></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DOSO%26volumeId%3D18%26issueId%3D01%26seriesId%3D0&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25' /></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DOSO%26volumeId%3D18%26issueId%3D01%26seriesId%3D0' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25' /></a>
2013-03-31T23:00:00Z
Editorial
Editorial <br />Lonce Wyse, <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 1-2<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872441'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872441&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872441&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872441&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872441&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872441' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
‘The Open Work’: Ecologies of participation
Research Articles <br />Guy Harries, <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 3-13<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872444'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872444&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872444&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872444&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872444&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872444' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
Lowercase Strategies in Public Sound Art: celebrating the transient audience
Research Articles <br />Peter Batchelor, <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 14-21<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872447'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872447&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872447&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872447&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872447&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872447' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
My Content/My Space/My Music
Research Articles <br />Alexandros Kontogeorgakopoulos, Olivia Kotsifa, <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 22-29<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872450'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872450&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872450&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872450&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872450&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872450' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
massMobile: towards a flexible framework for large-scale participatory collaborations in live performances
Research Articles <br />Nathan Weitzner, Jason Freeman, Yan-Ling Chen, Stephen Garrett, <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 30-42<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872453'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872453&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872453&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872453&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872453&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872453' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
Understanding Interpretation, Informing Composition: audience involvement in aesthetic result
Research Articles <br />Andrew Hill, <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 43-59<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872456'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872456&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872456&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872456&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872456&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872456' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
On Performing Electroacoustic Musics: a non-idiomatic case study for Adorno's theory of musical reproduction
Research Articles <br />Elizabeth Hoffman, <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 60-70<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872459'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872459&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872459&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872459&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872459&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872459' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
The Naturalised and the Surreal: changes in the perception of popular music sound
Research Articles <br />Ragnhild Brøvig-Hanssen, Anne Danielsen, <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 71-80<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872462'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872462&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872462&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872462&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872462&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872462' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
Schaeffer's Values, Henry's Monsters and Orchestral Noise Reduction
Research Articles <br />Jeffrey DeThorne, <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 81-91<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872465'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872465&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872465&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872465&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872465&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872465' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
Boulanger Richard and Lazzarini Victor, eds, The Audio Programming Book . Cambridge, MA: The MIT Press, 2010. ISBN 978-0-262-01446-5 Wilson Scott, Cottle David and Collins Nick, eds, The SuperCollider Book . Cambridge, MA: The MIT Press, 2011. ISBN 978-0-262-23269-2
Book Reviews <br />Joseph Anderson, <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 92-96<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872468'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872468&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872468&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872468&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872468&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872468' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
Florence Feiereisen and Alexandra Merley Hill, Germany in the Loud Twentieth Century: An Introduction . New York: Oxford University Press, 2012. ISBN 978-0-19-975938-5
Book Reviews <br />Tatjana Böhme-Mehner, <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 96-97<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872471'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872471&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872471&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872471&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872471&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872471' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
Sound and movie examples – issue 18(1)
Miscellaneous <br /> <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp 98-98<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872478'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872478&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872478&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872478&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872478&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872478' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
OSO volume 18 issue 1 Cover and Front matter
Miscellaneous <br /> <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp f1-f2<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872476'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872476&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872476&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872476&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872476&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872476' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>
OSO volume 18 issue 1 Cover and Back matter
Miscellaneous <br /> <br /><a href='http://journals.cambridge.org/jid_OSO'>Organised Sound</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=18&issueId=01&seriesId=0'>Volume 18 Special Issue 01</a>, pp b1-b8<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8872474'>Abstract</a><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872474&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872474&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872474&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872474&pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&=250&pubid=xa-502df628072bfd96&url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8872474' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a>