Cambridge Opera Journal - Current Issue http://journals.cambridge.org/action/displayJournal?jid=OPR Cambridge Opera Journal , Volume 19 Issue 03<br /><br /><br /><table border='0'><tr><td>Containing lively and provocative essays, Cambridge Opera Journal has a well-established reputation for publishing first-rate scholarship on opera in all its manifestations. The Journal not only contains material on all aspects of the European canon, it has now widened its scope to publish high-quality essays on American opera and musical theatre, on non-Western music theatres, and on contemporary works. Carefully researched and often illustrated with music examples and pictures, articles adopt a wide spectrum of critical approaches. As well as major articles, each issue generally includes reviews on recent publications of importance in the field.</td><td> <a href='http://journals.cambridge.org/jid_OPR'><img src='http://journals.cambridge.org/cover_images/OPR/OPR.jpg' align='right' border='1' alt='Cambridge Opera Journal '/></a></td></tr></table> Journals Cambridge Online http://journals.cambridge.org/images/logo_6699CC_large.gif http://journals.cambridge.org Journals Cambridge Online Volume 19 Issue 03 http://journals.cambridge.org/action/displayIssue?jid=OPR&volumeId=19&issueId=03 Cambridge Opera Journal , Volume 19 Issue 03<br /><br /><br /><table border='0'><tr><td>Containing lively and provocative essays, Cambridge Opera Journal has a well-established reputation for publishing first-rate scholarship on opera in all its manifestations. The Journal not only contains material on all aspects of the European canon, it has now widened its scope to publish high-quality essays on American opera and musical theatre, on non-Western music theatres, and on contemporary works. Carefully researched and often illustrated with music examples and pictures, articles adopt a wide spectrum of critical approaches. As well as major articles, each issue generally includes reviews on recent publications of importance in the field.</td><td> <a href='http://journals.cambridge.org/jid_OPR'><img src='http://journals.cambridge.org/cover_images/OPR/OPR.jpg' align='right' border='1' alt='Cambridge Opera Journal '/></a></td></tr></table> Thu, 01 Nov 2007 00:00:00 GMT http://journals.cambridge.org/action/displayIssue?jid=OPR&volumeId=19&issueId=03 ‘In Italy we don’t have the means for illusion’: Grand opéra in nineteenth-century Bologna http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380528 Research Articles<br />CORMAC NEWARK, <br /><a href='http://journals.cambridge.org/jid_OPR'>Cambridge Opera Journal </a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OPR&volumeId=19&issueId=03'>Volume 19 Issue 03</a> , pp 199-222<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380528'>Abstract</a><br />p://www.w3.org/1999/xhtml">Cambridge Journals Online - CUP Full-Text PageCambridge Opera Journal (2007), 19:199-222 Cambridge University PressCopyright Cambridge University Press doi:10.1017/S0954586707002340Research Article http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380528 The best of all possible worlds: The Eldorado episode in Leonard Bernstein’s Candide http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380540 Research Articles<br />ELIZABETH B. CRIST, <br /><a href='http://journals.cambridge.org/jid_OPR'>Cambridge Opera Journal </a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OPR&volumeId=19&issueId=03'>Volume 19 Issue 03</a> , pp 223-248<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380540'>Abstract</a><br />p://www.w3.org/1999/xhtml">Cambridge Journals Online - CUP Full-Text PageCambridge Opera Journal (2007), 19:223-248 Cambridge University PressCopyright Cambridge University Press doi:10.1017/S0954586707002352Research Article http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380540 Killing time: Contemporary representations of opera in British culture http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380552 Research Articles<br />ALEXANDRA WILSON, <br /><a href='http://journals.cambridge.org/jid_OPR'>Cambridge Opera Journal </a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OPR&volumeId=19&issueId=03'>Volume 19 Issue 03</a> , pp 249-270<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380552'>Abstract</a><br />p://www.w3.org/1999/xhtml">Cambridge Journals Online - CUP Full-Text PageCambridge Opera Journal (2007), 19:249-270 Cambridge University PressCopyright Cambridge University Press doi:10.1017/S0954586707002364Research Article http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380552 Beth L. Glixon and Jonathan E. Glixon. Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. New York: Oxford University Press, 2006. pp. 424 http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380564 Book Reviews<br />Stefanie Tcharos, <br /><a href='http://journals.cambridge.org/jid_OPR'>Cambridge Opera Journal </a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=OPR&volumeId=19&issueId=03'>Volume 19 Issue 03</a> , pp 271-275<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380564'>Abstract</a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1380564