Nineteenth-Century Music Review - Current Issue http://journals.cambridge.org/action/displayJournal?jid=NCM Journals Cambridge Online http://journals.cambridge.org/images/logo_6699CC_large.gif http://journals.cambridge.org Journals Cambridge Online Volume 9 Issue 02 http://journals.cambridge.org/action/displayIssue?jid=NCM&volumeId=9&issueId=02&seriesId=0 Nineteenth-Century Music Review, Volume 9 Issue 02<br /><br /><br /><table border='0'><tr><td> Nineteenth-Century Music Review locates music within all aspects of culture in the long nineteenth century, covering the widest possible range of methods, topics and concepts. Through themed and general issues articles provide both depth and breadth in their contribution to this expanding field. A rich supply of book, CD, DVD and score reviews reflects the journal’s title and commitment to stimulate and advance critical discussion.</td><td><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' border='1' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DNCM%26volumeId%3D9%26issueId%3D02%26seriesId%3D0&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25' /></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DNCM%26volumeId%3D9%26issueId%3D02%26seriesId%3D0&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25' /></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DNCM%26volumeId%3D9%26issueId%3D02%26seriesId%3D0&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25' /></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DNCM%26volumeId%3D9%26issueId%3D02%26seriesId%3D0&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25' /></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DNCM%26volumeId%3D9%26issueId%3D02%26seriesId%3D0' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25' /></a> Sat, 01 Dec 2012 00:00:00 GMT http://journals.cambridge.org/action/displayIssue?jid=NCM&volumeId=9&issueId=02&seriesId=0 Contributors http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804719 <table border='0'><tr><td>Miscellaneous <br /> <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 175-176<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804719'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804719&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804719&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804719&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804719&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804719' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804719 Haydn's (?) Cello Concertos, 1860-1930: Editions, Performances, Reception http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804668 <table border='0'><tr><td>Research Articles <br />George Kennaway, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 177-211<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804668'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804668&amp;pubid=xa-502df628072bfd96' 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href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804668&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804668' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804668 Moot point: Editing Poetry and Punctuation in Fauré's Early Songs http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804671 <table border='0'><tr><td>Research Articles <br />Emily Kilpatrick, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 213-235<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804671'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804671&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804671&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804671&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804671&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804671' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804671 Empiricism, Ideology and William Crotch's Specimens http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804674 <table border='0'><tr><td>Research Articles <br />Howard Irving, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 237-253<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804674'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804674&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804674&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' 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target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804674 Miscellany and Collegiality in the British Periodical Press: The Harmonicon (1823–1833) http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804677 <table border='0'><tr><td>Research Articles <br />Erin Johnson-Hill, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 255-293<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804677'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804677&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804677&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804677&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804677&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804677' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804677 Sullivan, Scott and Ivanhoe : Constructing Historical Time and National Identity in Victorian Opera http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804680 <table border='0'><tr><td>Research Articles <br />Benedict Taylor, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 295-321<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804680'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804680&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804680&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804680&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804680&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804680' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804680 Marco Beghelli and Raffaele Talmelli, Ermafrodite armoniche (Varese: Zecchini Editore, 2011). vii+216 pp+CD. €25.00. http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804683 <table border='0'><tr><td>Book Reviews <br />Nicholas Clapton, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 323-325<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804683'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804683&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804683&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804683&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804683&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804683' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804683 Florence Gétreau, ed. Musique–Images–Instruments N° 11: Le pianoforte en France 1780–1820 (Paris: CNRS Éditions, 2009). 286 pp. 35€. http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804686 <table border='0'><tr><td>Book Reviews <br />Nathalie Hérold, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 326-331<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804686'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804686&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804686&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804686&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804686&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804686' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804686 Rachel Cowgill, David Cooper, Clive Brown, eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton (Woodbridge, UK: Boydell & Brewer, 2010). xv+413 pp. £60.00. http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804689 <table border='0'><tr><td>Book Reviews <br />Jann Pasler, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 332-336<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804689'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804689&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804689&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804689&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804689&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804689' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804689 Andrew Davis, Il Trittico, Turandot, and Puccini's Late Style (Bloomington, IN: Indiana University Press, 2010). xiii+309 pp. $39.95. http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804692 <table border='0'><tr><td>Book Reviews <br />William Marvin, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 336-340<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804692'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804692&amp;pubid=xa-502df628072bfd96' target='_blank' 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href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804692&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804692' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804692 Constantin Floros. Johannes Brahms: ‘Free But Alone’: A Life for a Poetic Music , trans. Ernest Bernhard Kabisch (Frankfurt am Main: Verlag Peter Lang, 2010). x+291 pp. £ 37.00. http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804695 <table border='0'><tr><td>Book Reviews <br />Nicole Grimes, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 341-346<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804695'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804695&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804695&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804695&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804695&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804695' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804695 Charles Youmans, ed. The Cambridge Companion to Richard Strauss (Cambridge: Cambridge University Press, 2010). xxxvi+368 pp. £18.99. http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804698 <table border='0'><tr><td>Book Reviews <br />Christian Thomas Leitmeir, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 346-350<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804698'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804698&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804698&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804698&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804698&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804698' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804698 Books Received http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804701 <table border='0'><tr><td>Books Received <br /> <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 351-351<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804701'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804701&amp;pubid=xa-502df628072bfd96' target='_blank' ><img 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Henle Verlag, 2009), viii+68pp. Johann Nepomuk Hummel, Concerto for Trumpet and Orchestra in E major (Partitur Nr. 15119), and Version in E flat Major (Partitur 15118), edited by Michael Kube (Wiesbaden: Breitkopf & Härtel, 2010), iv+48pp. http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804707 <table border='0'><tr><td>Product Review <br />Alexander Bonus, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 379-387<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804707'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804707&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804707&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804707&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804707&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804707' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804707 Selected Songs of the Munich School 1870–1920: Lieder for Soprano Voice and Piano , edited by Robert W. Wason, Valerie Errante, Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, volume 54. (Middleton, WI: A-R Editions, 2010), preface plus 208 pages. http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804725 <table border='0'><tr><td>Product Review <br />Kirsten Rutschman, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 387-389<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804725'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804725&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804725&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804725&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804725&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804725' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804725 Johannes Brahms, Concerto in D major for Violin and Orchestra, Op. 77 , edited by Clive Brown, Bärenreiter-Verlag Urtext (Kassel: Bärenreiter-Verlag Karl Vötterle GmbH und Co. KG, 2012), xlvi+101 pp., Study score, TP 949 € 12,50. Pjotr Iljitsch Tschaikowsky, Violin Concerto in D major, Op. 35 , edited by Ernst Herttrich, Breitkopf & Härtel Urtext (Munich and Wiesbaden: Breitkopf & Härtel and G. Henle Verlag, 2011), Full Score, PB 15115 € 54,00. http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804728 <table border='0'><tr><td>Product Review <br />Katharina Uhde, <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 390-394<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804728'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804728&amp;pubid=xa-502df628072bfd96' target='_blank' 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href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804728&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804728' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804728 Scores Received http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8804710 <table border='0'><tr><td>Product Review <br /> <br /><a href='http://journals.cambridge.org/jid_NCM'>Nineteenth-Century Music Review</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=NCM&amp;volumeId=9&amp;issueId=02&amp;seriesId=0'>Volume 9 Issue 02</a>, pp 395-395<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8804710'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_NCM'><img src='http://journals.cambridge.org/cover_images/NCM/NCM.jpg' align='right' alt='Nineteenth-Century Music Review'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8804710&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a 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