http://journals.cambridge.org/action/displayJournal?jid=EMH http://journals.cambridge.org/images/logo_6699CC_large.gif http://journals.cambridge.org Journals Cambridge Online http://journals.cambridge.org/action/displayIssue?jid=EMH&volumeId=31&issueId=-1&seriesId=0 Early Music History, Volume 31<br /><br /><br /><table border='0'><tr><td> Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.</td><td><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' border='1' alt='Early Music History'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DEMH%26volumeId%3D31%26issueId%3D-1%26seriesId%3D0&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25' /></a><a 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href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DEMH%26volumeId%3D31%26issueId%3D-1%26seriesId%3D0&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25' /></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayIssue%3Fjid%3DEMH%26volumeId%3D31%26issueId%3D-1%26seriesId%3D0' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25' /></a> Sun, 01 Jan 2012 00:00:00 GMT http://journals.cambridge.org/action/displayIssue?jid=EMH&volumeId=31&issueId=-1&seriesId=0 http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660514 <table border='0'><tr><td>Editorial <br />Iain Fenlon, <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp 1-1<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660514'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660514&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a 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src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660514' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660514 http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660496 <table border='0'><tr><td>Research Articles <br />Patrizio Barbieri, Michael Talbot, <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp 3-35<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660496'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660496&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660496&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' 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><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660496 http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660502 <table border='0'><tr><td>Research Articles <br />Vincenzo Borghetti, Stephen Bemrose, <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp 37-85<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660502'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a 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<table border='0'><tr><td>Research Articles <br />Fabio Carboni, Agostino Ziino, <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp 87-151<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660508'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660508&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a 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src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660508' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660508 http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660493 <table border='0'><tr><td>Research Articles <br />Remi Chiu, <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp 153-188<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660493'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660493&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660493&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' 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><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660493 http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660499 <table border='0'><tr><td>Research Articles <br />Andrea Garavaglia, Katherine Kamal, <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp 189-233<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660499'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a 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<table border='0'><tr><td>Research Articles <br />Lisa Nielson, <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp 235-261<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660490'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660490&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660490&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660490&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660490&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660490' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660490 http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660511 <table border='0'><tr><td>Book Reviews <br />Anna Zayaruznaya, <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp 263-278<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660511'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660511&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660511&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' 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><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660511 http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660505 <table border='0'><tr><td>Book Reviews <br />David Fallows, <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp 279-285<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660505'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a 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<table border='0'><tr><td>Book Reviews <br />Jonathan Wainwright, <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp 285-290<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660521'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660521&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660521&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' alt='Twitter' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/mendeley/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660521&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/mendeley.png' border='0' alt='Mendeley' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/email/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660521&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/email.png' border='0' alt='Email' width='25' height='25'/></a><a href='http://www.addthis.com/bookmark.php?source=tbx32nj-1.0&amp;=250&amp;pubid=xa-502df628072bfd96&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660521' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660521 http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660517 <table border='0'><tr><td>Miscellaneous <br /> <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp f1-f5<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660517'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a href='http://api.addthis.com/oexchange/0.8/forward/facebook/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660517&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/facebook.png' border='0' alt='Facebook' width='25' height='25'/></a><a href='http://api.addthis.com/oexchange/0.8/forward/twitter/offer?pco=tbx32nj-1.0&amp;url=http%3A%2F%2Fjournals.cambridge.org%2Faction%2FdisplayAbstract%3FfromPage%3Donline%26aid%3D8660517&amp;pubid=xa-502df628072bfd96' target='_blank' ><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/twitter.png' border='0' 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><img src='http://cache.addthiscdn.com/icons/v1/thumbs/32x32/more.png' border='0' alt='More...' width='25' height='25'/></a> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660517 http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8660519 <table border='0'><tr><td>Miscellaneous <br /> <br /><a href='http://journals.cambridge.org/jid_EMH'>Early Music History</a>, <a href='http://journals.cambridge.org/action/displayIssue?jid=EMH&amp;volumeId=31&amp;issueId=-1&amp;seriesId=0'>Volume 31</a>, pp b1-b1<br /><br /><a href='http://journals.cambridge.org/action/displayAbstract?fromPage=online&amp;aid=8660519'>Abstract</a></td><td><br /><a href='http://journals.cambridge.org/jid_EMH'><img src='http://journals.cambridge.org/cover_images/EMH/EMH.jpg' align='right' alt='Early Music History'/></a></td></tr></table><br/><a 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