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| Organised Sound (2003), 8:3:313-320 Cambridge University Press Copyright © Cambridge University Press 2003 doi:10.1017/S1355771803000293 On the process and aesthetics of sampling in electronic music production 1
Abstract
Footnotes1 An earlier version of this paper was presented at the Making Popular Music conference, Experience Music Project Museum, Seattle, Washington, April 2002. |
Organised Sound (2003), 8: 313-320 Cambridge University Press
Copyright © Cambridge University Press 2003
doi:10.1017/S1355771803000293
Published online by Cambridge University Press 21 Apr 2004
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http://journals.cambridge.org/action/displayAbstract?aid=215997
Copy and paste this citation
TARA RODGERS
(2003).
On the process and aesthetics of sampling in electronic music production . Organised Sound,
8,
pp 313-320
doi:10.1017/S1355771803000293
doi:10.1017/S1355771803000293
