Hostname: page-component-8448b6f56d-jr42d Total loading time: 0 Render date: 2024-04-15T13:28:48.398Z Has data issue: false hasContentIssue false
  • English
  • Français

On Being Moved by Anna Karenina and Anna Karenina

Published online by Cambridge University Press:  30 January 2009

Barrie Paskins
Barrie Paskins
Affiliation:
University of London King's College
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Discussion
Information
Philosophy , Volume 52 , Issue 201 , July 1977 , pp. 344 - 347
Copyright
Copyright © The Royal Institute of Philosophy 1977

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Radford, C. and Weston, M., ‘How can we be moved by the fate of Anna Karenina?’, Proceedings of the Aristotelian Society, Supplementary Volume 49 (1975). 67–93.CrossRefGoogle Scholar

2 A question to anyone disposed both to assert that works of art are important in the education of the emotions and to deny that our emotions towards fictional characters are directed towards those real people, if any, who are in essentially the same situation: what part is played in emotional development by the discovery that one has been lavishing one's pity, affection, delight, etc., on characters which are essentially unreal, artificial, merely contrived?