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Top 10 Most-Cited Articles


These are the top 10 most-cited articles for this title for the previous two years. Most-cited rankings are updated on a monthly basis and provided by CrossRef.

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Interactivity, where to from here?

Garth Paine

Organised Sound, Volume 7, Issue 03, Dec 2002, pp 295-304
doi: 10.1017/S1355771802003096 (About doi), Published online by Cambridge University Press 26 Jun 2003
 

Composition and diffusion: space in sound in space

BARRY TRUAX

Organised Sound, Volume 3, Issue 02, Aug 1998, pp 141-146
doi: 10.1017/S1355771898002076 (About doi),
 

Categorising complex dynamic sounds

EDUARDO RECK MIRANDA, JAMES CORREA and JOE WRIGHT

Organised Sound, Volume 5, Issue 02, Aug 2000, pp 95-102
doi: 10.1017/S1355771800002065 (About doi), Published online by Cambridge University Press 08 Jun 2001
 

Ontologies, categories, folksonomies: an organised language of sound

Kenneth Fields

Organised Sound, Volume 12, Issue 02, Aug 2007, pp 101-111
doi: 10.1017/S135577180700177X (About doi), Published online by Cambridge University Press 04 Jul 2007
 

Discovering How Accessible Electroacoustic Music Can Be: the Intention/Reception project

ROB WEALE

Organised Sound, Volume 11, Issue 02, Aug 2006, pp 189-200
doi: 10.1017/S1355771806001476 (About doi), Published online by Cambridge University Press 14 Aug 2006
 

Spatio-musical composition strategies

Natasha Barrett

Organised Sound, Volume 7, Issue 03, Dec 2002, pp 313-323
doi: 10.1017/S1355771802003114 (About doi), Published online by Cambridge University Press 26 Jun 2003
 

Sculpting a sound space with information properties

STEPHEN BARRASS

Organised Sound, Volume 1, Issue 02, Aug 1996, pp 125-136
doi: 10.1017/S1355771896000040 (About doi),
 

A Constructivist approach to the analysis of electronic music and audio art – between instruments and faktura

MARC BATTIER

Organised Sound, Volume 8, Issue 03, Dec 2003, pp 249-255
doi: 10.1017/S1355771803000220 (About doi), Published online by Cambridge University Press 21 Apr 2004
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