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Top 10 Most-Cited Articles


These are the top 10 most-cited articles for this title. Most-cited rankings are updated on a monthly basis and provided by CrossRef.

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Introduction: Divo worship

KAREN HENSON

Cambridge Opera Journal , Volume 19, Issue 01, Mar 2007, pp 1-9
doi: 10.1017/S0954586707002236 (About doi), Published online by Cambridge University Press 17 May 2007
 

Nuremberg Trial: Is there anti-semitism in Die Meistersinger?

Barry Millington

Cambridge Opera Journal , Volume 3, Issue 03, Nov 1991, pp 247-260
doi: 10.1017/S0954586700003529 (About doi), Published online by Cambridge University Press 27 Aug 2008
 

Ariadne, Daphne and the problem of Verwandlung

BRYAN GILLIAM

Cambridge Opera Journal , Volume 15, Issue 01, Mar 2003, pp 67-81
doi: DOI:10.1017/S0954586703000673 (About doi), Published online by Cambridge University Press 02 Sep 2003
 

Aida's flutes

GABRIELA CRUZ

Cambridge Opera Journal , Volume 14, Issue 1-2, Mar 2002, pp 177-200
doi: 10.1017/S0954586702000125 (About doi), Published online by Cambridge University Press 20 Jun 2003
 

Shedding light on the audience: Hans Neuenfels and Peter Konwitschny stage Verdi (and Verdians)

CLEMENS RISI

Cambridge Opera Journal , Volume 14, Issue 1-2, Mar 2002, pp 201-210
doi: 10.1017/S0954586702000137 (About doi), Published online by Cambridge University Press 20 Jun 2003
 

Neapolitan elements and comedy in nineteenth-century opera buffe

SEBASTIAN WERR

Cambridge Opera Journal , Volume 14, Issue 03, Nov 2002, pp 297-311
doi: DOI:10.1017/S0954586702000186 (About doi), Published online by Cambridge University Press 20 Jun 2003
 

Why early opera is Roman and not Greek

ROBERT C. KETTERER

Cambridge Opera Journal , Volume 15, Issue 01, Mar 2003, pp 1-14
doi: DOI:10.1017/S0954586703000016 (About doi), Published online by Cambridge University Press 02 Sep 2003
 

Staging at the Opéra-Comique in nineteenth-century Paris: Auber's Fra Diavolo and the livrets de mise-en-scène

ARNOLD JACOBSHAGEN

Cambridge Opera Journal , Volume 13, Issue 03, Nov 2001, pp 239-260
doi: DOI:10.1017/S0954586701002397 (About doi), Published online by Cambridge University Press 24 Sep 2002
 

A madwoman's choice: aria substitution in Lucia di Lammermoor

HILARY PORISS

Cambridge Opera Journal , Volume 13, Issue 01, Mar 2001, pp 1-28
doi: DOI:10.1017/S0954586701000015 (About doi), Published online by Cambridge University Press 05 Mar 2002
 

Verdi's Egyptian spectacle: On the colonial subject of Aida

KATHERINE BERGERON

Cambridge Opera Journal , Volume 14, Issue 1-2, Mar 2002, pp 149-159
doi: 10.1017/S0954586702000101 (About doi), Published online by Cambridge University Press 20 Jun 2003
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