Based on more than a decade of research on the Taraco Peninsula, Titicaca Basin, Bolivia, we discuss the role of memory, tradition and ancestral participation from the earliest settled communities to the founding and influence of the Tiwanaku order. We examine the shifting role of social memory vis-à-vis public ceremonies, pottery and food production. While the earlier phases give a sense of familial community and the construction of place through ancestor veneration, the later phases suggest stronger lineage commemoration, with families acting as gravitational forces in the burgeoning political developments. Our diachronic study on the Taraco Peninsula tracks these practices illustrating the movement along a discursive–non-discursive continuum, with some practices brought to the surface and politicized.

It is now generally accepted that there are no human societies which are truly egalitarian; this also true of bonobos and chimpanzees, among whom rank is inherited. If it were true of the common ancestor of Homo and Pan, there would have been (inherited) social inequality throughout our hominin ancestry. The problem is how to find it. It is also accepted that artefacts play an active and important role in our social lives; thus, socially defined differences may be reflected among the very simplest of artefacts. A case study of flaked stone from southwestern Egypt, dating to about 7000–8000 years ago, suggests that social differences can, indeed, be identified within very simple artefacts — in this case, plain, unmodified stone flakes. Using unmodified stone flakes, I explore the possibility of identifying not merely social difference but, specifically, inherited social difference in the Upper Palaeolithic of Europe and among early African hominins more than 2,000,000 years ago.

The Grooved Ware complex in Later Neolithic Britain has proved a perplexing phenomenon for prehistorians. While originally identified by Stuart Piggott as one of a series of ‘Secondary Neolithic Cultures’, it was later recognized as a special-purpose assemblage, connected with inter-regional contacts between socially pre-eminent groups. Yet Grooved Ware appears to have been at once special and mundane, ceremonial and domestic. In this contribution I suggest that Grooved Ware and its associated domestic architecture, originating in the north of Scotland, provided a medium for the elaboration of the notion of the domestic community in southern Britain, creating a new conception of the social at a time of profound change. Communal feasting, monumental structures and pit deposition all drew upon the imagery of the house and the household to provide a new means of social integration.

Detailed information gleaned from the approximately 800-year-old proto-Taíno petroglyph boulders at the Jacaná ball-court in south-central Puerto Rico highlights their research potential, particularly when based on detailed field observations and placed within an ethno-historic context.

Remnants of stationary fishing structures on the Northwest Coast of North America are commonly investigated by archaeologists, with most studies focusing on questions of function and chronology. Here it is argued that in Native Northwest Coast ontologies fish and fishing structures were considered animate and part of the social worlds within which humans and fish were engaged. Fish were considered capable of retaliating against those who treated them improperly, and one way of ensuring that no offence would occur was to dismantle fish traps when they were not in use. Using recently documented archaeological fishing structures on Willapa Bay, Washington, USA, as examples, it is argued that these and many other Northwest Coast archaeological fish traps were partially dismantled in the past.

This article examines the roles of socio-symbolic practices and cosmological beliefs in the production and exchange of stone artefacts in an ethnohistorically documented context in Australia. Isabel McBryde's petrological and ethnohistorical analysis of greenstone axe distribution patterns in central Victoria provides a key example of social factors overriding technological concerns in the production and exchange of lithic artefacts. Her research shows that greenstone axes from Mt William quarry were distributed further than axes from equivalent sources. This suggests that Mt William stone axes had symbolic values that cannot be appreciated from straightforward economic perspectives – the aim of this article is to investigate why. A detailed consideration of the ethnohistorical evidence highlights the embeddedness of axe technology in cultural perceptions of landscape and the belief systems of Aboriginal people.

At issue in this article is the soundness of archaeological inferences which proceed stepwise from data about the material culture of Middle Stone Age humans, via assumptions about their symbolic behaviour, to the conclusion that they had modern language. Taking as paradigmatic the inference that the humans who inhabited Blombos Cave in South Africa some 75,000 years ago had fully syntactical language, the article argues that the inferential step from symbolic behaviour to modern language lacks the required warrant. This step, it is shown, is not underpinned by an adequate bridge theory of the putative links between symbolic behaviour and modern language. The bridge theories invoked to date to shore up the Blombos inference are flawed, for instance, in that they incorporate untenable assumptions about language, including an incorrect view of the expressive power of relatively simple linguistic means.

Imitation and shared intentionality are traits essential to the socio-cultural adaptation of Homo sapiens. Non-human apes display some capacity for imitation and shared intentionality, but are deficient in comparison to Homo sapiens. The Acheulean archaeological record provides evidence that imitation and shared intentionality were part of the behavioural repertoire of the hominins manufacturing that industry. The palaeoneurological record suggests some early Homo specimens possessed the neural architecture associated with modern human imitation. From this evidence it is suggested that a propensity for imitation and shared intentionality evolved soon after 2 million years ago.

The aim of this article is to situate archaeological approaches to modern conflicts within a framework of conflict memory and commemoration. A critical appreciation of historical archaeology as a commemorative practice requires a firm grounding in memory theory, specifically the formation and contestation of memory narratives. This article offers a detailed analysis of the relevant theories and demonstrates their applicability in the contested archaeology of the Nazi era in Berlin. On the basis of this critique I argue that archaeological work on contested sites offers a unique and powerful forum for socially engaged interdisciplinary research.

In this article we explore a pair of distinctive and associated Second World War monuments on Slapton Sands in the South Hams district of Devon, UK. The Slapton Sands Evacuation Memorial was erected in 1945 by the US armed forces to commemorate the sacrifice of local people who evacuated their homes ahead of battle training in preparation for D-Day. Meanwhile, the Torcross Tank Memorial was built in 1984 under the initiative of a local man to commemorate those US servicemen who lost their lives during the battle training in the Exercise Tiger tragedy. The historical context, form, materiality, biography and location of each monument are appraised and their relationship with each other is discussed. The article argues that from the 1940s to the present day, the monuments have evolved as sacrificial sites and serve to both commemorate the events they describe and define the identities of local people through their reuse of places and material culture.

In China, a number of signs from some Late Neolithic contexts suggest that recoding activities were well developed before Chinese writing became widespread during the Shang period. Archaeological and palaeographic evidence indicates that mature writing is likely to have evolved from these earlier signing systems as a result of the increasing social and political complexity of the societies of the Late Neolithic. This article analyses three Late Neolithic signing systems that may have led to the mature Chinese writing of the Shang oracle bone inscriptions, and argues that non-linguistic visual signing played a role in the emergence of writing systems.

This article investigates the shaping of place through memory and emotion. In particular it explores how, by engaging with particular kinds of materials, people texture locales in ways which help to structure future actions. By examining the manner in which deceased human bodies were engaged with at the British Neolithic site of Hambledon Hill, this article argues that we can trace the creation of these mnemonic and emotional geographies and so add to our understanding of how and why traditions of practice, including the deposition of human bone, were maintained through time.

Ancient cities as documented by archaeologists and historians have considerable relevance for a broader understanding of modern cities and general processes of urbanization. This article reviews three themes that illustrate such relevance: sprawl, squatter settlements and urban sustainability. Archaeology's potential for illuminating these and other topics, however, remains largely unrealized because we have failed to develop the concepts and methods required to analyse such processes in the past. The following aspects are examined for each of the three themes: the modern situation, the potential insights that archaeology could contribute, and what archaeologists would need to do to produce those insights. The author then discusses some of the benefits that would accrue from increased communication between archaeologists and other scholars of urbanism.

The naturalistic rock art of Yunnan Province is poorly known outside of China despite two decades of investigation by local researchers. The authors report on the first major international study of this art, its place in antiquity and its resemblance to some of the rock art of Europe, southern Africa and elsewhere. While not arguing a direct connection between China, Europe and other widely separated places, this article suggests that rock-art studies about the nature of style, culture contact and the transmission of iconography across space and time need to take better account of the results of neuroscience research, similar economic/ecological circumstances and the probability of independent invention.

Passage tombs are the most elaborate monuments that were built during the Irish and British Neolithic, not only because of their complex monumental architecture but also because they are the only type of tomb that has carvings and such a diversity of funerary objects. This article focuses on the spatial organization of these three components of passage tombs and identifies several recurrent structures that are classified into three groups. From these spatial structures, an abstract elementary model is proposed that helps to understand the conceptual principles and the symbolic significations that guided the construction, decoration and use of the monuments.

This article evaluates defensive works at the ancient hilltop centre of Yayno, Pomabamba, north highlands, Peru. Survey, mapping and sampling excavations show that its primaryoccupation dates to cal. AD 400–800, by groups of the Recuay tradition. At the centre of a network articulating small nearby farming villages, Yayno features an impressive series of natural and built defensive strategies. These worked in concert to protect the community from outsiders and keep internal groups physically segregated. The fortifications are discussed in relation to local political organization and a martial aesthetic in northern Peru during the period. Recuay elite identity and monumentalism arose out of local corporate traditions of hilltop dwelling and defence. Although such traditions are now largely absent in contemporary patterns of settlement, an archaeology of warfare at Yayno has repercussions for local understandings of the past.

This article examines aspects of social memory in the Aurignacian mobiliary art of southwest Germany. An analytical distinction is introduced between cultural and communicative memory with different characteristics and functions in Palaeolithic social life. It is argued that the statuettes are reflections of cultural memory, but also stood in a complex and unstable relationship with the flexible conditions of everyday life. The figurative objects are not passive reproductions of collective ideas. Rather, they have to be seen as products of an active individual and intense concern with the field of meanings and associations of cultural memory, and consequently represent individual variations of a socially shared meaningful ideology

Swan images (Cygnus sp.) are the most common symbols at petroglyph sites on the eastern shore of Lake Onega, northwest Russia, where rock engraving most likely occurred around the mid-Neolithic period. At some sites they constitute over 60 per cent of all glyphs and they are the only glyph type common to all sites. The abundance of swan symbols at a given Onega site correlates most strongly with the abundance of cervids (mostly elk). There are even partially superimposed elk–swan engravings where part of one animal contributes to the other's body. There is evidence that, during the mid-Neolithic, early sites at Lake Onega were submerged by rising water levels, most probably coinciding with a period of climatic cooling. By that point, new petroglyph sites had been created further north by the Vodla river. Here swan images are larger and more abundant and other glyphs (such as solar/lunar) are absent. It is suggested that the swan was a supernatural symbol. Its prominence at the more recent Vodla sites may be indicative of greater importance being given to this species in the context of environmental change and an associated greater struggle for survival. Thus, the swan symbol may have been perceived by the local Neolithic Finno-Ugric people as an agent for the intended reversal or control of such external challenges, and selected from a pre-existing mythological framework based on its associated traits and perceived powers.

The Neopalatial period of Middle to Late Bronze Age Crete is marked by a dramatic increase in the depiction of non-human animals. In contrast to the domesticates listed in the Linear A documents, the animals which appear on frescoes and seals are largely wild or supernatural, or in non-domestic scenes (particularly bull-leaping). This article seeks to explore the quantitative differences between the types of animals displayed on different media, and ask why non-domestic animals appear in such significant proportions. Arthur Evans and subsequent scholars have explained this phenomenon as an expression of interest in the natural world. Instead of this modernist view, it will be argued here that it is by trying to approach these depictions as expressing specifically Bronze Age human-animal relations that the role of such animals in Cretan society can be understood. From a relational perspective, the animals depicted can be seen as active participants in prestige activities such as hunting or bull-leaping rather than the passive motifs of artistic naturalists. This perspective might also provide a more illuminating answer to the question: why depict animals?