This article substantiates for the first time that Tay (Shan) script was written on a Ming dynasty scroll dated 1407. In the past, Tay scholars have assumed that early Tay script exhibited uniquely Tay characteristics from the outset, and only gradually acquired Burmese features after the eighteenth and nineteenth centuries. The data presented here demonstrates beyond doubt that the Tay borrowed heavily from the Burmese script to create their writing system before the fifteenth century. It also shows that the 1407 Tay script resembled the Ahom script more than the lik6 tho3 ngök6 script, and on the basis of this similarity concludes that lik6 tho3 ngök6 was not the progenitor of Tay scripts, as previously thought, and that the Ahom script preceded it.

The impact of Burmese script on the Tay writing system from the outset raises the broader issue of borrowing from Burman culture during the Pagan and early Ava periods. The Tay of Mäng2 Maaw2 and surrounding polities turned to Pagan and Ava for a written script, but shunned Theravada Buddhism, the religious apparatus that we assume always accompanied the spread of writing. Their adoption of a writing system stands out as a rare case of script without Buddhism in northern continental Southeast Asia. To the Tay, Pagan and Ava were dominant political powers worthy of emulation, and the adoption of their writing system attests the magnitude of its influence. It is hypothesized that such borrowing arose out of Tay aspirations for self-strengthening their polities, possibly in an endeavour to rival the Burman monarchy. Tay script emerged in an age when the Burman language had just become predominant among the elites of Pagan and early Ava. Two features of this case stand out. First, the Tay borrowed at a time when Burmese script was relatively novel and still the preserve of the Burman elite, a fact which reinforces the notion of borrowing for prestige value as well as practical utility. Second, the Tay gravitated towards the northern parts of Pagan and Ava, rather than the southern areas where Mon language retained predominance in inscriptions.

Starting from the premise that all empire building involves ideological constructs justifying the violence that accompanies such efforts, this article concentrates on elucidating the case of the Portuguese in Asia, specifically in Japan. Although well beyond the formal Portuguese thalassocracy in Asia, the Japanese islands were exposed for about a century, between 1543 and 1640, to the informal presence of Portuguese traders and missionaries. The symbiotic relationship between these two groups was based on the experience that, in Japan, the trade was difficult to conduct, for violence was always lurking beneath the surface of the trading relationship. We know of several instances when such violence actually exploded into major armed clashes, and many other times violence was narrowly averted through the mediation of the missionaries.

Based on original research in the archives of Portugal and Spain, this article analyzes the records that the leaders of the Portuguese who came to Japan in the sixteenth century, the so-called capitães mores, have left behind. Finding that a significant number of these men were or later became members of the Order of Christ or were closely related to such members, it then explores their mindset through a survey of the function of this military order in Portuguese society of the late Middle Ages. The result is a group portrait of thirty-seven men who may be considered a representative sample of the Portuguese leading both the formal and informal empires in Asia. This portrait will clarify why both Japanese and Portuguese authorities agreed, at least during the second half of the sixteenth century, that the Jesuit missionaries were an indispensable presence in Japan.

The origins of printing in East Asia have been the subject of lively debate over the last twenty years, and a constant point of reference has been the first recorded act of printing in Japan, which took place in the 760s. The term Hyakumantō Darani 百万塔陀羅尼 (hereafter HD) is commonly used in Japan to refer to this episode, and it denotes the Buddhist dhāraṇī or spells which are thought to have been printed in Nara and then inserted into wooden miniature pagodas, and which have for a century been regarded as the oldest printed texts in the world.1 They were printed, so the evidence suggests, in the closing years of the reign of Shōtoku 稱德 (718–770, r. 764–770), who was the last woman on the Japanese throne for nearly one thousand years and who had had an earlier reign under the name Kōken 孝謙 (r. 749–758).2

In this article I shall first examine the evidence relating to the HD and the origins of printing, since the whole question has long been clouded by hypotheses masquerading as fact. Second, I shall explore the origins of the practice of producing miniature pagodas and its transmission to Japan. Third, I shall argue that the established views on the motivation for the HD are inadequate, and shall identify the factors that demand a new explanation, particularly the pagodas themselves. Finally, I turn to the ideological and political factors underlying these events and suggest a new explanation. This new explanation focuses on the politics of Shōtoku's situation and the connection with empress Wu (Wu Zetian 武則天; 624–705, r. 690–705), and it goes some way towards explaining why printing was not resorted to again in Japan for several centuries.

This article examines available narratives and modes of representation concerning “civilization” and “savagery” in the early Meiji proto-colonial discursive sphere. It focuses on a major event in the 1874 Taiwan Expedition: Japan's capture and attempted assimilation of an orphaned aboriginal girl. Through an analysis of Japanese newspaper reports, woodblock prints, illustrated books, and commercial photography, this article argues that alongside the well-characterized “rhetoric of aboriginal savagery” that exaggerated the otherness of Taiwanese indigenes, there developed a synergistic “rhetoric of aboriginal civilization” that emphasized the indigenes' capacity for transformation. This mode of representation stressed not the aboriginals' alterity but rather their latent affinity to Japan. According the aboriginal a measure of temporality, the rhetoric of aboriginal civilization formed an indispensable counterpart to the rhetoric of aboriginal savagery: one that affirmed the campaign's “civilizing” component by demonstrating its viability.

This essay compares nation-making in India, Turkey and Iran through differing visions of modernity and Enlightenment as temporal horizons. The comparison is traced through the Islamic Triumvirate (Ottoman, Safavid and Mughal empires) focused upon the Mughal Emperor Akbar's multi-religious experiment in early modern empire consolidation. The essay then analyses the national independence movements which defined – through either violent or non-violent practice, direct seizure of state power or civil society transformation – the post-independence political formations of India, Turkey and Iran between democracy and authoritarianism. As ideal types, these experiences constitute two distinctive temporal horizons: the movement (involving the masses in nation-making as a multi-centred process) and the programme (nation-making from above employing a blueprint of rupture). The political tradition being highlighted is nation-making based upon an ethic of reconciliation over totality. This tradition links development and public freedom in creating a democratic society.

Based on the advertisements in the Dagong bao 大公報, this article first attempts to understand the concept of weisheng 衛生 as promoted by advertisers, arguing that during the first decade of the twentieth century, when social reformers had already used this old Chinese term to translate the Western concept of hygiene and associated it with public health programs and a stronger state, the general public as consumers in Tianjin continued to understand the concept according to its traditional meaning of “guarding life.” However, new ideas, such as disease-causing germs, cleanliness, and odor, were grafted on to this old weisheng concept as a result of strong Western influence. Still, Chinese “weisheng” differed from Western “hygiene” even in the context of private health, as foreign ideas were often transformed drastically to fit into the Chinese medical tradition. The second part of this article further explores the consumption activities involving products that were associated with the weisheng concept and discusses three questions: What did weisheng products include? Who were the consumers of weisheng products? And what kind of role did gender play in weisheng consumption?

This essay explores the nature of the changing scholarship on Chiang Kai-shek, reviewing some of the established assessments which dominated writing about Chiang for much of the latter half of the twentieth century, but contrasting these with new assessments which are now emerging in both Chinese- and English-language scholarship. The authors examine the ways in which new access to the Chiang Kai-shek diaries, a changing cross-Strait relationship and new attempts to rehabilitate the Republican past in the People's Republic of China have all had major ramifications for scholarship on Chiang. They tease out some of the exciting new threads that such scholarship is leading to, but also ask questions about the limitations and shortcomings of some of the approaches that are now dominant in the field.

In recent decades, historians of European history have produced many studies on the history of emotions. Based on the hypothesis that emotions are neither a biological essence nor a universal fixed attribute, they have sought to trace constructions of human emotionality as reflected in literary and other works in a particular society over time. This new sub-discipline, the study of what is often termed “sentimental culture”, has illuminated the interaction between the articulation of an emotional sensibility and significant social trends of the age, including the rise of humanitarian discourse, radical Protestantism, and a destabilizing of sexual norms. From the new perspective of the cultural history of emotion, the modern idea that emotions express individual inwardness and autonomy now appears to be contingent and culture bound. In the case of China, while there has been an abundance of studies of the cult of qing 情 (‘passion, desire’) in the late Ming, there are few works dealing specifically with the historical construction of emotion in pre-modern China, particularly from a linguistic point of view.