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  • Editor(s):
  • Catherine Cole , University of California, Berkeley, USA

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Table of Contents - Volume 50 - Special Issue 01 (African and Afro-Caribbean Performance)  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Front Cover (OFC, IFC) and matter

 
 

TSY volume 50 issue 1 Cover and Front matter

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp f1-f7
doi:10.1017/S0040557409009995 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Back Cover (IBC, OBC) and matter

 
 

TSY volume 50 issue 1 Cover and Back matter

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp b1-b5
doi:10.1017/S0040557409009983 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Editorial

 
 

FROM THE EDITOR

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 1-1
doi:10.1017/S0040557409000015 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

FROM THE SPECIAL EDITORS

Catherine M. Cole and Leo Cabranes-Grant

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 3-7
doi:10.1017/S0040557409000027 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Research Articles

 
 

DEVELOPING DIASPORA LITERACY AND MARASA CONSCIOUSNESS

VèVè A. Clark

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 9-18
doi:10.1017/S0040557409000039 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

PAGE TO PRAXIS: BRINGING DIASPORA LITERACY TO LIFE

Sara E. Johnson

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 19-22
doi:10.1017/S0040557409000040 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

CONTINGENCIES OF PERFORMANCE: THE GAP AS VENUE

Tejúmólá Ọláníyan

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 23-34
doi:10.1017/S0040557409000052 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

FROM ADAPTATION TO TRANSFORMATION: SHAKESPEARE CREOLIZED ON CAPE VERDE'S FESTIVAL STAGE

Christina S. McMahon

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 35-66
doi:10.1017/S0040557409000064 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

FRAMEWORKS FOR INTERPRETING FRENCH CARIBBEAN WOMEN'S THEATRE: INA CÉSAIRE'S ISLAND MEMORIES AT THE THÉÂTRE DU CAMPAGNOL

Emily Sahakian

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 67-90
doi:10.1017/S0040557409000076 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

RESURRECTING SIZWE BANZI IS DEAD (1972–2008): JOHN KANI, WINSTON NTSHONA, ATHOL FUGARD, AND POSTAPARTHEID SOUTH AFRICA

Gibson Alessandro Cima

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 91-118
doi:10.1017/S0040557409000088 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Critical Stages: Edited by Mike Sell

 
 

GRAMMAR & GHOSTS: THE PERFORMATIVE LIMITS OF AFRICAN FREEDOM

Frank B. Wilderson

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 119-125
doi:10.1017/S004055740900009X (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

RE: Sources: Edited by Nena Couch

 
 

THE CHALLENGES OF ARCHIVING AND RESEARCHING CARNIVAL ART

Lesley Ferris

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 127-134
doi:10.1017/S0040557409000106 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Research Articles

 
 

WHAT ARE YOU READING?

Charlotte M. Canning

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 135-138
doi:10.1017/S0040557409000118 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Book Reviews: Edited by Katherine Scheil

 
 

The Stagecraft and Performance of Roman Comedy. By C. W. Marshall. Cambridge: Cambridge University Press, 2006; pp. xiii + 320. $104 cloth.

Timothy J. Moore

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 139-140
doi:10.1017/S004055740900101X (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Transversal Enterprises in the Drama of Shakespeare and His Contemporaries: Fugitive Explorations. By Bryan Reynolds. New York: Palgrave Macmillan, 2006; pp. 271. $84.95 cloth, $29.95 paper.

David Hawkes

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 141-143
doi:10.1017/S0040557409001021 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Playing Spaces in Early Women's Drama. By Alison Findlay. Cambridge and New York: Cambridge University Press, 2006; pp. ix+260. $96 cloth, $34.99 paper.

Drama at the Courts of Queen Henrietta Maria. By Karen Britland. Cambridge and New York: Cambridge University Press, 2006; pp. ix+302. $101 cloth.

S. P. Cerasano

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 143-146
doi:10.1017/S0040557409001033 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

The Early Stuart Masque: Dance, Costume, and Music. By Barbara Ravelhofer. Oxford and New York: Oxford University Press, 2006. pp. 317+xvi. $125 cloth.

C. E. McGee

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 146-148
doi:10.1017/S0040557409001045 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Performance and Femininity in Eighteenth-Century German Women's Writing: The Impossible Act. By Wendy Arons. New York: Palgrave Macmillan, 2006; pp. 270 + x. $74.95 cloth.

Simon Williams

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 148-150
doi:10.1017/S0040557409001057 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Looking for Hamlet. By Marvin W. Hunt. New York: Palgrave Macmillan, 2007; pp. v + 230. $27.95 cloth.

“Hamlet” without Hamlet. By Margreta de Grazia. Cambridge: Cambridge University Press, 2007; pp. xi + 267. $101 cloth, $39.99 paper.

Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. By Tony Howard. Cambridge: Cambridge University Press, 2007; pp. xi + 329. $101 cloth.

Neil Taylor

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 150-154
doi:10.1017/S0040557409001069 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Fanny Kemble: A Performed Life. By Deirdre David. Philadelphia: University of Pennsylvania Press, 2007; pp. 350. $39.95 cloth.

Georgianna Ziegler

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 154-156
doi:10.1017/S0040557409001070 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Moscow Theatres for Young People: A Cultural History of Ideological Coercion and Artistic Innovation, 1917–2000. By Manon van de Water. New York: Palgrave Macmillan, 2006, pp. 302. $79.95 cloth.

Julia L. Mickenberg

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 156-159
doi:10.1017/S0040557409001082 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

The Theater Will Rock: A History of the Rock Musical, from “Hair” to “Hedwig.” By Elizabeth L. Wollman. Ann Arbor: University of Michigan Press, 2006; pp. 271. $29.95 cloth.

The Megamusical. By Jessica Sternfeld. Bloomington: Indiana University Press, 2006; pp. 441. $29.95 cloth.

Julie Noonan

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 159-163
doi:10.1017/S0040557409001094 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Power Plays: Australian Theatre and the Public Agenda. By Hilary Glow. Sydney: Currency Press, 2007; pp. 220. $26.50 paper.

Unsettling Space: Contestations in Contemporary Australian Theatre. By Joanne Tompkins. Houndmills, Hampshire: Palgrave Macmillan, 2006; pp. 216. $84.95 cloth.

Kerrie Schaefer

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 163-166
doi:10.1017/S0040557409001100 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Remembering and Imagining the Holocaust: The Chain of Memory. By Christopher Bigsby. New York: Cambridge University Press, 2006, pp. 416. $42 cloth.

Klaus van den Berg

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 166-168
doi:10.1017/S0040557409001112 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Stages of Emergency: Cold War Nuclear Civil Defense. By Tracy C. Davis. Durham, NC: Duke University Press, 2007; pp. 432. $89.95 cloth, $24.95 paper.

Martin Halliwell

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 168-170
doi:10.1017/S0040557409001124 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Embodied Texts: Symbolist Playwright–Dancer Collaborations. By Mary Fleischer. Amsterdam/New York: Rodopi, 2007; pp. 346. $104 paper.

The People Have Never Stopped Dancing: Native American Modern Dance Histories. By Jacqueline Shea Murphy. Minneapolis: University of Minnesota Press, 2007; pp. 320. $25 paper.

Judith Hamera

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 171-174
doi:10.1017/S0040557409001136 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

It. By Joseph Roach. Ann Arbor: University of Michigan Press, 2007; pp. x + 260. $60 cloth, $19.95 paper.

Jennifer DeVere Brody

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 174-176
doi:10.1017/S0040557409001148 (About doi), Published Online by Cambridge University Press 22 Apr 2009
 

Books Received

 
 

LIST OF BOOKS RECEIVED AS OF 1 DECEMBER 2008

Theatre Survey, Volume 50, Special Issue 01, May 2009, pp 177-183
doi:10.1017/S004055740900012X (About doi), Published Online by Cambridge University Press 22 Apr 2009
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