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  • Editor(s):
  • Catherine Cole , University of California, Berkeley, USA

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Table of Contents - Volume 46 - Issue 01  

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FROM THE EDITOR

James M. Harding

Theatre Survey, Volume 46, Issue 01, May 2005, pp 1-4
doi:10.1017/S0040557405000013 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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The Emergence of Palestinian Professional Theatre After 1967: al-Balalin's Self-Referential Play al-[ayin ]Atma (The Darkness)

Reuven Snir

Theatre Survey, Volume 46, Issue 01, May 2005, pp 5-29
doi:10.1017/S0040557405000025 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Losing Their Day Jobs: The Radio Éireann Players as a Permanent Repertory Company

Eileen Morgan-Zayachek

Theatre Survey, Volume 46, Issue 01, May 2005, pp 31-48
doi:10.1017/S0040557405000037 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Whatever Happened to the Cultural Feminists? Martha Boesing and At the Foot of the Mountain

Lynne Greeley

Theatre Survey, Volume 46, Issue 01, May 2005, pp 49-65
doi:10.1017/S0040557405000049 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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“The Truth Is . . . My Soul Is with You”: Documenting a Tale of Two Evitas

Jean Graham-Jones

Theatre Survey, Volume 46, Issue 01, May 2005, pp 67-78
doi:10.1017/S0040557405000050 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Vectia, Man-Made Censorship, and the Drama of Marie Stopes

Esther Beth Sullivan

Theatre Survey, Volume 46, Issue 01, May 2005, pp 79-102
doi:10.1017/S0040557405000062 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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A Working Relationship: the Dorothy Nevile Lees Papers Relating to Edward Gordon Craig and The Mask, at the Harvard Theatre Collection

Beth Carroll-Horrocks

Theatre Survey, Volume 46, Issue 01, May 2005, pp 103-113
doi:10.1017/S0040557405000074 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Editor's Forum

Jody Enders

Theatre Survey, Volume 46, Issue 01, May 2005, pp 115-122
doi:10.1017/S0040557405000086 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Theatricality. Edited by Tracy C. Davis and Thomas Postlewait. Cambridge: Cambridge University Press, 2003; pp. 236. $55 cloth; $23.99 paper.

Janelle Reinelt

Theatre Survey, Volume 46, Issue 01, May 2005, pp 123-127
doi:10.1017/S0040557405210098 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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A History of African American Theatre. By Errol G. Hill and James V. Hatch. Cambridge Studies in American Theatre and Drama. Cambridge: Cambridge University Press, 2003; pp. 608. $130 cloth.

Harry Elam

Theatre Survey, Volume 46, Issue 01, May 2005, pp 127-129
doi:10.1017/S0040557405220094 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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White People Do Not Know How to Behave at Entertainments Designed for Ladies and Gentlemen of Colour: William Brown's African and African American Theater. By Marvin McAllister. Chapel Hill: University of North Carolina Press, 2003; pp. 256. $18.95 paper.

John Rogers Harris

Theatre Survey, Volume 46, Issue 01, May 2005, pp 130-132
doi:10.1017/S0040557405230090 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895–1915. By Andrew L. Erdman. Jefferson, NC: McFarland, 2004; pp. 198. $39.95 cloth.

Leigh Woods

Theatre Survey, Volume 46, Issue 01, May 2005, pp 132-134
doi:10.1017/S0040557405240097 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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The Federal Theatre Project: A Case Study. By Barry B. Witham. Cambridge: Cambridge University Press, 2003; pp. 190. $70 cloth.

Rena Fraden

Theatre Survey, Volume 46, Issue 01, May 2005, pp 134-135
doi:10.1017/S0040557405250093 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Censorship of the American Theatre in the Twentieth Century. By John Houchin. Cambridge: Cambridge University Press, 2003; pp. ix + 332. $75 cloth.

Barry B. Witham

Theatre Survey, Volume 46, Issue 01, May 2005, pp 136-137
doi:10.1017/S004055740526009X (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Edward Albee: A Casebook. Edited by Bruce J. Mann. New York: Routledge, 2003; pp. 150. $85 cloth.

Natka Bianchini

Theatre Survey, Volume 46, Issue 01, May 2005, pp 137-139
doi:10.1017/S0040557405270096 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Performing Menken: Adah Isaacs Menken and the Birth of American Celebrity. By Renée M. Sentilles. New York: Cambridge University Press, 2003; pp. 313. $45 cloth.; Sarah Bernhardt's First American Theatrical Tour, 1880–1881. By Patricia Marks. Jefferson, NC, and London: McFarland, 2003; pp. 222. $35 paper.

Kim Marra

Theatre Survey, Volume 46, Issue 01, May 2005, pp 139-142
doi:10.1017/S0040557405280092 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Helen Faucit: Fire and Ice on the Victorian Stage. By Carol Jones Carlisle. London: Society for Theatre Research, 2000; pp. xix + 416. $42 cloth.

Gail Marshall

Theatre Survey, Volume 46, Issue 01, May 2005, pp 142-144
doi:10.1017/S0040557405290099 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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New Readings in Theatre History. By Jacky Bratton. Theatre and Performance Theory. Cambridge: Cambridge University Press, 2003; pp. xi + 238. $24 paper; $70 cloth.

David Mayer

Theatre Survey, Volume 46, Issue 01, May 2005, pp 144-147
doi:10.1017/S0040557405300093 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Scotland and the Music Hall, 1850–1914. By Paul Maloney. Studies in Popular Culture. Manchester and New York: Manchester University Press, 2003; pp. 240. $24.95 paper.

Jacky Bratton

Theatre Survey, Volume 46, Issue 01, May 2005, pp 147-149
doi:10.1017/S004055740531009X (About doi), Published Online by Cambridge University Press 18 Aug 2005
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The Theatre of Frank McGuinness: Stages of Mutability. Edited by Helen Lojek. Dublin: Carysfort Press and Chester Springs, PA: Dufour Editions, 2003; pp. 208. $20.95 paper.; The Theatre of Marina Carr: “Before Rules Was Made.” Edited by Cathy Leeney and Anna McMullan. Dublin: Carysfort Press and Chester Springs, PA: Dufour Editions, 2003; pp. 284. $28.95 paper.

Natalie Harrower

Theatre Survey, Volume 46, Issue 01, May 2005, pp 149-153
doi:10.1017/S0040557405320096 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Feminist Views on the English Stage: Women Playwrights, 1990–2000. By Elaine Aston. Cambridge: Cambridge University Press, 2003; pp. 238. $75 cloth.

Alicia Tycer

Theatre Survey, Volume 46, Issue 01, May 2005, pp 153-155
doi:10.1017/S0040557405330092 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Dancing Machines: Choreographies in the Age of Mechanical Reproduction. By Felicia McCarren. Palo Alto: Stanford University Press, 2003; pp. 254. $49.50 cloth.

Randy Martin

Theatre Survey, Volume 46, Issue 01, May 2005, pp 155-157
doi:10.1017/S0040557405340099 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Wagner and the Romantic Hero. By Simon Williams. Cambridge: Cambridge University Press, 2004; pp. 193. $75 cloth.

Herbert Lindenberger

Theatre Survey, Volume 46, Issue 01, May 2005, pp 157-159
doi:10.1017/S0040557405350095 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Death by Drama and Other Medieval Urban Legends. By Jody Enders. Chicago: University of Chicago Press, 2002; pp. xxx + 324; 9 illus. $35 cloth.

Claire Sponsler

Theatre Survey, Volume 46, Issue 01, May 2005, pp 159-161
doi:10.1017/S0040557405360091 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Shakespeare and Violence. By R. A. Foakes. New York: Cambridge University Press, 2003; pp. 224. $70 cloth; $26.99 paper.

Katherine West Scheil

Theatre Survey, Volume 46, Issue 01, May 2005, pp 161-163
doi:10.1017/S0040557405370098 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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Stage Directions in “Hamlet”: New Essays and New Directions. Edited by Hardin L. Aasand. Madison, NJ: Fairleigh Dickinson University Press (Cranbury, NJ: AUP), 2003; pp. 234. $44.50 cloth.; Rescripting Shakespeare: The Text, the Director, and Modern Productions. By Alan C. Dessen. Cambridge: Cambridge University Press, 2002; pp. 268. $70 cloth, $27.99 paper.; “Hamlet”: The Shakespearean Director. By Mike Wilcock. Dublin: Carysfort Press, 2002; pp. 247. $25.95 paper.

Kevin J. Wetmore, Jr.

Theatre Survey, Volume 46, Issue 01, May 2005, pp 163-167
doi:10.1017/S0040557405380094 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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The Living Art of Greek Tragedy. By Marianne McDonald. Bloomington and Indianapolis: Indiana University Press, 2003; pp. 224. $15.95 paper.

Edmund P. Cueva

Theatre Survey, Volume 46, Issue 01, May 2005, pp 167-168
doi:10.1017/S0040557405390090 (About doi), Published Online by Cambridge University Press 18 Aug 2005
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