Theatre Research International Vol. 37 Issue 01

Theatre Research International

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Table of Contents - Volume 37 - Issue 01 - March 2012

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Editorial

Editorial: Critical Turning Points Editorial: Critical Turning Points

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ELAINE ASTON

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 1 - 4

DOI: http://dx.doi.org/10.1017/S030788331100071X (About DOI), Published online: 26 January 2012

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Articles

Dramaturgies of Exile: Brecht and Benjamin ‘Playing’ Chess and Go Dramaturgies of Exile: Brecht and Benjamin ‘Playing’ Chess and Go

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FREDDIE ROKEM

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 5 - 19

DOI: http://dx.doi.org/10.1017/S0307883311000721 (About DOI), Published online: 26 January 2012

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Performance as Philosophy: Responding to the Problem of ‘Application’ Performance as Philosophy: Responding to the Problem of ‘Application’

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LAURA CULL

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 20 - 27

DOI: http://dx.doi.org/10.1017/S0307883311000733 (About DOI), Published online: 26 January 2012

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The Difference of Performance as Research The Difference of Performance as Research

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MARK FLEISHMAN

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 28 - 37

DOI: http://dx.doi.org/10.1017/S0307883311000745 (About DOI), Published online: 26 January 2012

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Language, Multiplicity, Void: The Radical Politics of the Beckettian Subject Language, Multiplicity, Void: The Radical Politics of the Beckettian Subject

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NICHOLAS E. JOHNSON

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 38 - 48

DOI: http://dx.doi.org/10.1017/S0307883311000757 (About DOI), Published online: 26 January 2012

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Class and Performance in the Age of Global Capitalism Class and Performance in the Age of Global Capitalism

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PAUL MURPHY

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 49 - 62

DOI: http://dx.doi.org/10.1017/S0307883311000769 (About DOI), Published online: 26 January 2012

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Research Articles

Identity Politics Forum Identity Politics Forum

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ELIN DIAMOND, NOBUKO ANAN, DENISE VARNEY, KATRIN SIEG, BISHNUPRIYA DUTT and TIINA ROSENBERG

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 63 - 63

DOI: http://dx.doi.org/10.1017/S030788331100085X (About DOI), Published online: 26 January 2012

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Identity Politics Forum

Identity Politics Then and Now Identity Politics Then and Now

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ELIN DIAMOND

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 64 - 67

DOI: http://dx.doi.org/10.1017/S0307883311000770 (About DOI), Published online: 26 January 2012

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Identity Politics in Women's Performance in Japan Identity Politics in Women's Performance in Japan

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NOBUKO ANAN

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 68 - 70

DOI: http://dx.doi.org/10.1017/S0307883311000782 (About DOI), Published online: 26 January 2012

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Identity Politics in Australian Context Identity Politics in Australian Context

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DENISE VARNEY

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 71 - 73

DOI: http://dx.doi.org/10.1017/S0307883311000794 (About DOI), Published online: 26 January 2012

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Identity Issues in German Feminist Movements and Theatre Identity Issues in German Feminist Movements and Theatre

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KATRIN SIEG

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 74 - 76

DOI: http://dx.doi.org/10.1017/S0307883311000800 (About DOI), Published online: 26 January 2012

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The Unsafe Spaces of Theatre and Feminism in India The Unsafe Spaces of Theatre and Feminism in India

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BISHNUPRIYA DUTT

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 77 - 79

DOI: http://dx.doi.org/10.1017/S0307883311000812 (About DOI), Published online: 26 January 2012

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Identity Politics: A View from Sweden Identity Politics: A View from Sweden

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TIINA ROSENBERG

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 80 - 82

DOI: http://dx.doi.org/10.1017/S0307883311000824 (About DOI), Published online: 26 January 2012

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Book Reviews

Old Age, Masculinity, and Early Modern Drama: Comic Elders on the Italian and Shakespearean Stage. By Anthony Ellis. Farnham: Ashgate, 2009. Pp. 190, 2 illus. £55 Hb.

Shakespeare and Venice. By Graham Holderness. Farnham: Ashgate, 2010. Pp. 155. £50 Hb.

Italian Culture in the Drama of Shakespeare & His Contemporaries: Rewriting, Remaking, Refashioning. Edited by Michele Marrapodi. Farnham: Ashgate, 2009. Pp. xiv + 286, 4 illus. £65 Hb. Old Age, Masculinity, and Early Modern Drama: Comic Elders on the Italian and Shakespearean Stage. By Anthony Ellis. Farnham: Ashgate, 2009. Pp. 190, 2 illus. £55 Hb.

Shakespeare and Venice. By Graham Holderness. Farnham: Ashgate, 2010. Pp. 155. £50 Hb.

Italian Culture in the Drama of Shakespeare & His Contemporaries: Rewriting, Remaking, Refashioning. Edited by Michele Marrapodi. Farnham: Ashgate, 2009. Pp. xiv + 286, 4 illus. £65 Hb.

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Kenneth Richards

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 83 - 85

DOI: http://dx.doi.org/10.1017/S0307883311000587 (About DOI), Published online: 26 January 2012

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Ken Campbell: The Great Caper. By Michael Coveney. London: Nick Hern Books, 2011. Pp. xix + 268 + 37 illus. £14.99 Pb. Ken Campbell: The Great Caper. By Michael Coveney. London: Nick Hern Books, 2011. Pp. xix + 268 + 37 illus. £14.99 Pb.

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Jacqueline Bolton

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 85 - 86

DOI: http://dx.doi.org/10.1017/S0307883311000599 (About DOI), Published online: 26 January 2012

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Christoph Schlingensief: Art without Borders. Edited by Tara Forrest and Anna Teresa Scheer. Bristol: Intellect, 2010. Pp. vi + 223. £22.50 Pb. Christoph Schlingensief: Art without Borders. Edited by Tara Forrest and Anna Teresa Scheer. Bristol: Intellect, 2010. Pp. vi + 223. £22.50 Pb.

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Lourdes Orozco

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 86 - 87

DOI: http://dx.doi.org/10.1017/S0307883311000605 (About DOI), Published online: 26 January 2012

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Indonesian Postcolonial Theatre: Spectral Genealogies and Absent Faces. By Evan Darwin Winet. Basingstoke: Palgrave Macmillan, 2010. Pp. xvi + 262 + 24 illus. £55/$85 Hb. Indonesian Postcolonial Theatre: Spectral Genealogies and Absent Faces. By Evan Darwin Winet. Basingstoke: Palgrave Macmillan, 2010. Pp. xvi + 262 + 24 illus. £55/\$85 Hb.

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William Peterson

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 87 - 88

DOI: http://dx.doi.org/10.1017/S0307883311000617 (About DOI), Published online: 26 January 2012

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Theatre in Colonial India: Play-House of Power. Edited by Lata Singh. New Delhi: Oxford University Press, 2009. Pp. viii + 354. £33.24 Hb.

Performing women, Performing womanhood: Theatre, Politics and Dissent in North India. By Nandi Bhatia. New Delhi: Oxford University Press, 2010. Pp. xxviii + 158. £26.13 Hb. Theatre in Colonial India: Play-House of Power. Edited by Lata Singh. New Delhi: Oxford University Press, 2009. Pp. viii + 354. £33.24 Hb.

Performing women, Performing womanhood: Theatre, Politics and Dissent in North India. By Nandi Bhatia. New Delhi: Oxford University Press, 2010. Pp. xxviii + 158. £26.13 Hb.

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Brahma Prakash

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 88 - 90

DOI: http://dx.doi.org/10.1017/S0307883311000629 (About DOI), Published online: 26 January 2012

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Eurasian Theatre: Drama and Performance between East and West from Classical Antiquity to the Present. By Nicola Savarese. Holstebro, Malta and Wroclaw: Icarus Publishing Enterprise, 2010. Pp. 640. €27 Hb. Eurasian Theatre: Drama and Performance between East and West from Classical Antiquity to the Present. By Nicola Savarese. Holstebro, Malta and Wroclaw: Icarus Publishing Enterprise, 2010. Pp. 640. €27 Hb.

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Christel Weiler

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 90 - 91

DOI: http://dx.doi.org/10.1017/S0307883311000630 (About DOI), Published online: 26 January 2012

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La Boite: The Story of an Australian Theatre Company. By Christine Comans. Brisbane: Playlab Press, 2009. Pp. 352 + illus. $55 Pb. La Boite: The Story of an Australian Theatre Company. By Christine Comans. Brisbane: Playlab Press, 2009. Pp. 352 + illus. \$55 Pb.

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Glenn D'Cruz

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 91 - 92

DOI: http://dx.doi.org/10.1017/S0307883311000642 (About DOI), Published online: 26 January 2012

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Performing Otherness: Java and Bali on International Stages, 1905–1952. By Matthew Isaac Cohen. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. v + 285. £55 Hb. Performing Otherness: Java and Bali on International Stages, 1905–1952. By Matthew Isaac Cohen. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. v + 285. £55 Hb.

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Mara Lockowandt

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 92 - 93

DOI: http://dx.doi.org/10.1017/S0307883311000654 (About DOI), Published online: 26 January 2012

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Engaging Performance: Theatre as Call and Response. By Jan Cohen-Cruz. London and New York: Routledge, 2010. Pp. 228. $29.95 Pb; $104.00 Hb. Engaging Performance: Theatre as Call and Response. By Jan Cohen-Cruz. London and New York: Routledge, 2010. Pp. 228. \$29.95 Pb; \$104.00 Hb.

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Sruti Bala

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 93 - 94

DOI: http://dx.doi.org/10.1017/S0307883311000666 (About DOI), Published online: 26 January 2012

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Ein theatralisches Zeitalter: Bürgerliche Selbstinszenierungen um 1900. By Peter W. Marx. Tübingen: A. Francke Verlag, 2008. Pp. 420. €29.90 Pb. Ein theatralisches Zeitalter: Bürgerliche Selbstinszenierungen um 1900. By Peter W. Marx. Tübingen: A. Francke Verlag, 2008. Pp. 420. €29.90 Pb.

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George Panaghi

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 94 - 95

DOI: http://dx.doi.org/10.1017/S0307883311000678 (About DOI), Published online: 26 January 2012

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The Soul of the Beijing Opera: Theatrical Creativity and Continuity in the Changing World. By Li Ruru. Hong Kong: Hong Kong University Press, 2010. Pp. xvi + 335 +22 illus. $55/£34.49 Hb; $28/£17.56 Pb. The Soul of the Beijing Opera: Theatrical Creativity and Continuity in the Changing World. By Li Ruru. Hong Kong: Hong Kong University Press, 2010. Pp. xvi + 335 +22 illus. \$55/£34.49 Hb; \$28/£17.56 Pb.

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Yining Lin

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 95 - 96

DOI: http://dx.doi.org/10.1017/S030788331100068X (About DOI), Published online: 26 January 2012

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Embodying Black Experience: Stillness, Critical Memory, and the Black Body. By Harvey Young. Ann Arbor: University of Michigan Press, 2010. Pp. xii + 259. £71.50/$80 Hb; £26.95/$29.95 Pb.

No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater. By Angela C. Pao. Ann Arbor: University of Michigan Press, 2010. Pp. xii + 305. £71.50/$80 Hb; £26.95/$29.95 Pb. Embodying Black Experience: Stillness, Critical Memory, and the Black Body. By Harvey Young. Ann Arbor: University of Michigan Press, 2010. Pp. xii + 259. £71.50/\$80 Hb; £26.95/\$29.95 Pb.

No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater. By Angela C. Pao. Ann Arbor: University of Michigan Press, 2010. Pp. xii + 305. £71.50/\$80 Hb; £26.95/\$29.95 Pb.

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Aimee Zygmonski

Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 96 - 97

DOI: http://dx.doi.org/10.1017/S0307883311000691 (About DOI), Published online: 26 January 2012

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Books Received

Books Received Books Received

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Theatre Research International / Volume 37 / Issue 01 / March 2012, pp 98 - 100

DOI: http://dx.doi.org/10.1017/S0307883311000708 (About DOI), Published online: 26 January 2012

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Front Cover (OFC, IFC) and matter

TRI volume 37 issue 1 Cover and Front matter TRI volume 37 issue 1 Cover and Front matter

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Theatre Research International / Volume 37 / Issue 01 / March 2012, pp f1 - f4

DOI: http://dx.doi.org/10.1017/S0307883311000836 (About DOI), Published online: 26 January 2012

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Back Cover (IBC, OBC) and matter

TRI volume 37 issue 1 Cover and Back matter TRI volume 37 issue 1 Cover and Back matter

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Theatre Research International / Volume 37 / Issue 01 / March 2012, pp b1 - b3

DOI: http://dx.doi.org/10.1017/S0307883311000848 (About DOI), Published online: 26 January 2012

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