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  • Note: Abstract, PDF and HTML open in a new window

  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 34 - Issue 03  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Front Cover (OFC, IFC) and matter

 
 

TRI volume 34 issue 3 Cover and Front matter

Theatre Research International, Volume 34, Issue 03, October 2009, pp f1-f4
doi:10.1017/S0307883309990010 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Back Cover (IBC, OBC) and matter

 
 

TRI volume 34 issue 3 Cover and Back matter

Theatre Research International, Volume 34, Issue 03, October 2009, pp b1-b6
doi:10.1017/S0307883309990101 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Editorial

 
 

My Last Editorial

FREDDIE ROKEM

Theatre Research International, Volume 34, Issue 03, October 2009, pp 227-229
doi:10.1017/S0307883309990022 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Focus on Performance/Theatre and Philosophy

 
 

The Question of the Scene: On the Philosophical Foundations of Theatrical Anthropocentrism

ESA KIRKKOPELTO

Theatre Research International, Volume 34, Issue 03, October 2009, pp 230-242
doi:10.1017/S0307883309990034 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

How Do You Make Yourself a Theatre without Organs? Deleuze, Artaud and the Concept of Differential Presence

LAURA CULL

Theatre Research International, Volume 34, Issue 03, October 2009, pp 243-255
doi:10.1017/S0307883309990046 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

The Theatre of Alain Badiou

MARTIN PUCHNER

Theatre Research International, Volume 34, Issue 03, October 2009, pp 256-266
doi:10.1017/S0307883309990058 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Playing Dead in Cuba: Coco Fusco's Stagings of Dissensus

CANDICE AMICH

Theatre Research International, Volume 34, Issue 03, October 2009, pp 267-277
doi:10.1017/S030788330999006X (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Pathos and Melancholy: Rethinking ‘Theatre’ in Times of Doubt

HELMAR SCHRAMM and BARBARA SUŠEC MICHIELI

Theatre Research International, Volume 34, Issue 03, October 2009, pp 278-293
doi:10.1017/S0307883309990071 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Performance Dossier: Ho Tzu Nyen and Fran Borgia's The King Lear Project: A Trilogy

 
 

Unstaging King Lear

JANE WONG YEANG CHUI

Theatre Research International, Volume 34, Issue 03, October 2009, pp 294-306
doi:10.1017/S0307883309990083 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Interview with Ho Tzu Nyen

JANE WONG YEANG CHUI

Theatre Research International, Volume 34, Issue 03, October 2009, pp 307-309
doi:10.1017/S0307883309990319 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Duct Tape His Mouth! On Being Judged

PAUL RAE

Theatre Research International, Volume 34, Issue 03, October 2009, pp 310-315
doi:10.1017/S0307883309990095 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Book Reviews

 
 

Kabuki's Forgotten War: 1931–1945. By James R. Brandon. Honolulu: University of Hawaii Press, 2009. Pp. xiii + 465 + illus. $52 Hb.

Leonard C. Pronko

Theatre Research International, Volume 34, Issue 03, October 2009, pp 316-317
doi:10.1017/S0307883309990113 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

The Spectacle of Japanese American Trauma: Racial Performativity and World War II. By Emily Roxworthy. Honolulu: University of Hawaii Press, 2008. Pp. viii + 231 + 12 illus. $35 Hb.

Esther Kim Lee

Theatre Research International, Volume 34, Issue 03, October 2009, pp 317-317
doi:10.1017/S0307883309990125 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship. By Ana Elena Puga. New York and Abingdon: Routledge, 2008. Pp. 284 + 30 illus. $95/£65 Hb.

Adam Versényi

Theatre Research International, Volume 34, Issue 03, October 2009, pp 318-318
doi:10.1017/S0307883309990137 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Stages of Emergency: Cold War Nuclear Civil Defense. By Tracy C. Davis. Durham: Duke University Press, 2007. Pp. xvi + 439 +58 illus. $89.95 Hb; $24.95 Pb.

Scott Magelssen

Theatre Research International, Volume 34, Issue 03, October 2009, pp 318-319
doi:10.1017/S0307883309990149 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Entertainment, Propaganda, Education: Regional Theatre in Germany and Britain between 1918 and 1945. By Anselm Heinrich. Hatfield: University of Hertfordshire Press, 2007. Pp. 288. £25/$50 Hb.

Peter W. Marx

Theatre Research International, Volume 34, Issue 03, October 2009, pp 319-320
doi:10.1017/S0307883309990150 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Forgeries of Memory & Meaning: Blacks & the Regimes of Race in American Theater & Film before World War II. By Cedric J. Robinson. Chapel Hill: University of North Carolina Press, 2007. Pp. 456 + 21 illus. $65 Hb; $22.50 Pb.

David Krasner

Theatre Research International, Volume 34, Issue 03, October 2009, pp 320-321
doi:10.1017/S0307883309990162 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

The Moscow Yiddish Theatre: Art on Stage in the Time of Revolution. By Benjamin Harshav. New Haven, CT: Yale University Press, 2008. Pp. xiii + 198 + 32 illus. $45 Hb.

Julia Listengarten

Theatre Research International, Volume 34, Issue 03, October 2009, pp 321-322
doi:10.1017/S0307883309990174 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Reading the Jewish Woman on the Elizabethan Stage. By Michelle Ephraim. Aldershot: Ashgate, 2008. Pp. xi + 180. £55/$99.95 Hb.

Poor Women in Shakespeare. By Fiona McNeill. Cambridge: Cambridge University Press, 2007. Pp. xi + 255 + 6 illus. + 1 table. £53/$104 Hb.

Catherine Thomas

Theatre Research International, Volume 34, Issue 03, October 2009, pp 322-323
doi:10.1017/S0307883309990186 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Shakespeare and Laughter: A Cultural History. By Indira Ghose. Manchester and New York: Manchester University Press, 2008. Pp. viii + 230. £55 Hb.

Radical Comedy in Early Modern England: Contexts, Cultures, Performances. By Rick Bowers. Aldershot: Ashgate, 2008. Pp. ix + 122 + 2 illus. £45/$99.95 Hb.

Nathaniel B. Small

Theatre Research International, Volume 34, Issue 03, October 2009, pp 324-325
doi:10.1017/S0307883309990198 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Children and Theatre in Victorian Britain: ‘All Work, No Play’. By Anne Varty. Basingstoke: Palgrave Macmillan, 2008. Pp. 296 + 7 illus. £53 Hb.

Racism on the Victorian Stage: Representation of Slavery and the Black Character. By Hazel Waters. Cambridge: Cambridge University Press, 2007. Pp. 250 + 10 illus. £53 Hb.

Catherine Hindson

Theatre Research International, Volume 34, Issue 03, October 2009, pp 325-326
doi:10.1017/S0307883309990204 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

The Man Who Was Rip Van Winkle: Joseph Jefferson and the Nineteenth-Century American Theatre. By Benjamin McArthur. New Haven and London: Yale University Press, 2007. Pp. xvii + 438 + illus. $45 Hb.

Leah Lowe

Theatre Research International, Volume 34, Issue 03, October 2009, pp 326-327
doi:10.1017/S0307883309990216 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

The Art of Theater. By James R. Hamilton. Oxford: Blackwell, 2007. Pp. xv + 226. £50/$84.95 Hb.

Dan Watt

Theatre Research International, Volume 34, Issue 03, October 2009, pp 327-328
doi:10.1017/S0307883309990228 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s. By Miranda Lundskaer-Nielsen. New York and Basingstoke: Palgrave Macmillan, 2008. Pp. x + 231 + illus. £42.50 Hb.

Dominic Symonds

Theatre Research International, Volume 34, Issue 03, October 2009, pp 328-329
doi:10.1017/S030788330999023X (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

The Theatre of Socìetas Raffaello Sanzio. By Claudia Castellucci, Romeo Castellucci, Chiara Guidi, Joe Kelleher and Nicholas Ridout. Abingdon and New York: Routledge, 2007. Pp. 274 + illus. £75/$150 Hb; £19.95/$35.95 Pb.

Stephen Di Benedetto

Theatre Research International, Volume 34, Issue 03, October 2009, pp 329-330
doi:10.1017/S0307883309990241 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Small Acts of Repair: Performance, Ecology and Goat Island. Edited by Stephen Bottoms and Matthew Goulish. Abingdon and New York: Routledge, 2007. Pp. xviii + 242 + illus. £19.99 Pb.

Karen Jürs-Munby

Theatre Research International, Volume 34, Issue 03, October 2009, pp 330-331
doi:10.1017/S0307883309990253 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Violence Performed: Local Roots and Global Routes of Conflict. Edited by Patrick Anderson and Jisha Menon. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. 391 + 11 illus. £60/$75 Hb.

Fintan Walsh

Theatre Research International, Volume 34, Issue 03, October 2009, pp 331-332
doi:10.1017/S0307883309990265 (About doi), Published Online by Cambridge University Press 28 Aug 2009
 

Books Received

 
 

Books Received

Theatre Research International, Volume 34, Issue 03, October 2009, pp 333-335
doi:10.1017/S0307883309990307 (About doi), Published Online by Cambridge University Press 28 Aug 2009
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