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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 34 - Issue 02  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Front Cover (OFC, IFC) and matter

 
 

TRI volume 34 issue 2 Cover and Front matter

Theatre Research International, Volume 34, Issue 02, July 2009, pp f1-f5
doi:10.1017/S0307883309004404 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Back Cover (IBC, OBC) and matter

 
 

TRI volume 34 issue 2 Cover and Back matter

Theatre Research International, Volume 34, Issue 02, July 2009, pp b1-b7
doi:10.1017/S0307883309004416 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Articles

 
 

Introduction: Poetics and Politics of the Future: Reverberations and Continuations of Cultural Practices from Jewish/Israeli and German Perspectives

ERIKA FISCHER-LICHTE and CHRISTEL WEILER

Theatre Research International, Volume 34, Issue 02, July 2009, pp 103-108
doi:10.1017/S0307883309004428 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Anticipating the End: Thoughts on the Spectator and the Temporality of Dasein.

BENJAMIN WIHSTUTZ

Theatre Research International, Volume 34, Issue 02, July 2009, pp 109-115
doi:10.1017/S030788330900443X (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

‘The End’: Mythical Futures in Avant-Garde Mystery Plays

SHARON ARONSON-LEHAVI

Theatre Research International, Volume 34, Issue 02, July 2009, pp 116-123
doi:10.1017/S0307883309004441 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

The Potential of the End(ing): Anticipated Nostalgia in To the Dogs by Lone Twin

NINA TECKLENBURG

Theatre Research International, Volume 34, Issue 02, July 2009, pp 124-130
doi:10.1017/S0307883309004453 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

It's about Time: The Temporal Evolution of Order

MOSHE PERLSTEIN

Theatre Research International, Volume 34, Issue 02, July 2009, pp 131-137
doi:10.1017/S0307883309004465 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Prospective Genealogies: Einar Schleef's Choric Theatre

MATTHIAS DREYER

Theatre Research International, Volume 34, Issue 02, July 2009, pp 138-145
doi:10.1017/S0307883309004477 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Potential Life: Modelling the Void in Two Productions of The Cherry Orchard

DAPHNA BEN-SHAUL

Theatre Research International, Volume 34, Issue 02, July 2009, pp 146-152
doi:10.1017/S0307883309004489 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Work in Progress: Rimini Protokoll's Karl Marx: Capital, First Volume and the Experience of the Future on Stage

BJÖRN FRERS

Theatre Research International, Volume 34, Issue 02, July 2009, pp 153-158
doi:10.1017/S0307883309004490 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Envoicing the Future: Victoria Hanna's Exterior Voice

RUTHIE ABELIOVICH

Theatre Research International, Volume 34, Issue 02, July 2009, pp 159-165
doi:10.1017/S0307883309004507 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Experiencing Expectation: Perceiving the Future in Performance

JOY KRISTIN KALU

Theatre Research International, Volume 34, Issue 02, July 2009, pp 166-172
doi:10.1017/S0307883309004519 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Risk in Performance: Facing the Future

DROR HARARI

Theatre Research International, Volume 34, Issue 02, July 2009, pp 173-179
doi:10.1017/S0307883309004520 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Images of the Future in Drama Therapy

MATTHIAS WARSTAT

Theatre Research International, Volume 34, Issue 02, July 2009, pp 180-186
doi:10.1017/S0307883309004532 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

‘The Fall of God into Meaning’: Painting Time in Jacob Wrestling with the Angel

NISSIM GAL

Theatre Research International, Volume 34, Issue 02, July 2009, pp 187-193
doi:10.1017/S0307883309004544 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Given the Tino Sehgal Case: How to Save the Future of a Work of Art that Materializes Only Temporarily

SANDRA UMATHUM

Theatre Research International, Volume 34, Issue 02, July 2009, pp 194-199
doi:10.1017/S0307883309004556 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Types of Architectural Emergence

ERAN NEUMAN

Theatre Research International, Volume 34, Issue 02, July 2009, pp 200-205
doi:10.1017/S0307883309004568 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Final Reflections

FREDDIE ROKEM

Theatre Research International, Volume 34, Issue 02, July 2009, pp 206-206
doi:10.1017/S030788330900457X (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Book Reviews

 
 

The Dramatic Works of Catherine the Great: Theatre and Politics in Eighteenth-Century Russia. By Lurana Donnels O'Malley. Aldershot: Ashgate Publishing Limited, 2006. Pp. 242 + 11 illus. £55 Hb.

Catherine Schuler

Theatre Research International, Volume 34, Issue 02, July 2009, pp 207-208
doi:10.1017/S0307883309004581 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

The Triumphant Juan Rana: A Gay Actor in the Spanish Golden Age. By Peter E. Thompson. Toronto: University of Toronto Press, 2006. Pp. 176. $47 Hb.

Barbara Mujica

Theatre Research International, Volume 34, Issue 02, July 2009, pp 208-209
doi:10.1017/S0307883309004593 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Staging Words, Performing Worlds: Intertextuality and Nation in Contemporary Latin American Theater. By Gail A. Bulman. Lewisburg: Bucknell University Press, 2007. Pp. 276 + illus. $55 Hb.

Lillian Manzor

Theatre Research International, Volume 34, Issue 02, July 2009, pp 209-210
doi:10.1017/S030788330900460X (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Performing Patriotism: National Identity in the Colonial and Revolutionary American Theater. By Jason Shaffer. Philadelphia: University of Pennsylvania Press, 2007. Pp. 230. £29.50/$45 Hb.

Amy E. Hughes

Theatre Research International, Volume 34, Issue 02, July 2009, pp 210-211
doi:10.1017/S0307883309004611 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

The Performing Century: Nineteenth-Century Theatre's History. Edited by Tracy C. Davis and Peter Holland. Basingstoke: Palgrave, 2007. Pp. xiv + 271. £55 Hb.

Katherine Newey

Theatre Research International, Volume 34, Issue 02, July 2009, pp 211-212
doi:10.1017/S0307883309004623 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Presence in Play: A Critique of Theories of Presence in the Theatre. By Cormac Power. Amsterdam: Rodopi, 2008. Pp. 228. £34.29/$70/€48 Pb.

Stage Presence. By Jane Goodall. Abingdon and New York: Routledge, 2008. Pp. vii + 224. £19.99/$34 Pb.

Dan Watt

Theatre Research International, Volume 34, Issue 02, July 2009, pp 212-213
doi:10.1017/S0307883309004635 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Generating Theatre Meaning: A Theory and Methodology of Performance Analysis. By Eli Rozik. Brighton: Sussex Academic Press, 2008. Pp. x + 272 + illus. £55/$75 Hb.

Jerzy Limon

Theatre Research International, Volume 34, Issue 02, July 2009, pp 213-214
doi:10.1017/S0307883309004647 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition. Edited by Marc Maufort and David O'Donnell. Bruxelles, Bern e.a.: P.I.E Peter Lang, 2007. Pp. 466 + 16 illus. €45.90/£32.20/$66.95 Pb.

Adrian Kiernander

Theatre Research International, Volume 34, Issue 02, July 2009, pp 214-215
doi:10.1017/S0307883309004659 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Men at Play: Masculinities in Australian Theatre since the 1950s. By Jonathan Bollen, Adrian Kiernander and Bruce Parr. Amsterdam and New York: Rodopi, 2008. Pp. xii + 215 + 26 illus. €50/$75 Pb.

Paul Makeham

Theatre Research International, Volume 34, Issue 02, July 2009, pp 215-216
doi:10.1017/S0307883309004660 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Nick Enright: An Actor's Playwright. Edited by Anne Pender and Susan Lever. Amsterdam: Rodopi, 2008. Pp. 224 + 6 illus. €46/$67 Pb.

Stephen Carleton

Theatre Research International, Volume 34, Issue 02, July 2009, pp 216-217
doi:10.1017/S0307883309004672 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Shakespeare's Women: Performance and Conception. By David Mann. Cambridge: Cambridge University Press, 2008. Pp. x + 293 + 11 illus. + 2 tables. £50/$95 Hb.

Catherine Thomas

Theatre Research International, Volume 34, Issue 02, July 2009, pp 217-218
doi:10.1017/S0307883309004684 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Staging International Feminisms. Edited by Elaine Aston and Sue Ellen Case. Basingstoke and New York: Palgrave Macmillan, 2007. Pp. xvii + 232. £48/$79.95 Hb.

Performance Practice and Process: Contemporary [Women] Practitioners. By Elaine Aston and Geraldine Harris. Basingstoke and New York: Palgrave Macmillan, 2008. Pp. ix + 194. £14.99/$28.95 Pb.

Lisa Jackson-Schebetta

Theatre Research International, Volume 34, Issue 02, July 2009, pp 218-219
doi:10.1017/S0307883309004696 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Autobiography and Performance. By Deirdre Heddon. Basingstoke: Palgrave, 2008. Pp xi + 218. £14.99/$28.95 Pb.

Nicola Shaughnessy

Theatre Research International, Volume 34, Issue 02, July 2009, pp 219-220
doi:10.1017/S0307883309004702 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Bodies in Commotion: Disability and Performance. Edited by Carrie Sandahl and Philip Auslander. Ann Arbor: University of Michigan Press, 2005. Pp. viii + 339 + 13 illus. $70 Hb; $26.95 Pb.

Stanton B. Garner

Theatre Research International, Volume 34, Issue 02, July 2009, pp 220-221
doi:10.1017/S0307883309004714 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Electric Salome: Loie Fuller's Performance of Modernity. By Rhonda K. Garelick. Princeton: Princeton University Press, 2007. Pp. 246 + 45 illus. £19.95/$35 Hb.

Mike Sell

Theatre Research International, Volume 34, Issue 02, July 2009, pp 221-222
doi:10.1017/S0307883309004726 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Earth in Flower: The Divine Mystery of the Cambodian Dance Drama. By Paul Cravath. Holmes Beach, FL: DatASIA, 2008. Pp. xxx + 514 + 184 illus. $128 Hb.

Eileen Blumenthal

Theatre Research International, Volume 34, Issue 02, July 2009, pp 222-222
doi:10.1017/S0307883309004738 (About doi), Published Online by Cambridge University Press 02 Jun 2009
 

Books Received

 
 

Books Received

Theatre Research International, Volume 34, Issue 02, July 2009, pp 223-225
doi:10.1017/S030788330900474X (About doi), Published Online by Cambridge University Press 02 Jun 2009
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