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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 33 - Issue 02  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Editorial

 
 

Editorial

FREDDIE ROKEM

Theatre Research International, Volume 33, Issue 02, July 2008, pp 115-116
doi:10.1017/S0307883308003623 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Articles

 
 

On Faithfulness: The Difficulties Experienced by the Text/Performance Couple

PATRICE PAVIS

Theatre Research International, Volume 33, Issue 02, July 2008, pp 117-126
doi:10.1017/S0307883308003635 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Space is out of Joint: Experiencing Non-Euclidean Space in Theatre

JERZY LIMON

Theatre Research International, Volume 33, Issue 02, July 2008, pp 127-144
doi:10.1017/S0307883308003647 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Calls for Remembrance: At Work with Traditional Chants

CLÁUDIA TATINGE NASCIMENTO

Theatre Research International, Volume 33, Issue 02, July 2008, pp 145-160
doi:10.1017/S0307883308003659 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Adelaide Ristori's Tour of the East Mediterranean (1864–1865) and the Discourse on the Formation of Modern Greek Theatre

IOANNA PAPAGEORGIOU

Theatre Research International, Volume 33, Issue 02, July 2008, pp 161-175
doi:10.1017/S0307883308003660 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Flagellation of the Son of God and Divine Flagellation: Flagellator Ceremonies and Flagellation Scenes in the Medieval Passion Play

FRIEDEMANN KREUDER

Theatre Research International, Volume 33, Issue 02, July 2008, pp 176-190
doi:10.1017/S0307883308003672 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

The Word Made Flesh: Staging Pornography in Eighteenth-Century Paris

LAURENCE SENELICK

Theatre Research International, Volume 33, Issue 02, July 2008, pp 191-203
doi:10.1017/S0307883308003684 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Book Reviews

 
 

Unsettling Space: Contestations in Contemporary Australian Theatre. By Joanne Tompkins. London: Palgrave, 2006. Pp. xii. + 204 + 11 illus. £45 Hb.

Unstable Ground: Performance and the Politics of Place. Edited by Gay McAuley. Brussels: P.I.E. Peter Lang, 2006. Pp. 306 + 43 illus. SFR 50/€41.20/£27/$45.95 Pb.

Performance and Cosmopolitics: Cross-Cultural Transactions in Australian Theatre. By Helen Gilbert and Jacqueline Lo. London: Palgrave, 2007. Pp. x + 245 + 12 illus. £45 Hb.

Rachel Fensham

Theatre Research International, Volume 33, Issue 02, July 2008, pp 204-206
doi:10.1017/S0307883308003696 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Staging Governance: Theatrical Imperialism in London, 1770–1800. By Daniel O'Quinn. Baltimore: The Johns Hopkins University Press, 2005. Pp. 440 + 40 illus. $60 Hb.

Lisa A. Freeman

Theatre Research International, Volume 33, Issue 02, July 2008, pp 206-207
doi:10.1017/S0307883308003726 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Strange Duets: Impresarios and Actresses in the American Theatre, 1865–1914. By Kim Marra. Iowa City: University of Iowa Press, 2006. Pp. xxii + 352 + 40 illus. US$47.95 Hb.

Stacy Wolf

Theatre Research International, Volume 33, Issue 02, July 2008, pp 207-208
doi:10.1017/S0307883308003738 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. By Tony Howard. Cambridge: Cambridge University Press, 2007. Pp. xi + 329. £50/$90 Hb.

Lisa Jackson-Schebetta

Theatre Research International, Volume 33, Issue 02, July 2008, pp 208-209
doi:10.1017/S030788330800374X (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

The Cambridge Companion to Shakespeare and Popular Culture. Edited by Robert Shaughnessy. Cambridge: Cambridge University Press, 2007. Pp. ix + 291 + illus. £15.99/$24.99 Pb; £45/$85 Hb.

Shakespeare and the American Popular Stage. By Frances Teague. Cambridge: Cambridge University Press, 2006. Pp ix + 221 + illus. £19.99/$31.99 Pb; £48/$91 Hb.

Kelly V. Jones

Theatre Research International, Volume 33, Issue 02, July 2008, pp 209-210
doi:10.1017/S0307883308003751 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

The Victorian Clown. By Jacky Bratton and Ann Featherstone. Cambridge: Cambridge University Press, 2006. Pp. xiii + 273 + illus. £48 Hb.

Trish Reid

Theatre Research International, Volume 33, Issue 02, July 2008, pp 211-211
doi:10.1017/S0307883308003775 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

The Stagecraft and Performance of Roman Comedy. By C. W. Marshall. Cambridge: Cambridge University Press, 2006. Pp. xiii + 320 + 2 illus. £50/$90 Hb.

Costas Panayotakis

Theatre Research International, Volume 33, Issue 02, July 2008, pp 211-212
doi:10.1017/S0307883308003787 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

A History of Italian Theatre. Edited by Joseph Farrell and Paolo Puppa. Cambridge: Cambridge University Press, 2006. Pp. 418 + 29 illus. £65/$110 Hb.

Bruno Ferraro

Theatre Research International, Volume 33, Issue 02, July 2008, pp 212-213
doi:10.1017/S0307883308003799 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Theater and Nation in Eighteenth-Century Germany. By Michael J. Sosulski. Aldershot, Hampshire: Ashgate, 2007. Pp. xi + 178 + 8 illus. £50; $99.95 Hb.

S. E. Wilmer

Theatre Research International, Volume 33, Issue 02, July 2008, pp 213-214
doi:10.1017/S0307883308003805 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Fedor Shaliapin: Mul'timedia Al'bom (Feodor Chaliapin: A Multimedia Album). By Mikhail Solomatin. 2 CD-ROM. Moscow: Shaliapinskii Tsentr, 2007. R. 3000.

Dassia Posner

Theatre Research International, Volume 33, Issue 02, July 2008, pp 214-215
doi:10.1017/S0307883308003817 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Judson Dance Theatre: Performative Traces. By Ramsay Burt. Abingdon and New York: Routledge, 2006. Pp. viii + 230 + illus. £18.99 Pb; £65 Hb.

Cara Cargano

Theatre Research International, Volume 33, Issue 02, July 2008, pp 215-216
doi:10.1017/S0307883308003829 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Czech Theatre Design in the Twentieth Century: Metaphor and Irony Revisited. Edited by Joe Brandesky. Iowa City: University of Iowa Press, 2007. Pp. xii + 97 + CD-ROM. $39.95 Hb.

Christopher Baugh

Theatre Research International, Volume 33, Issue 02, July 2008, pp 216-217
doi:10.1017/S0307883308003830 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Contemporary Theatres in Europe: A Critical Companion. Edited by Joe Kelleher and Nicholas Ridout. Abingdon and New York: Routledge, 2006. Pp. xviii + 214 + illus. £17.99 Pb.

Lourdes Orozco

Theatre Research International, Volume 33, Issue 02, July 2008, pp 217-218
doi:10.1017/S0307883308003842 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Impossible Plays: Adventures with the Cottesloe Company. By Keith Dewhurst and Jack Shepherd. London: Methuen, 2006. Pp. xviii + 235 + illus. £16.99 Pb.

Taking Stock: The Theatre of Max Stafford Clark. By Philip Roberts and Max Stafford-Clark. London: Nick Hern Books, 2007. Pp. xviii + 265 + illus. £14.99 Pb.

Nadine Holdsworth

Theatre Research International, Volume 33, Issue 02, July 2008, pp 218-219
doi:10.1017/S0307883308003854 (About doi), Published Online by Cambridge University Press 09 Jun 2008
 

Books Received

 
 

Books Received

Theatre Research International, Volume 33, Issue 02, July 2008, pp 220-221
doi:10.1017/S0307883308003878 (About doi), Published Online by Cambridge University Press 09 Jun 2008
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