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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 33 - Issue 01  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Erratum

 
 

Erratum

Theatre Research International, Volume 33, Issue 01, March 2008, pp iii-iii
doi:10.1017/S0307883307003562 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Editorial

 
 

Editorial: Wherein the articles of this issue and some new developments for TRI are introduced

FREDDIE ROKEM

Theatre Research International, Volume 33, Issue 01, March 2008, pp 1-3
doi:10.1017/S0307883307003355 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Articles

 
 

Literary Theatre after the Generals: A Personal Itinerary

FEMI OSOFISAN

Theatre Research International, Volume 33, Issue 01, March 2008, pp 4-19
doi:10.1017/S0307883307003367 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Mimesis and the Historical Imagination: (Re)Staging History in Cape Verde, West Africa

CHRISTINA S. MCMAHON

Theatre Research International, Volume 33, Issue 01, March 2008, pp 20-39
doi:10.1017/S0307883307003379 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

From the Greek Stage to the Martinican Shores: A Caribbean Antigone

STÉPHANIE BÉRARD

Theatre Research International, Volume 33, Issue 01, March 2008, pp 40-51
doi:10.1017/S0307883307003380 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Akhir Yom (The Last Day): A Localized Arabic Adaptation of Shakespeare's Romeo and Juliet

YVETTE K. KHOURY

Theatre Research International, Volume 33, Issue 01, March 2008, pp 52-69
doi:10.1017/S0307883307003392 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Intercultural Theatre? A Streetcar Named Desire on the Turkish Stage

PÜRNUR UÇAR ÖZBIRINCI

Theatre Research International, Volume 33, Issue 01, March 2008, pp 70-83
doi:10.1017/S0307883307003409 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Reality and Fiction in Contemporary Theatre

ERIKA FISCHER-LICHTE

Theatre Research International, Volume 33, Issue 01, March 2008, pp 84-96
doi:10.1017/S0307883307003410 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Book Reviews

 
 

Moscow Theatres for Young People: A Cultural History of Ideological Coercion and Artistic Innovation, 1917–2000. By Manon van de Water. New York and Basingstoke: Palgrave Macmillan, 2006. Pp. xviii + 302 + 12 illus. £47/$75 Hb.

Jeanne Klein

Theatre Research International, Volume 33, Issue 01, March 2008, pp 97-98
doi:10.1017/S0307883307003422 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Transvestism and the Onnagata Traditions in Shakespeare and Kabuki. Edited by Minoru Fujita and Michael Shapiro. Kent: Global Oriental, 2006. Pp. vii + 213 + illus. £50 Hb.

Adele Lee

Theatre Research International, Volume 33, Issue 01, March 2008, pp 98-99
doi:10.1017/S0307883307003434 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Playing Spaces in Early Women's Drama. By Alison Findlay. Cambridge: Cambridge University Press, 2006. Pp. x + 260 + 7 illus. £48/$85 Hb.

Margaret Rogerson

Theatre Research International, Volume 33, Issue 01, March 2008, pp 99-99
doi:10.1017/S0307883307003446 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Historicising Beckett: Issues of Performance – Beckett dans l'histoire: En jouant Beckett. Edited by Marius Buning, Matthijs Engelberts, Sjef Houppermans, Dirk van Hulle and Danièle de Ruyter. Amsterdam and New York: Rodopi, 2005. Pp. 362. €80/$100 Hb.

Notes Diverses Holo: Catalogues of Beckett's Reading Notes and Other Manuscripts at Trinity College Dublin, with Supporting Essays. Edited by Matthijs Engelberts and Everett Frost, with Jane Maxwell. Amsterdam and New York: Rodopi, 2006. Pp. 391 + illus. €80/$104 Hb.

Présence de Samuel Beckett – Presence of Samuel Beckett: Colloque de Cerisy. Edited by Sjef Houppermans. Amsterdam and New York: Rodopi, 2006. Pp. 533 + illus. €107/$144 Hb.

Zone of Evaporation: Samuel Beckett's Disjunctions. By Paul Stewart. Amsterdam and New York: Rodopi, 2006. Pp. 211. €42/$55 Pb.

Beckett Remembering/Remembering Beckett: Uncollected Interviews with Samuel Beckett and Memories of Those Who Knew Him. Edited by James Knowlson and Elizabeth Knowlson. London: Bloomsbury, 2006. Pp. xx + 316 + illus. £20 Hb; £8.99 Pb.

John Fletcher

Theatre Research International, Volume 33, Issue 01, March 2008, pp 100-101
doi:10.1017/S0307883307003458 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Making Theatre in Northern Ireland: Through and beyond the Troubles. By Tom Maguire. Exeter: University of Exeter Press, 2006. Pp. 221. £49.50 Hb; £14.99 Pb.

Women in Irish Drama: A Century of Authorship and Representation. Edited by Melissa Sihra. Basingstoke: Palgrave Macmillan, 2007. Pp. xix + 241. £45 Hb.

James Moran

Theatre Research International, Volume 33, Issue 01, March 2008, pp 101-103
doi:10.1017/S030788330700346X (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Performative and Textual Imaging of Women on the Irish Stage, 1820–1920: M. A. Kelly to J. M. Synge and the Allgoods. By Nelson O'Ceallaigh Ritschel. Lewiston, NY: Edwin Mellen Press, 2006. Pp. 228 + illus. $109.95/£69.95 Hb.

Karen O'Brien

Theatre Research International, Volume 33, Issue 01, March 2008, pp 103-104
doi:10.1017/S0307883307003471 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Women's Theatrical Writing in Victorian Britain. By Katherine Newey. Basingstoke: Palgrave Macmillan, 2005. Pp. ix + 269. £45 Hb.

Jane Moody

Theatre Research International, Volume 33, Issue 01, March 2008, pp 104-105
doi:10.1017/S0307883307003483 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Stages of Dismemberment: The Fragmented Body in Late Medieval and Early Modern Drama. By Margaret E. Owens. Newark, DE: University of Delaware Press, 2005. Pp. 332. $59.40 Hb.

Marla Carlson

Theatre Research International, Volume 33, Issue 01, March 2008, pp 105-106
doi:10.1017/S0307883307003495 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

The Senses in Performance. Edited by Sally Banes and André Lepecki. New York: Routledge, 2007. Pp. 215 + 23 illus. £21.99/$33.95 Pb.

Peta Tait

Theatre Research International, Volume 33, Issue 01, March 2008, pp 106-107
doi:10.1017/S0307883307003501 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance. Edited by James M. Harding and John Rouse. Ann Arbor: University of Michigan Press, 2006. $75 Hb; $28.95 Pb.

Günter Berghaus

Theatre Research International, Volume 33, Issue 01, March 2008, pp 107-108
doi:10.1017/S0307883307003513 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

A Performance Cosmology: Testimony from the Future, Evidence of the Past. Edited by Judie Christie, Richard Gough and Daniel Watt. Abdingdon and New York: Routledge, 2006. Pp. xi + 321 + illus. £29.99/$53.95 Pb.

The Routledge Companion to Theatre and Performance. By Paul Allain and Jen Harvie. Abingdon and New York: Routledge, 2006. Pp. xii + 244. £60/$105 Hb; £14.99/$26.95 Pb.

Theresa Smalec

Theatre Research International, Volume 33, Issue 01, March 2008, pp 108-109
doi:10.1017/S0307883307003525 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Remaking American Theater: Charles Mee, Anne Bogart and the SITI Company. By Scott T. Cummings. Cambridge: Cambridge University Press, 2006. Pp. xxi + 318 + 26 illus. £55/$95 Hb.

And Then, You Act: Making Art in an Unpredictable World. By Anne Bogart. New York: Routledge, 2007. Pp. 140. £50/$90 Hb; £14.99/$26.95 Pb.

Matt Saltzberg

Theatre Research International, Volume 33, Issue 01, March 2008, pp 110-111
doi:10.1017/S0307883307003537 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

It. By Joseph Roach. Ann Arbor: University of Michigan Press, 2007. Pp. ix + 260. $19.95 Pb.

Jill Dolan

Theatre Research International, Volume 33, Issue 01, March 2008, pp 111-111
doi:10.1017/S0307883307003549 (About doi), Published Online by Cambridge University Press 04 Jan 2008
 

Books Received

 
 

Books received

Theatre Research International, Volume 33, Issue 01, March 2008, pp 112-113
doi:10.1017/S0307883307003550 (About doi), Published Online by Cambridge University Press 04 Jan 2008
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