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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 32 - Issue 03  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Books received

 
 

Addendum

Theatre Research International, Volume 32, Issue 03, October 2007, pp iii-iii
doi:10.1017/S0307883307003331 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Editorial

 
 

Editorial

FREDDIE ROKEM

Theatre Research International, Volume 32, Issue 03, October 2007, pp 231-232
doi:10.1017/S0307883307003070 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Articles

 
 

Peter Zadek: The Outsider Who Has Come Inside

Marvin Carlson

Theatre Research International, Volume 32, Issue 03, October 2007, pp 233-246
doi:10.1017/S0307883307003082 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Sex, Violence and Censorship: London's Grand Guignol and the Negotiation of the Limit

HELEN FRESHWATER

Theatre Research International, Volume 32, Issue 03, October 2007, pp 247-262
doi:10.1017/S0307883307003094 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Sources of Pleasure in the Theatre of Hanoch Levin

ZAHAVA CASPI

Theatre Research International, Volume 32, Issue 03, October 2007, pp 263-277
doi:10.1017/S0307883307003100 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

The King and Us: Spectacle and Biography in Thai Epic Dramas

CATHERINE DIAMOND

Theatre Research International, Volume 32, Issue 03, October 2007, pp 278-295
doi:10.1017/S0307883307003112 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Mapping Utopia in the Post-ideological Era: Lee Yun-taek's The Dummy Bride

YOO KIM

Theatre Research International, Volume 32, Issue 03, October 2007, pp 296-311
doi:10.1017/S0307883307003124 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Countering ‘Theoretical Imperialism’: Some Possibilities from Japan

CAROL FISHER SORGENFREI

Theatre Research International, Volume 32, Issue 03, October 2007, pp 312-324
doi:10.1017/S0307883307003136 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Book Reviews

 
 

Theatre Histories: An Introduction. By Phillip B. Zarrilli, Bruce A. McConachie, Gary Jay Williams and Carol Fisher Sorgenfrei. New York and London: Routledge, 2006. Pp. xxi + 544 + illus. £24.99/$44.95 Pb; £70.00/$125.00 Hb

KATHERINE NEWEY

Theatre Research International, Volume 32, Issue 03, October 2007, pp 325-326
doi:10.1017/S0307883307003148 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Women on Stage in Stuart Drama. By Sophie Tomlinson. Cambridge: Cambridge University Press, 2005. Pp. vii +294 + illus. £48/$85 Hb

HELEN BROOKS

Theatre Research International, Volume 32, Issue 03, October 2007, pp 326-327
doi:10.1017/S030788330700315X (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

The True Face of William Shakespeare. By Hildegard Hammerschmidt-Hummel. London: Chaucer Press, 2006. Pp. 208 + 116 illus. £25 Hb.

Painting Shakespeare: The Artist as Critic, 1720–1820. By Stuart Sillars. Cambridge: Cambridge University Press, 2006. Pp. xviii + 337 + 116 illus. £65/$120 Hb

MICHAEL PATTERSON

Theatre Research International, Volume 32, Issue 03, October 2007, pp 327-328
doi:10.1017/S0307883307003161 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Studio Shakespeare: The Royal Shakespeare Company at The Other Place. By Alycia Smith-Howard. Aldershot: Ashgate, 2006. Pp. 192 + 18 illus. £45/$89.95 Hb

LAURA WHITE

Theatre Research International, Volume 32, Issue 03, October 2007, pp 328-329
doi:10.1017/S0307883307003173 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

‘In Comes I’: Performance, Memory and Landscape. By Mike Pearson. Exeter: University of Exeter Press, 2007. Pp. xiv + 239 + illus. £17.99/$34.95 Pb; £50.00/$89.95 Hb

GAY MCAULEY

Theatre Research International, Volume 32, Issue 03, October 2007, pp 329-330
doi:10.1017/S0307883307003185 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Absolute Wilson: The Biography. By Katharina Otto-Bernstein. München: Prestel, 2006. Pp. 272 + 621 illus. £45/$75 Hb

DEAN WILCOX

Theatre Research International, Volume 32, Issue 03, October 2007, pp 330-331
doi:10.1017/S0307883307003197 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Avant-Garde Performance: Live Events and Electronic Technologies. By Günter Berghaus. Basingstoke: Palgrave Macmillan, 2005. Pp. xxvi + 374 + 25 illus. £18.99/$33.95 Pb

KATI RöTTGER

Theatre Research International, Volume 32, Issue 03, October 2007, pp 331-332
doi:10.1017/S0307883307003203 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Restaging the Sixties: Radical Theaters and Their Legacies. Edited by James N. Harding and Cindy Rosenthal. Ann Arbor: University of Michigan Press, 2006. Pp. 464 + 16 illus. $35/£18 Pb

ARTHUR J. SABATINI

Theatre Research International, Volume 32, Issue 03, October 2007, pp 332-333
doi:10.1017/S0307883307003215 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Intermediality in Theatre and Performance. Edited by Freda Chapple and Chiel Kattenbelt. Amsterdam and New York: Rodopi, 2006. Pp. 266 + illus. £54/$70 Pb

GABRIELLA GIANNACHI

Theatre Research International, Volume 32, Issue 03, October 2007, pp 333-334
doi:10.1017/S0307883307003227 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Modern Japanese Theatre and Performance. Edited by David Jortner, Keiko McDonald and Kevin J. Wetmore Jr. Lanham and Oxford: Lexington Books, 2006. Pp. vii + 289 + illus. $85/£56/€88.20 Hb.

The Traditional Theatre of Japan: Kyogen, Noh, Kabuki, and Puppetry. By John Wesley Harris. New York: The Edwin Mellen Press, 2006. Pp. vi + 253 + 11 illus. £69.95/$109.95 Hb

JASON ARCARI

Theatre Research International, Volume 32, Issue 03, October 2007, pp 334-336
doi:10.1017/S0307883307003239 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice. By Beth L. Glixon and Jonathan E. Glixon. Oxford: Oxford University Press, 2006. Pp. xxvi + 398 + illus. £29.99/$50 Hb

CLEMENS RISI

Theatre Research International, Volume 32, Issue 03, October 2007, pp 336-337
doi:10.1017/S0307883307003240 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Australian Plays for the Colonial Stage 1834–1899. Edited by Richard Fotheringham. St Lucia: University of Queensland Press, 2006. Pp. lxxxvi + 732 + 30 illus. AUS$175 Hb; AUS$99.95 Pb

LOUISE D'ARCENS

Theatre Research International, Volume 32, Issue 03, October 2007, pp 337-338
doi:10.1017/S0307883307003252 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Staging Motherhood: British Women Playwrights, 1956 to the Present. By Jozefina Komporaly. Basingstoke: Palgrave Macmillan, 2006. Pp. xii + 208 + 4 illus. £45/$74.95 Hb

CARINA BARTLEET

Theatre Research International, Volume 32, Issue 03, October 2007, pp 338-338
doi:10.1017/S0307883307003264 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Science on Stage: From Doctor Faustus to Copenhagen. By Kirsten Shepherd-Barr. Princeton and Oxford: Princeton University Press, 2006. Pp. viii + 271. $29.95/£18.95 Hb

KRISTIN BECKER

Theatre Research International, Volume 32, Issue 03, October 2007, pp 339-339
doi:10.1017/S0307883307003276 (About doi), Published Online by Cambridge University Press 05 Oct 2007
 

Books Received

 
 

Books received

Theatre Research International, Volume 32, Issue 03, October 2007, pp 340-342
doi:10.1017/S0307883307003288 (About doi), Published Online by Cambridge University Press 05 Oct 2007
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