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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 32 - Issue 02  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Articles

 
 

Introduction

Theatre Research International, Volume 32, Issue 02, July 2007, pp 101-101
doi:10.1017/S030788330700301X (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Editorial

 
 

Editorial notice

Theatre Research International, Volume 32, Issue 02, July 2007, pp 102-102
doi:10.1017/S0307883307003008 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Articles

 
 

Introduction

KRISTINA HAGSTRÖM STÅHL

Theatre Research International, Volume 32, Issue 02, July 2007, pp 103-105
doi:10.1017/S0307883307002763 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Women in Greek Tragedy Today: A Reappraisal

STEVE WILMER

Theatre Research International, Volume 32, Issue 02, July 2007, pp 106-118
doi:10.1017/S0307883307002775 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

The Masked Activist: Greek Strategies for the Streets

SUE-ELLEN CASE

Theatre Research International, Volume 32, Issue 02, July 2007, pp 119-129
doi:10.1017/S0307883307002787 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

A Critical Step to the Side: Performing the Loss of the Mother

ELAINE ASTON

Theatre Research International, Volume 32, Issue 02, July 2007, pp 130-142
doi:10.1017/S0307883307002799 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Unveiling: Persepolis as Embodied Performance

JENNIFER WORTH

Theatre Research International, Volume 32, Issue 02, July 2007, pp 143-160
doi:10.1017/S0307883307002805 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Gordon Craig, Mei Lanfang and the Chinese Theatre

MIN TIAN

Theatre Research International, Volume 32, Issue 02, July 2007, pp 161-177
doi:10.1017/S0307883307002817 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

The Virtuoso's Stage: A Theatrical Topos

GABRIELE BRANDSTETTER

Theatre Research International, Volume 32, Issue 02, July 2007, pp 178-195
doi:10.1017/S0307883307002829 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Book Reviews

 
 

Theatres of Independence: Drama, Theory and Urban Performance in India since 1947. By Aparna Bhargava Dharwadker. Iowa City: University of Iowa Press, 2005. Pp. xix +478 + 22 illus. US-$49.95 Hb.

GARGI SHINDE

Theatre Research International, Volume 32, Issue 02, July 2007, pp 196-197
doi:10.1017/S0307883307002830 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Qu'est-ce que le théâtre? [What is theatre?] By Christian Biet and Christophe Triau. Paris: Gallimard, 2006. Pp. 1020 + illus. €13.50 Pb.

NIKOLAUS MÜLLER-SCHÖLL

Theatre Research International, Volume 32, Issue 02, July 2007, pp 197-198
doi:10.1017/S0307883307002842 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Utopia in Performance: Finding Hope at the Theater. By Jill Dolan. Ann Arbor: University of Michigan Press, 2005. Pp. 233. US-$65.00 Hb; US-$22.95 Pb.

ELINOR FUCHS

Theatre Research International, Volume 32, Issue 02, July 2007, pp 198-199
doi:10.1017/S0307883307002854 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Performance in America: Contemporary U.S. Culture and the Performing Arts. By David Román. Durham and London: Duke University Press, 2005. Pp. xx + 353. US-$84.95 Hb; US-$23.95 Pb.

DEBORAH PAREDEZ

Theatre Research International, Volume 32, Issue 02, July 2007, pp 199-200
doi:10.1017/S0307883307002866 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

The Cambridge History of American Theatre. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 2000/2006. Pp. Vol. I: xvi + 526 + illus.; Vol. II: xviii + 590 + illus.; Vol. III: xviii + 582 + illus. £170.00/US-$250.00 Hb.; £70.00/US-$120.00 Pb.

MARY TROTTER

Theatre Research International, Volume 32, Issue 02, July 2007, pp 200-201
doi:10.1017/S0307883307002878 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Against Theatre: Creative Destructions on the Modernist Stage. Edited by Alan Ackerman and Martin Puchner. Basingstoke: Palgrave Macmillan, 2006. Pp. xii + 259 + 2 illus. £50 Hb.

GÜNTER BERGHAUS

Theatre Research International, Volume 32, Issue 02, July 2007, pp 201-202
doi:10.1017/S030788330700288X (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Expressionism and Modernism in the American Theatre: Bodies, Voices, Words. By Julia A. Walker. Cambridge: Cambridge University Press, 2005. Pp. xii + 300 + 12 illus. £45/US-$75 Hb.

ALAN PEARLMAN

Theatre Research International, Volume 32, Issue 02, July 2007, pp 202-203
doi:10.1017/S0307883307002891 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Theatre, Body and Pleasure. By Simon Shepherd. London: Routledge, 2006. Pp. x + 198. £19.99/US-$31.95 Pb.; £70/US-$115 Hb.

LUK VAN DEN DRIES

Theatre Research International, Volume 32, Issue 02, July 2007, pp 203-204
doi:10.1017/S0307883307002908 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

A Companion to Shakespeare and Performance. Edited by Barbara Hodgdon and W.B Worthen. Blackwell Publishing, 2005. Pp. xv+688, £95/US-$154.95 Hb.

DUŠKA RADOSAVLJEVIĆ

Theatre Research International, Volume 32, Issue 02, July 2007, pp 204-205
doi:10.1017/S030788330700291X (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Shakespeare and Modernism. By Cary DiPietro. Cambridge: Cambridge University Press, 2006. Pp. 234 Hb. £50/US-$85 Hb.

RICHARD A. McCABE

Theatre Research International, Volume 32, Issue 02, July 2007, pp 205-206
doi:10.1017/S0307883307002933 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Shakespeare's Humanism. By Robin Headlam Wells. Cambridge: Cambridge University Press, 2005. Pp. 278. £48/US-$85 Hb.

RICHARD A. McCABE

Theatre Research International, Volume 32, Issue 02, July 2007, pp 205-205
doi:10.1017/S0307883307002921 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Dramaturgy: A Revolution in Theatre. By Mary Luckhurst. Cambridge: Cambridge University Press, 2006. Pp. xiv + 298. £48/US-$85 Hb.

PETER M BOENISCH

Theatre Research International, Volume 32, Issue 02, July 2007, pp 207-207
doi:10.1017/S0307883307002945 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Devising Performance: A Critical History. By Deirdre Heddon and Jane Milling. Basingstoke: Palgrave Macmillan, 2006. Pp. vii + 272. £14.99/US-$24.95 Pb.; £45/US-$74.95 Hb.

ANJA KLÖCK

Theatre Research International, Volume 32, Issue 02, July 2007, pp 208-208
doi:10.1017/S0307883307002957 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Acting Jewish: Negotiating Ethnicity on the American Stage and Screen. By Henry Bial. Ann Arbor: University of Michigan Press, 2005. Pp. viii + 195. US-$19.95 Pb.; US-$60.00 Hb.

HARLEY ERDMAN

Theatre Research International, Volume 32, Issue 02, July 2007, pp 209-210
doi:10.1017/S0307883307002970 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Circus Bodies: Cultural Identity in Aerial Performance. By Peta Tait. London: Routledge, 2005. Pp. x + 187 + illus. £65 Hb.; £19.99 Pb.

JANE GOODALL

Theatre Research International, Volume 32, Issue 02, July 2007, pp 209-209
doi:10.1017/S0307883307002969 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Books Received

 
 

Books Received

Theatre Research International, Volume 32, Issue 02, July 2007, pp 211-213
doi:10.1017/S0307883307002982 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Book Review 32:1

 
 

Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894. By Joseph Donohue. Iowa City: University of Iowa Press, 2005. Pp. 290 + xii + 24 illus. $44.95 Hb.

TRACY C. DAVIS

Theatre Research International, Volume 32, Issue 02, July 2007, pp 214-215
doi:10.1017/S0307883306002537 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

The Censorship of British Drama 1900–1968. By Steve Nicholson. Exeter: Exeter University Press. Volume One: 1900–1932, 2003. Pp. x + 352. £39.50; $75 Hb; Volume Two: 1933–1952, 2005. Pp. vi + 432. £39.50; $75 Hb.

MICK WALLIS

Theatre Research International, Volume 32, Issue 02, July 2007, pp 215-216
doi:10.1017/S0307883306002549 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich. By Rodney Symington. Lewiston: Edwin Mellen Press, 2005. Pp. ix + 310. £74.95; $119.95 Hb.

ROBERT SHAUGHNESSY

Theatre Research International, Volume 32, Issue 02, July 2007, pp 216-217
doi:10.1017/S0307883306002550 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Science and the Stanislavsky Tradition of Acting. By Jonathan Pitches. Abingdon and New York: Routledge, 2005. Pp. x + 226. £65 Hb.

GEOFFREY COLMAN

Theatre Research International, Volume 32, Issue 02, July 2007, pp 217-218
doi:10.1017/S0307883306002562 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Staging Dario Fo and Franca Rame: Anglo-American Approaches to Political Theatre. By Stefania Taviano. Aldershot: Ashgate, 2005. Pp. 136 + illus. £40; $79.95 Hb.

JAMES FISHER

Theatre Research International, Volume 32, Issue 02, July 2007, pp 218-219
doi:10.1017/S0307883306002574 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

The Last ‘Darky’: Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora. By Louis Chude-Sokei. Durham, NC: Duke University Press, 2005. Pp. x + 278. $79.95 Hb; $22.95 Pb.

HARVEY YOUNG

Theatre Research International, Volume 32, Issue 02, July 2007, pp 219-220
doi:10.1017/S0307883306002586 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Understanding Adrienne Kennedy. By Philip C. Kolin. Columbia, SC: University of South Carolina Press, 2005. Pp. xii + 192. $34.95 Hb.

ANTHONY D. HILL

Theatre Research International, Volume 32, Issue 02, July 2007, pp 220-221
doi:10.1017/S0307883306002598 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

The Wooster Group and Its Traditions. Edited by Johan Callens. Brussels: P.I.E.-Peter Lang, 2004. Pp. 290 + 32 illus. €39.10; £25.60 Pb.

JEN HARVIE

Theatre Research International, Volume 32, Issue 02, July 2007, pp 221-222
doi:10.1017/S0307883306002604 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Abwesenheit: Eine performative Ästhetik des Tanzes – William Forsythe, Jérôme Bel, Xavier Le Roy, Meg Stuart [Absence: A performative aesthetics of dance]. By Gerald Siegmund. Bielefeld: Transcript, 2006. Pp. 502 + illus. €32.80 Pb.

FRANZ ANTON CRAMER

Theatre Research International, Volume 32, Issue 02, July 2007, pp 222-223
doi:10.1017/S0307883306002628 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Exhausting Dance: Performance and the Politics of Movement. By André Lepecki. Abingdon and New York: Routledge, 2006. Pp. x + 150 + 14 illus. £19.99 Pb; £65 Hb.

FRANZ ANTON CRAMER

Theatre Research International, Volume 32, Issue 02, July 2007, pp 222-222
doi:10.1017/S0307883306002616 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Unfinished Show Business: Broadway Musicals as Works-in-Process. By Bruce Kirle. Carbondale: Southern Illinois University Press, 2005. Pp. xv + 252 + 30 illus. $30.00 Pb; $60 Hb.

FREDA CHAPPLE

Theatre Research International, Volume 32, Issue 02, July 2007, pp 223-224
doi:10.1017/S030788330600263X (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Women Players in England, 1500–1660: Beyond the All-Male Stage. Edited by Pamela Allen Brown and Peter Parolin. Aldershot: Ashgate, 2005. Pp. v + 329 + illus. £50; $99.95 Hb.

HELEN BROOKS

Theatre Research International, Volume 32, Issue 02, July 2007, pp 224-225
doi:10.1017/S0307883306002641 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Drama at the Courts of Queen Henrietta Maria. By Karen Britland. Cambridge: Cambridge University Press, 2006. Pp. ix + 292 + 5 illus. £48 Hb.

VICTORIA E. PRICE

Theatre Research International, Volume 32, Issue 02, July 2007, pp 225-226
doi:10.1017/S0307883306002665 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Children of the Queen's Revels: A Jacobean Theatre Repertory. By Lucy Munro. Cambridge: Cambridge University Press, 2005. Pp. xiii + 267 + 6 illus. £48 Hb.

VICTORIA E. PRICE

Theatre Research International, Volume 32, Issue 02, July 2007, pp 225-225
doi:10.1017/S0307883306002653 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Arthur Miller's America: Theatre and Culture in a Time of Change. Edited by Enoch Brater. Ann Arbor: The University of Michigan Press, 2005. Pp. x + 268. $55 Hb; $24.95 Pb.

DOROTHY CHANSKY

Theatre Research International, Volume 32, Issue 02, July 2007, pp 227-228
doi:10.1017/S0307883306002689 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

The Cambridge Companion to Edward Albee. Edited by Stephen Bottoms. Cambridge: Cambridge University Press, 2005. Pp. xxii + 263 + 8 illus. £45; $65 Hb; £15.99; $25.99 Pb.

STEVEN PRICE

Theatre Research International, Volume 32, Issue 02, July 2007, pp 227-227
doi:10.1017/S0307883306002677 (About doi), Published Online by Cambridge University Press 15 Jun 2007
 

Books Received 32:1

 
 

Books Received 32:1

Theatre Research International, Volume 32, Issue 02, July 2007, pp 229-230
doi:10.1017/S0307883306002707 (About doi), Published Online by Cambridge University Press 15 Jun 2007
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