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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 31 - Issue 03  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Editorial

 
 

Editorial

CHRISTOPHER B. BALME

Theatre Research International, Volume 31, Issue 03, October 2006, pp 219-220
doi:10.1017/S0307883306002185 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Articles

 
 

Shakespeare and Kolbenheyer: Regional Theatre During the Third Reich – a Case Study

ANSELM HEINRICH

Theatre Research International, Volume 31, Issue 03, October 2006, pp 221-234
doi:10.1017/S0307883306002197 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Art as Part of Everyday Life: Understanding Applied Theatre Practices through the Aesthetics of John Dewey and Hans Georg Gadamer

BJØRN RASMUSSEN and RIKKE GÜRGENS

Theatre Research International, Volume 31, Issue 03, October 2006, pp 235-244
doi:10.1017/S0307883306002203 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Pragmatic Dramaturgy: Text as Context as Text

GAD KAYNAR

Theatre Research International, Volume 31, Issue 03, October 2006, pp 245-259
doi:10.1017/S0307883306002215 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Antigone Remembers: Dramaturgical Analysis and Oedipus Tyrannos

FREDDIE ROKEM

Theatre Research International, Volume 31, Issue 03, October 2006, pp 260-269
doi:10.1017/S0307883306002227 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Cut and Paste: The Nature of Dramaturgical Development in the Theatre

JULIAN MEYRICK

Theatre Research International, Volume 31, Issue 03, October 2006, pp 270-282
doi:10.1017/S0307883306002239 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Towards an Expanded Dramaturgical Practice: A Report on ‘The Dramaturgy and Cultural Intervention Project’

PETER ECKERSALL

Theatre Research International, Volume 31, Issue 03, October 2006, pp 283-297
doi:10.1017/S0307883306002240 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Peter Sellars's Merchant of Venice: A Retrospective Critique of Process

RICHARD PETTENGILL

Theatre Research International, Volume 31, Issue 03, October 2006, pp 298-314
doi:10.1017/S0307883306002252 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Book Reviews

 
 

Postdramatic Theatre. By Hans-Thies Lehmann. Trans. Karen Jürs-Munby. Abingdon/New York: Routledge, 2006. Pp. x + 214. £70/$125 Hb; £19.99/$35.95 Pb

Marvin Carlson

Theatre Research International, Volume 31, Issue 03, October 2006, pp 315-316
doi:10.1017/S0307883306212410 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Corpus Jan Fabre: Observaties van een Creatieproces. By Luk Van den Dries. Photos by Wonge Bergmann. Gent: Imschoot, 2004. Pp. 353 + illus. €50 Hb./Corpus Jan Fabre: Observations sur un processus de création. Preface by Hans-Thies Lehmann. Transl. Monique Nagielkopf and Michèle Tys. Paris: L'Arche, 2005. Pp. 472 + 194 illus. €45 Hb

Piet Defraeye

Theatre Research International, Volume 31, Issue 03, October 2006, pp 316-317
doi:10.1017/S0307883306222417 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Rainer Werner Fassbinder and the German Theatre. By David Barnett. Cambridge: Cambridge University Press, 2005. Pp. xii. + 300 + 25 illus. £50 Hb

Christopher Balme

Theatre Research International, Volume 31, Issue 03, October 2006, pp 317-318
doi:10.1017/S0307883306232413 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Not Wrong – Just Different: Observations on the Rise of Contemporary Australian Theatre. By Katharine Brisbane. Sydney: Currency Press, 2005. Pp. ix + 370 + 19 illus. AUS$34.95 Pb

Bill Dunstone

Theatre Research International, Volume 31, Issue 03, October 2006, pp 318-319
doi:10.1017/S030788330624241X (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

The Doll's Revolution: Australian Theatre and Cultural Imagination. By Rachel Fensham and Denise Varney, with Maryrose Casey and Laura Ginters. Melbourne: Australian Scholarly Publishing, 2005. Pp. ix + 415 + illus. AUD$39.95 Pb

Helena Grehan

Theatre Research International, Volume 31, Issue 03, October 2006, pp 319-320
doi:10.1017/S0307883306252416 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Rebel Women: Staging Ancient Greek Drama Today. Edited by John Dillon and S. E. Wilmer. London: Methuen, 2005. Pp. xxv + 272 + 10 illus. £20 Hb

Jerry C. Jaffe

Theatre Research International, Volume 31, Issue 03, October 2006, pp 320-321
doi:10.1017/S0307883306262412 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Governmental Arts in Early Tudor England. By Mary Polito. Aldershot: Ashgate, 2005. Pp. x + 154. £40 Hb

Michael Anderson

Theatre Research International, Volume 31, Issue 03, October 2006, pp 321-322
doi:10.1017/S0307883306272419 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Magic on the Early English Stage. By Philip Butterworth. Cambridge: Cambridge University Press, 2005. Pp. xxii + 295 + 18 illus. £48 Hb

Henk Gras

Theatre Research International, Volume 31, Issue 03, October 2006, pp 322-323
doi:10.1017/S0307883306282415 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Lewis Carroll and the Victorian Stage: Theatricals in a Quiet Life. By Richard Foulkes. Aldershot: Ashgate, 2005. Pp. x + 224 + 15 illus. £45 Hb

Anne Varty

Theatre Research International, Volume 31, Issue 03, October 2006, pp 323-324
doi:10.1017/S0307883306292411 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Theatre, Performance and Technology: The Development of Scenography in the Twentieth Century. By Christopher Baugh. Basingstoke: Palgrave Macmillan, 2005. Pp. xvii + 251 + 33 illus. £45 Hb; £14.99 Pb

Scott Palmer

Theatre Research International, Volume 31, Issue 03, October 2006, pp 324-325
doi:10.1017/S0307883306302416 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Virtual Theatres: An Introduction. By Gabriella Giannachi. Abingdon and New York: Routledge, 2004. Pp. x + 174 + 18 illus. £65 Hb; £21.99 Pb

Mick Wallis

Theatre Research International, Volume 31, Issue 03, October 2006, pp 325-326
doi:10.1017/S0307883306312412 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Aus dem Takt: Rhythmus in Kunst, Kultur und Natur. Edited by Christa Brüstle, Nadia Ghattas, Clemens Risi and Sabine Schouten. Bielefeld: Transcript, 2005. Pp. 342 + 41 illus. + DVD. €27.80 Pb

David Roesner

Theatre Research International, Volume 31, Issue 03, October 2006, pp 326-327
doi:10.1017/S0307883306322419 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

The Most American Thing in America: Circuit CHAUTAUQUA as Performance. By Charlotte M. Canning. Iowa City: University of Iowa Press, 2005. Pp. 260. $34.95 Hb

Maura L. Jortner

Theatre Research International, Volume 31, Issue 03, October 2006, pp 327-328
doi:10.1017/S0307883306332415 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Modern Dance, Negro Dance: Race in Motion. By Susan Manning. Minneapolis: University of Minnesota Press, 2004. Pp. xxvi + 296 + 31 illus. $34.95 Pb

Andrea Harris

Theatre Research International, Volume 31, Issue 03, October 2006, pp 328-329
doi:10.1017/S0307883306342411 (About doi), Published Online by Cambridge University Press 04 Oct 2006
 

Books Received

 
 

Books Received

Theatre Research International, Volume 31, Issue 03, October 2006, pp 330-331
doi:10.1017/S0307883306002409 (About doi), Published Online by Cambridge University Press 04 Oct 2006
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