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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 31 - Issue 02  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Articles

 
 

The ‘Deaf Ear’ of Classicism: Searching for the Female Voice in French Tragédie Lyrique

SARAH NANCY

Theatre Research International, Volume 31, Issue 02, July 2006, pp 117-128
doi:10.1017/S0307883306002070 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Consuming the Canon: Theatre, Commodification and Social Mobility in Late Nineteenth-Century German Theatre

PETER W. MARX

Theatre Research International, Volume 31, Issue 02, July 2006, pp 129-144
doi:10.1017/S0307883306002082 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Theatre in the Arab World: A Difficult Birth

KHALID AMINE

Theatre Research International, Volume 31, Issue 02, July 2006, pp 145-162
doi:10.1017/S0307883306002094 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Utopia in Performance

JILL DOLAN

Theatre Research International, Volume 31, Issue 02, July 2006, pp 163-173
doi:10.1017/S0307883306002100 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

‘Quite a Profound Day’: The Public Performance of Memory by Military Witnesses at the Bloody Sunday Tribunal

G. D. WHITE

Theatre Research International, Volume 31, Issue 02, July 2006, pp 174-187
doi:10.1017/S0307883306002112 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Resisting the Revolution: Heiner Müller's Hamlet/Machine at the Deutsches Theater, Berlin, March 1990

DAVID BARNETT

Theatre Research International, Volume 31, Issue 02, July 2006, pp 188-200
doi:10.1017/S0307883306002124 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Book Reviews

 
 

Strategies of Resistance in the Dramatic Texts of North African Women: A Body of Words. By Laura Chakravarty Box. New York: Routledge, 2005. Pp. xi + 258. $75.00 Hb

Dixie Beadle

Theatre Research International, Volume 31, Issue 02, July 2006, pp 201-202
doi:10.1017/S0307883306212069 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Staging Politics and Gender: French Women's Drama, 1880–1923. By Cecilia Beach. New York and Basingstoke: Palgrave Macmillan, 2005. Pp. 186. £35, $69.95 Hb ‘I Believe in the Power of Theatre’: British Women's Drama of the 1980s and 1990s. By Kathleen Starck. Trier: WVT Wissenschaftlicher Verlag Trier, 2005. Pp. 269. €28 Pb

Susan Croft

Theatre Research International, Volume 31, Issue 02, July 2006, pp 202-203
doi:10.1017/S0307883306222065 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Marriage Relationships in Tudor Political Drama. By Michael A. Winkelman. Aldershot: Ashgate Publishing, 2005. Pp. 272. £45 Hb

Kevin De Ornellas

Theatre Research International, Volume 31, Issue 02, July 2006, pp 203-204
doi:10.1017/S0307883306232061 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Theater and Film: A Comparative Anthology. Edited by Robert Knopf. New Haven and London: Yale University Press, 2005. Pp. 352 + 18 illus. $29.95 Pb

Sunny Stalter

Theatre Research International, Volume 31, Issue 02, July 2006, pp 204-205
doi:10.1017/S0307883306242068 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Staging the UK. By Jen Harvey. Manchester: Manchester University Press, 2005. Pp. ix + 246 + illus. £15.99 Pb; £50 Hb

Aleks Sierz

Theatre Research International, Volume 31, Issue 02, July 2006, pp 205-206
doi:10.1017/S0307883306252064 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

‘Other’ Spanish Theatres: Erasure and Inscription on the Spanish Stage. By Maria Delgado. Manchester: Manchester University Press, 2003. Pp. xv + 336 + 25 illus. £47.50 Hb; £17.99 Pb

Cariad Astles

Theatre Research International, Volume 31, Issue 02, July 2006, pp 206-207
doi:10.1017/S0307883306262060 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Dance and Dancers in the Victorian and Edwardian Music Hall Ballet. By Alexandra Carter. Aldershot: Ashgate, 2005. Pp. viii + 177 + 8 illus. £45; $89.95 Hb

Simon Shepherd

Theatre Research International, Volume 31, Issue 02, July 2006, pp 207-208
doi:10.1017/S0307883306272067 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895–1915. By Andrew L. Erdman. Jefferson, NC: McFarland, 2004. Pp. 208 + illus. $39.95 Hb

Michael Peterson

Theatre Research International, Volume 31, Issue 02, July 2006, pp 208-209
doi:10.1017/S0307883306282063 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Oscar Asche, Orientalism and British Musical Comedy. By Brian Singleton. Westport, CT. & London: Praeger, 2004. Pp. xiv + 223 + illus. £39.99/US-$69.95 Hb

Maggie B. Gale

Theatre Research International, Volume 31, Issue 02, July 2006, pp 209-210
doi:10.1017/S030788330629206X (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Théâtrologie 1: Le Théâtre réinventé. By Rabanel. Preface by Jean-Marie Pradier. Paris: Ed. L'Harmattan, 2003. Pp. 310. €24.50 Pb

Christophe Alix

Theatre Research International, Volume 31, Issue 02, July 2006, pp 210-211
doi:10.1017/S0307883306302064 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Theatre and Consciousness: Explanatory Scope and Future Potential. By Daniel Meyer-Dinkgräfe. Bristol: Intellect Books, 2005. Pp. vi + 230. £19.95; $39.95 Pb

Lib Taylor

Theatre Research International, Volume 31, Issue 02, July 2006, pp 211-212
doi:10.1017/S0307883306312060 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Sartre's Theatre: Acts for Life. By Benedict O'Donohoe. Bern: Peter Lang, 2005. Pp. 301. £34.50; $58.95 Pb

Alison Forsyth

Theatre Research International, Volume 31, Issue 02, July 2006, pp 212-213
doi:10.1017/S0307883306322067 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Sam Shepard: A ‘Poetic Rodeo’. By Carol Rosen. London: Palgrave, 2004. Pp. xiii + 282 + illus. £17.99 Pb; £52.50 Hb

Johan Callens

Theatre Research International, Volume 31, Issue 02, July 2006, pp 213-214
doi:10.1017/S0307883306332063 (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Freedom's Pioneer: John McGrath's Work in Theatre, Film and Television. Edited by David Bradby and Susanna Capon. Exeter: University of Exeter Press, 2005. Pp. 250 + 24 illus. £47.50/$90 Hb; £14.99/$29.95 Pb John McGrath: Plays for England. Selected and introduced by Nadine Holdsworth. Exeter: University of Exeter Press, 2005. Pp. 340 + 16 illus. £14.99; $29.95 Pb

Bill McDonnell

Theatre Research International, Volume 31, Issue 02, July 2006, pp 214-215
doi:10.1017/S030788330634206X (About doi), Published Online by Cambridge University Press 07 Jun 2006
 

Books Received

 
 

Books Received

Theatre Research International, Volume 31, Issue 02, July 2006, pp 216-218
doi:10.1017/S0307883306002136 (About doi), Published Online by Cambridge University Press 07 Jun 2006
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