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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 31 - Issue 01  

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Articles

 
 

Jacobin Revolutionary Theatre and the Early Circus: Astley's Dublin Amphitheatre in the 1790s

HELEN BURKE

Theatre Research International, Volume 31, Issue 01, March 2006, pp 1-16
doi:10.1017/S0307883305001847 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

An Australian Idol of Modernist Consumerism: Minnie Tittell Brune and the Gallery Girls

VERONICA KELLY

Theatre Research International, Volume 31, Issue 01, March 2006, pp 17-36
doi:10.1017/S0307883305001859 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang

SUK-YOUNG KIM

Theatre Research International, Volume 31, Issue 01, March 2006, pp 37-53
doi:10.1017/S0307883305001896 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

Editorial Notice

 
 

Editorial Notice

Theatre Research International, Volume 31, Issue 01, March 2006, pp 54-68
doi:10.1017/S0307883305001902 (About doi), Published Online by Cambridge University Press 16 Mar 2007
 

Articles

 
 

Rasa, ‘Rasaesthetics’ and Dramatic Theory as Performance Packaging

DAVID MASON

Theatre Research International, Volume 31, Issue 01, March 2006, pp 69-83
doi:10.1017/S0307883305001860 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

The Mess Behind the Veil: Assimilating Ping Chong

JAMES FRIEZE

Theatre Research International, Volume 31, Issue 01, March 2006, pp 84-100
doi:10.1017/S0307883305001884 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

Book Reviews

 
 

Post-Imperial Brecht. Politics and Performance, East and South. By Loren Kruger. Cambridge: Cambridge University Press, 2004. Pp. xiv + 399 + illus. £55; $85 Hb Street Scenes: Brecht, Benjamin and Berlin. By Nicholas Whybrow. Bristol: Intellect, 2005. £19.95; $ 39.95 Hb

Nikolaus Müller-Schöll

Theatre Research International, Volume 31, Issue 01, March 2006, pp 101-102
doi:10.1017/S0307883305211914 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

Performing Blackness on English Stages, 1500–1800. By Virginia Mason Vaughan. Cambridge: Cambridge University Press, 2005. Pp. xiv + 190 + 10 illus. £45; $75 Hb

Willy Maley

Theatre Research International, Volume 31, Issue 01, March 2006, pp 102-103
doi:10.1017/S0307883305221910 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

The Past as Present in the Drama of August Wilson. By Harry J. Elam, Jr. Ann Arbor: University of Michigan Press, 2004. Pp. xix + 271 + illus. $60 Hb

David Krasner

Theatre Research International, Volume 31, Issue 01, March 2006, pp 103-104
doi:10.1017/S0307883305231917 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

Du Gracioso au valet comique. Contribution à la comparaison de deux dramaturgies (1610–1660). By Catherine Dumas. Paris: Honoré Champion, 2004 448pp. €75 Hb

Stephen Knapper

Theatre Research International, Volume 31, Issue 01, March 2006, pp 104-105
doi:10.1017/S0307883305241913 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

He Hellenike Komodia kai ta protupa tes sto 19o aiona. [Nineteenth-century Greek Comedy and its models.]. By Theodore Hadjipantazis. Herakleion: Crete University Press, 2004. Pp. xv + 252. €16 Pb

Anna Stavrakopoulou

Theatre Research International, Volume 31, Issue 01, March 2006, pp 105-106
doi:10.1017/S030788330525191X (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

Death, The One and the Art of Theatre. By Howard Barker. Abingdon, Oxon: Routledge, 2005. Pp. 105. £12.99 Pb.; £50 Hb The Theatre of Howard Barker. By Charles Lamb. Abingdon, Oxon: Routledge, 2005. Pp. 228 + 8 illus. £18.99 Pb

Robert Shaughnessy

Theatre Research International, Volume 31, Issue 01, March 2006, pp 106-108
doi:10.1017/S0307883305311916 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

From Script to Stage in Early Modern England. Edited By Peter Holland and Stephen Orgel. Basingstoke: Palgrave, 2004. Pp. xiii + 251. £60 Hb; £17.99 Pb Tudor Drama before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy. Edited by Lloyd Kermode, Jason Scott-Warren and Martine Van Elk. Basingstoke: Palgrave, 2004. Pp. 271. £40 Hb Pronouncing Shakespeare: The Globe Experiment. By David Crystal. Cambridge: Cambridge University Press, 2005. Pp. 188. £12.99 Hb Talking to the Audience: Shakespeare, Performance, Self. By Bridget Escolme. London: Routledge, 2005. Pp. xii + 192 + 11 illus. £60 Hb; £19.99 Pb

Robert Shaughnessy

Theatre Research International, Volume 31, Issue 01, March 2006, pp 106-108
doi:10.1017/S0307883305261916 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

Theatrical Events: Borders – Dynamics – Frames. Edited By Vicky Ann Cremona, Peter Eversmann, Hans van Maanen, Willmar Sauter and John Tulloch. Amsterdam and New York: Rodopi, 2004. Pp. 398. €85;$106 Hb; €29/$36 Pb

Dean Wilcox

Theatre Research International, Volume 31, Issue 01, March 2006, pp 108-109
doi:10.1017/S0307883305271912 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

Nevarne povezave: Telo, filozofija in razmerje do umetnega [Dangerous Connections: Body, Philosophy and Relationship to the Artificial]. By Bojana Kunst. Ljubljana: Maska, 2004. Pp. 224 + illus. SIT 3,900

Goran Sergej Pristaš

Theatre Research International, Volume 31, Issue 01, March 2006, pp 109-110
doi:10.1017/S0307883305281919 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

Trisha Brown: Dance and Art in Dialogue, 1961–2001. Edited By Hendel Teicher. Massachusetts: Addison Gallery of American Art, 2002. Pp 340. $35 Pb

Deidhre Wauchop

Theatre Research International, Volume 31, Issue 01, March 2006, pp 110-111
doi:10.1017/S0307883305291915 (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

Drama Translation and Theatre Practice. Edited by Sabine Coelsch-Foisner and Holger Klein. Frankfurt e.a.: Peter Lang, 2004. Pp. xiii + 518. £52 Pb

Jozefina Komporaly

Theatre Research International, Volume 31, Issue 01, March 2006, pp 111-112
doi:10.1017/S030788330530191X (About doi), Published Online by Cambridge University Press 10 Feb 2006
 

Books Received

 
 

Books Received

Theatre Research International, Volume 31, Issue 01, March 2006, pp 114-115
doi:10.1017/S0307883305001720 (About doi), Published Online by Cambridge University Press 10 Feb 2006
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