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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 30 - Issue 01  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Editorial

 
 

Editorial

CHRISTOPHER BALME

Theatre Research International, Volume 30, Issue 01, March 2005, pp 1-2
doi:10.1017/S0307883304000926 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Articles

 
 

The ‘Cleveland Medea’ Calyx Crater and the Iconography of Ancient Greek Theatre

MARTIN REVERMANN

Theatre Research International, Volume 30, Issue 01, March 2005, pp 3-18
doi:10.1017/S0307883304000835 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Of Textual Bodies and Actual Bodies: the Abjection of Performance in Lessing's Dramaturgy

KAREN JÜRS-MUNBY

Theatre Research International, Volume 30, Issue 01, March 2005, pp 19-35
doi:10.1017/S0307883304000847 (About doi), Published Online by Cambridge University Press 09 May 2005
 

The Director, the Spectator and the Eiffel Tower

DENNIS KENNEDY

Theatre Research International, Volume 30, Issue 01, March 2005, pp 36-48
doi:10.1017/S0307883304000859 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Directing History: Women, Performance and Scholarship

CHARLOTTE CANNING

Theatre Research International, Volume 30, Issue 01, March 2005, pp 49-59
doi:10.1017/S0307883304000860 (About doi), Published Online by Cambridge University Press 09 May 2005
 

The Emotional Memory of Directing

HERBERT BLAU

Theatre Research International, Volume 30, Issue 01, March 2005, pp 60-71
doi:10.1017/S0307883304000872 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Challenging the Ghosts: Leopold Jessner's Hamlet

PETER W. MARX

Theatre Research International, Volume 30, Issue 01, March 2005, pp 72-87
doi:10.1017/S0307883304000884 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Book Reviews

 
 

History of European Drama and Theatre. By Erika Fischer-Lichte. Trans. Jo Riley. London and New York: Routledge, 2004. Pp. 351. £19.99 Pb

Peter Thomson

Theatre Research International, Volume 30, Issue 01, March 2005, pp 88-89
doi:10.1017/S0307883304210896 (About doi), Published Online by Cambridge University Press 09 May 2005
 

New Readings in Theatre History. By Jacky Bratton. Cambridge: Cambridge University Press, 2003. Pp. xii + 238. £16.99 Pb

John Clifford

Theatre Research International, Volume 30, Issue 01, March 2005, pp 89-90
doi:10.1017/S0307883304220892 (About doi), Published Online by Cambridge University Press 09 May 2005
 

New Readings in Theatre History. By Jacky Bratton. Cambridge: Cambridge University Press, 2003. Pp. xii + 238. £16.99 Pb

Jan McDonald

Theatre Research International, Volume 30, Issue 01, March 2005, pp 90-91
doi:10.1017/S0307883304230899 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Le Théâtre de Boulevard. By Brigitte Brunet. Paris: Nathan, 2004. Pp. vi + 154. €16 Pb

John Fletcher

Theatre Research International, Volume 30, Issue 01, March 2005, pp 91-92
doi:10.1017/S0307883304240895 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Gaston Baty. Introduced by Béatrice Picon-Vallin, postface by Gérard Lieber. Arles: Actes Sud-Papiers, 2004. Pp. 60. €8 Pb Krystian Lupa. Interviews by Jean-Pierre Thibaudat. Arles : Actes Sud- Papiers, 2004. Pp. 88. €10 Pb

David Bradby

Theatre Research International, Volume 30, Issue 01, March 2005, pp 92-92
doi:10.1017/S0307883304250891 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Hidden Territories: The Theatre of Gardzienice. By Wlodzimierz Staniewski with Alison Hodge. London and New York: Routledge, 2004. Pp. 148 + illus + CD-ROM. £75 Hb; £29.99 Pb

Paul Allain

Theatre Research International, Volume 30, Issue 01, March 2005, pp 92-93
doi:10.1017/S0307883304260898 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Josef Svoboda. By Denis Bablet, edited and with a chronology by D. Monmarte. Lausanne: L'âge d'homme, 2004. Pp. 238 + illus. No price Pb

Christopher Baugh

Theatre Research International, Volume 30, Issue 01, March 2005, pp 93-94
doi:10.1017/S0307883304270894 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Dodin and the Maly Theatre: Process to Performance. By Maria Shevtsova. London and New York: Routledge, 2004. Pp. xviii + 231. £75 Hb; £25 Pb

Laurence Senelick

Theatre Research International, Volume 30, Issue 01, March 2005, pp 94-95
doi:10.1017/S0307883304280890 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Shashibiya: Staging Shakespeare in China. By Li Ruru. Hong Kong: Hong Kong University Press, 2003. Pp. xii + 305 + illus. $49.50 Hb; $29.95 Pb

Lingui Yang

Theatre Research International, Volume 30, Issue 01, March 2005, pp 95-96
doi:10.1017/S0307883304290897 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Theatre and Postcolonial Desires. By Awam Amkpa. London and New York: Routledge, 2004. Pp. xiv + 207. £55 Hb

Frances Harding

Theatre Research International, Volume 30, Issue 01, March 2005, pp 96-97
doi:10.1017/S0307883304300891 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Inside the Royal Shakespeare Company. By Colin Chambers. London: Routledge, 2004. Pp. xiv + 262

Dominic Shellard

Theatre Research International, Volume 30, Issue 01, March 2005, pp 97-98
doi:10.1017/S0307883304310898 (About doi), Published Online by Cambridge University Press 09 May 2005
 

The Theatre of Marina Carr: ‘Before Rules was Made’. Edited by Cathy Leeney and Anna McMullan. Dublin: Carysfort Press, 2003. Pp. xii + 255 + illus. £10.90 Pb Feminist Views on the English Stage: Women Playwrights, 1990–2000. By Elaine Aston. Cambridge: Cambridge University Press, 2003. £45 Hb

Jill Dolan

Theatre Research International, Volume 30, Issue 01, March 2005, pp 98-99
doi:10.1017/S0307883304320894 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Contemporary Black and Asian Women Playwrights. By Gabriele Griffin. Cambridge: Cambridge University Press, 2003. Pp. ix + 291+ illus. £45; $65 Hb

Yvonne Brewster

Theatre Research International, Volume 30, Issue 01, March 2005, pp 99-100
doi:10.1017/S0307883304330890 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Creating Frames: Contemporary Indigenous Theatre. By Maryrose Casey. Brisbane: Queensland University Press, 2004. Pp. xxvii + 372. AUS $29.95

Alan Filewod

Theatre Research International, Volume 30, Issue 01, March 2005, pp 100-101
doi:10.1017/S0307883304340897 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Disability and Contemporary Performance: Bodies on Edge. By Petra Kuppers. New York and London: Routledge, 2004. Pp. xi + 176 + illus. $43.95 Pb

Ann M. Fox

Theatre Research International, Volume 30, Issue 01, March 2005, pp 101-102
doi:10.1017/S0307883304350893 (About doi), Published Online by Cambridge University Press 09 May 2005
 

How the World Became a Stage: Presence, Theatricality, and the Question of Modernity. By William Egginton. Albany: State University of New York Press, 2003. Pp. viii + 208. $65.50 Hb; $21.95 Pb

John D. Staines

Theatre Research International, Volume 30, Issue 01, March 2005, pp 102-103
doi:10.1017/S030788330436089X (About doi), Published Online by Cambridge University Press 09 May 2005
 

Theatricality. Edited by Tracy C. Davis and Thomas Postlewait. Cambridge and New York: Cambridge University Press, 2004. Pp. xi + 243. £40.00 Hb; £16.99 Pb

Dean Wilcox

Theatre Research International, Volume 30, Issue 01, March 2005, pp 103-104
doi:10.1017/S0307883304370896 (About doi), Published Online by Cambridge University Press 09 May 2005
 

Books Received

 
 

Books Received

Theatre Research International, Volume 30, Issue 01, March 2005, pp 105-106
doi:10.1017/S0307883304000902 (About doi), Published Online by Cambridge University Press 09 May 2005
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