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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 29 - Issue 03  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Articles

 
 

What to do with a Corpse?: Physical Reality and the Fictional World in the Shakespearean Theatre

MARIKO ICHIKAWA

Theatre Research International, Volume 29, Issue 03, October 2004, pp 201-215
doi:10.1017/S0307883304000628 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

The Jewish Actor and the Theatre of Modernism in Germany

GALILI SHAHAR

Theatre Research International, Volume 29, Issue 03, October 2004, pp 216-231
doi:10.1017/S030788330400063X (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

Dances About Spain: Censorship at the Federal Theatre Project

ELIZABETH COOPER

Theatre Research International, Volume 29, Issue 03, October 2004, pp 232-246
doi:10.1017/S0307883304000641 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

The Entertaining Mr. Orton: How Joe Orton's Plays Can Outgrow the ‘Swinging Sixties’

LINDA STREIT

Theatre Research International, Volume 29, Issue 03, October 2004, pp 247-255
doi:10.1017/S0307883304000653 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

Edward Bond and the Celebrity of Exile

GRAHAM SAUNDERS

Theatre Research International, Volume 29, Issue 03, October 2004, pp 256-266
doi:10.1017/S0307883304000665 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

Can We Live as One Family? Rethinking the Two Koreas' Kinship in John Hoon's Kang Tek-koo

SUK-YOUNG KIM

Theatre Research International, Volume 29, Issue 03, October 2004, pp 267-283
doi:10.1017/S0307883304000677 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

Book Reviews

 
 

Riotous Performances: The Struggle for Hegemony in the Irish Theater, 1712–1784. By Helen M. Burke. Notre Dame, Indiana: Notre Dame University Press, 2003. Pp. x + 356 + illus. $70 Hb; $35 Pb

Maria Doyle

Theatre Research International, Volume 29, Issue 03, October 2004, pp 284-285
doi:10.1017/S0307883304210689 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

Revival: The Abbey Theatre, Sinn Fein, The Gaelic League and the Co-operative Movement. By P. J. Mathews. Notre Dame: University of Notre Dame Press, 2004. Pp. viii + 208. $30.00 Pb

Nelson O'Ceallaigh Ritschel

Theatre Research International, Volume 29, Issue 03, October 2004, pp 285-286
doi:10.1017/S0307883304220685 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

The Cambridge Companion to Victorian and Edwardian Theatre. Edited by Kerry Powell. Cambridge: Cambridge University Press, 2004. Pp. xv + 288 + illus. £45 Hb; £16.99 Pb

John Stokes

Theatre Research International, Volume 29, Issue 03, October 2004, pp 286-287
doi:10.1017/S0307883304230681 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

Les théâtres de l'absurde. By Michel Pruner. Paris: Nathan, 2003. Pp. vi + 154. €16 Pb

John Fletcher

Theatre Research International, Volume 29, Issue 03, October 2004, pp 287-287
doi:10.1017/S0307883304240688 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

New Readings in American Drama: Something's Happening Here. Edited by Norma Jenckes. New York: Peter Lang, 2002. Pp. xvi + 286. $29.95 Pb

Stephen Watt

Theatre Research International, Volume 29, Issue 03, October 2004, pp 288-289
doi:10.1017/S0307883304260680 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

The Birmingham Rep: A City's Theatre, 1962–2002. By Claire Cochrane. Birmingham: Sir Barry Jackson Trust, 2003. Pp. iv + 225. £10 Pb

Dominic Shellard

Theatre Research International, Volume 29, Issue 03, October 2004, pp 288-288
doi:10.1017/S0307883304250684 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

The Stage Life of Props. By Andrew Sofer. Ann Arbor: University of Michigan Press, 2003. Pp. xiii + 278 + illus. $19.95 Pb

Heather May

Theatre Research International, Volume 29, Issue 03, October 2004, pp 289-290
doi:10.1017/S0307883304270687 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

Stage Fright: Modernism, Anti-Theatricality, and Drama. By Martin Puchner. Baltimore and London: Johns Hopkins University Press, 2002. Pp. 234. $42.50 Hb

Paige Reynolds

Theatre Research International, Volume 29, Issue 03, October 2004, pp 290-291
doi:10.1017/S0307883304280683 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

Ethnic Drag: Performing Race, Nation, Sexuality in West Germany. By Katrin Sieg. Ann Arbor: University of Michigan Press, 2002. Pp. 296. $54.50 Hb

Carol Burbank

Theatre Research International, Volume 29, Issue 03, October 2004, pp 291-292
doi:10.1017/S030788330429068X (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

A Queer Sort of Materialism: Re-contextualizing American Theater. By David Savran. Ann Arbor: University of Michigan Press, 2003. Pp. xii + 234. $49.50 Hb; $22.95 Pb

Sue-Ellen Case

Theatre Research International, Volume 29, Issue 03, October 2004, pp 292-293
doi:10.1017/S0307883304300684 (About doi), Published Online by Cambridge University Press 22 Nov 2004
 

Books Received

 
 

Books Received

Theatre Research International, Volume 29, Issue 03, October 2004, pp 294-296
doi:10.1017/S0307883304000690 (About doi), Published Online by Cambridge University Press 22 Nov 2004
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