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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 29 - Issue 02  

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Articles

 
 

Jacky-Kalingaloonga: Aboriginality, Audience Reception and Charles Reade's It is Never Too Late To Mend (1865)

IAN HENDERSON

Theatre Research International, Volume 29, Issue 02, July 2004, pp 95-110
doi:10.1017/S0307883304000264 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

From Orientalist to Postcolonial Representations: A Critique of Indian Theatre Historiography from 1827 to the Present

RAKESH H. SOLOMON

Theatre Research International, Volume 29, Issue 02, July 2004, pp 111-127
doi:10.1017/S0307883304000276 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Oskar Schlemmer's Research Practice at the Dessau Bauhaus

MELISSA TRIMINGHAM

Theatre Research International, Volume 29, Issue 02, July 2004, pp 128-142
doi:10.1017/S0307883304000288 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Recasting the National Motherhood: Transactions of Western Feminisms in Korean Theatre

JUNG-SOON SHIM

Theatre Research International, Volume 29, Issue 02, July 2004, pp 143-154
doi:10.1017/S030788330400029X (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

‘Alive and Present’: Theatresports and Contemporary Live Performance

MATTHIJS ENGELBERTS

Theatre Research International, Volume 29, Issue 02, July 2004, pp 155-173
doi:10.1017/S0307883304000306 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Performance Analysis

 
 

Shakespeare in a Fountain: The First Italian Production of The Tempest Directed by Giorgio Strehler in 1948

GIAN GIACOMO COLLI

Theatre Research International, Volume 29, Issue 02, July 2004, pp 174-185
doi:10.1017/S0307883304000318 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Book Reviews

 
 

In Other Los Angeleses: Multicentric Performance Art. By Meiling Cheng. Berkeley and Los Angeles: University of California Press, 2002. Pp. xxxiv + 407 + illus. $60 Hb; $24.95 Pb.

Henry Bial

Theatre Research International, Volume 29, Issue 02, July 2004, pp 186-187
doi:10.1017/S0307883304210604 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Michael Chekhov. By Franc Chamberlain. London: Routledge, 2004. Pp xii + 152 + illus. £9.99 Pb. Konstantin Stanislavsky. By Bella Merlin. London: Routledge, 2003. Pp xii + 171 + illus. £9.99 Pb. Jacques Lecoq. By Simon Murray. London: Routledge, 2003. Pp xiv + 180 + illus. £9.99 Pb. Vsevolod Meyerhold. By Jonathan Pitches. London: Routledge, 2003. Pp xi + 162 + illus. £9.99 Pb.

John F. Deeney

Theatre Research International, Volume 29, Issue 02, July 2004, pp 187-189
doi:10.1017/S0307883304230607 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

In-Yer-Face Theatre: British Drama Today. By Aleks Sierz. London: Faber, 2001. Pp. xiii + 274. £12.99 Pb.

Carina Bartleet

Theatre Research International, Volume 29, Issue 02, July 2004, pp 187-187
doi:10.1017/S0307883304220600 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Languages of Theatre Shaped by Women. Edited by Jane de Gay and Lizbeth Goodman. Bristol: Intellect, 2003. Pp. viii + 191 + illus. $29.95 Pb.

Rebecca D'Monté

Theatre Research International, Volume 29, Issue 02, July 2004, pp 189-190
doi:10.1017/S0307883304240603 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture. By W. T. Lhamon. Cambridge, MA: Harvard University Press, 2003. Pp. xi + 459 + illus. $39.95 Hb.

Annemarie Bean

Theatre Research International, Volume 29, Issue 02, July 2004, pp 190-190
doi:10.1017/S030788330425060X (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

The Orient on the Stage. By Edward Ziter. Cambridge: Cambridge University Press, 2003. Pp. ix + 235. £45/$65 Hb.

Brian Singleton

Theatre Research International, Volume 29, Issue 02, July 2004, pp 191-192
doi:10.1017/S0307883304260606 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Popular Theater and Society in Tsarist Russia. By E. Anthony Swift. Berkeley: University of California Press, 2002. Pp. xv + 346. $49.95 Hb. Imitations of Life. Two Centuries of Melodrama in Russia. Edited by Louise McReynolds and Joan Neuberger. Durham: Duke University Press, 2002. Pp. x + 338. $64.95 Hb; $19.95 Pb.

Andrew Wachtel

Theatre Research International, Volume 29, Issue 02, July 2004, pp 192-193
doi:10.1017/S0307883304270602 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Shakespeare and the Force of Modern Performance. By W. B. Worthen. Cambridge: Cambridge University Press 2003. Pp. viii + 274. £42.50 Hb; £15.95 Pb.

Erika Fisher-Lichte

Theatre Research International, Volume 29, Issue 02, July 2004, pp 193-194
doi:10.1017/S0307883304280609 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Greek and Roman Actors: Aspects of an Ancient Profession. Edited by Pat Easterling and Edith Hall. Cambridge: Cambridge University Press, 2002. Pp. xxxii + 510 + illus. £65; $90 Hb.

Douglas Cairns

Theatre Research International, Volume 29, Issue 02, July 2004, pp 194-195
doi:10.1017/S0307883304290605 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Staging America: Cornerstone and Community-Based Theater. By Sonja Kuftinec. Carbondale and Edwardsville: Southern Illinois University Press, 2003. Pp. xiii + 255 + illus. $45 Hb.

Paul Calvert

Theatre Research International, Volume 29, Issue 02, July 2004, pp 195-196
doi:10.1017/S030788330430060X (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Popular Theatre: A Sourcebook. Edited by Joel Schechter. London and New York: Routledge, 2003. Worlds of Performance series. Pp. xv + 279 + 34 illus. £65 Hb; £19.99 Pb.

Baz Kershaw

Theatre Research International, Volume 29, Issue 02, July 2004, pp 196-197
doi:10.1017/S0307883304310606 (About doi), Published Online by Cambridge University Press 11 Aug 2004
 

Books Received

 
 

Books Received

Theatre Research International, Volume 29, Issue 02, July 2004, pp 198-200
doi:10.1017/S030788330400032X (About doi), Published Online by Cambridge University Press 11 Aug 2004
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