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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 29 - Issue 01  

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Editorial

 
 

Editorial

CHRISTOPHER BALME

Theatre Research International, Volume 29, Issue 01, March 2004, pp 1-3
doi:10.1017/S0307883303001202 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

Articles

 
 

Society of the Counter-Spectacle: Debord and the Theatre of the Situationists

MARTIN PUCHNER

Theatre Research International, Volume 29, Issue 01, March 2004, pp 4-15
doi:10.1017/S0307883303001214 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

Beyond Drama: Writing for Postdramatic Theatre

MALGORZATA SUGIERA

Theatre Research International, Volume 29, Issue 01, March 2004, pp 6-28
doi:10.1017/S0307883303001226 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

Look who's Looking!: Perspective and the Paradox of Postdramatic Subjectivity

MAAIKE BLEEKER

Theatre Research International, Volume 29, Issue 01, March 2004, pp 29-41
doi:10.1017/S0307883303001238 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

Theatre of Potentiality. Communicability and the Political in Contemporary Performance Practice

NIKOLAS MÜLLER-SCHÖLL

Theatre Research International, Volume 29, Issue 01, March 2004, pp 42-56
doi:10.1017/S030788330300124X (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

Research Articles

 
 

Animal Labour in the Theatrical Economy

NICHOLAS RIDOUT

Theatre Research International, Volume 29, Issue 01, March 2004, pp 57-65
doi:10.1017/S0307883303001251 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

Articles

 
 

Dining with the Perpetrators. Eva Diamantstein's Performative Exploration of the Role of Women in National Socialism

ANJA I. KLÖCK

Theatre Research International, Volume 29, Issue 01, March 2004, pp 66-77
doi:10.1017/S0307883303001263 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

Book Reviews

 
 

Performance and Literature in the commedia dell'arte. By Robert Henke. Cambridge: Cambridge University Press, 2002. Pp. xiv + 263 + illus. £45 Hb. Music and Women of the commedia dell'arte in the Late Sixteenth Century. By Anne MacNeil. Oxford: Oxford University Press, 2003. Pp. viii + 360 + illus. $85 Hb. Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (‘Studia Litteraria’, 10). By Britta Brandt. Wilhelmsfeld: Gottfried Egert, 2002. Pp. viii + 284 and pp. xxxv + 267. €26 Pb. La Mirtilla: a pastoral (Medieval and Renaissance Texts and Studies, 242). By Isabella Andreini, translated from the Italian, introduced and annotated by Julie D. Campbell. Tempe: Arizona Center for Medieval and Renaissance Studies, 2002. Pp. xxvii + 105. $26 Hb. Improvisation in the Arts of the Middle Ages and Renaissance (Early Drama, Art and Music Monograph Series, 30). Edited by Timothy J. McGee. Kalamazoo: Medieval Institute Publications (Western Michigan University), 2003. Pp. xii + 331 + illus. $30 Hb; $15 Pb. Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (‘Maske und Kothurn’, 48, 1–4). Edited by Brigitte Marschall. Vienna: Böhlau, 2002. Pp. 521 + illus. €78.20 Pb.

M. A. Katritzky

Theatre Research International, Volume 29, Issue 01, March 2004, pp 78-81
doi:10.1017/S0307883303211275 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

The Cambridge Companion to Shakespeare. Edited by Margreta de Grazia and Stanley Wells. Cambridge: Cambridge University Press, 2001. Pp. xx + 328 + illus. £40 Hb; £14.95 Pb. The Cambridge Companion to Shakespearean Tragedy. Edited by Claire McEachern. Cambridge: Cambridge University Press, 2002. Pp. xiii + 274 + illus. £40 Hb; £14.95 Pb. The Cambridge Companion to Shakespearean Comedy. Edited by Alexander Legatt. Cambridge: Cambridge University Press, 2002. Pp. xviii + 237 + illus. £40 Hb; £14.95 Pb.

Ewan Fernie

Theatre Research International, Volume 29, Issue 01, March 2004, pp 81-83
doi:10.1017/S0307883303221271 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

The Convict Theatres of Early Australia: 1788–1840. By Robert Jordan. Sydney: Currency House, 2002. Pp xiii + 370 + illus. AUS $49.95 Hb.

Elizabeth Webby

Theatre Research International, Volume 29, Issue 01, March 2004, pp 83-83
doi:10.1017/S0307883303231278 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

A Triptych from the Russian Theatre: An Artistic Biography of the Komissarzhevskys. By Victor Borovsky. London: C. Hurst & Co, 2001. Pp. xxi + 485 + illus. £29.95 Hb.

Bella Merlin

Theatre Research International, Volume 29, Issue 01, March 2004, pp 84-84
doi:10.1017/S0307883303241274 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries. By Kazimierz Braun. Lampeter: Edwin Mellen Press, 2003. Pp. xxviii + 476 + illus. $139.95 Hb.

Paul Allain

Theatre Research International, Volume 29, Issue 01, March 2004, pp 84-85
doi:10.1017/S0307883303251270 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

The Showmakers: Great Directors of the American Musical Theatre. By Lawrence Thelen. New York: Routledge, 2002. Pp. x + 254 + illus. $19.95 Pb.

Judith Sebesta

Theatre Research International, Volume 29, Issue 01, March 2004, pp 85-86
doi:10.1017/S0307883303261277 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

Black Theatre: Ritual Performance in the African Diaspora. Edited by Paul Carter Harrison, Victor Leo Walker ii, and Gus Edwards. Philadelphia: Temple University Press, 2003. Pp. ix + 418. $74.50 Hb; $27.95 Pb.

Nadine George-Graves

Theatre Research International, Volume 29, Issue 01, March 2004, pp 86-87
doi:10.1017/S0307883303271273 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

How Theatre Educates: Convergences and Counterpoints with Artists, Scholars and Advocates. Edited by Kathleen Gallagher and David Booth. Toronto: University of Toronto Press, Inc., 2003. Pp. xii + 282. $50.00 Hb; $27.95 Pb.

MELISSA DANA GIBSON

Theatre Research International, Volume 29, Issue 01, March 2004, pp 87-88
doi:10.1017/S030788330328127X (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

Between Two Fires: Gypsy Performance and Romani Memory from Pushkin to Postsocialism By Alaina Lemon. Durham & London: Duke University Press, 2000. Pp. ix + 308 + illus. $18.95 Pb.

IOANA SZEMAN

Theatre Research International, Volume 29, Issue 01, March 2004, pp 88-89
doi:10.1017/S0307883303291276 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

The Dramatic Art of Athol Fugard: From South Africa to the World. Edited by Albert Wertheim Bloomington; Indiana University Press, 2000. Pp. xv + 273 + illus. $45 Hb; $17.95 Pb.

JEANNE COLLERAN

Theatre Research International, Volume 29, Issue 01, March 2004, pp 89-90
doi:10.1017/S0307883303301270 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

Puppet Theater in Contemporary Indonesia: New Approaches to Performance Events. Edited by Jan Mrazek Michigan: Centers for South and Southeast Asian, University of Michigan, 2002. Pp. vii + 376 + illus. $70 Hb; $35 Pb.

IAN JARVIS BROWN

Theatre Research International, Volume 29, Issue 01, March 2004, pp 90-90
doi:10.1017/S0307883303311277 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

The Oxford Encyclopedia of Theatre and Performance. Edited by Dennis Kennedy Oxford: Oxford University Press, 2003. 2 volumes; vol. 1 pp. li + 776; vol. 2 pp. vi + 782. £175/$250 Hb.

MARTIN BANHAM

Theatre Research International, Volume 29, Issue 01, March 2004, pp 91-92
doi:10.1017/S0307883303321273 (About doi), Published Online by Cambridge University Press 29 Mar 2004
 

Books Received

 
 

Books Received

Theatre Research International, Volume 29, Issue 01, March 2004, pp 93-93
doi:10.1017/S0307883303001287 (About doi), Published Online by Cambridge University Press 29 Mar 2004
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