Theatre Research International Vol. null Issue 01

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Table of Contents - Volume - Issue 01 - 2004

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Editorial

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CHRISTOPHER BALME

Theatre Research International / Volume / Issue 01 / March 2004, pp 1 - 3

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303001202 (About DOI), Published online: 29 March 2004

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Society of the Counter-Spectacle: Debord and the Theatre of the Situationists Society of the Counter-Spectacle: Debord and the Theatre of the Situationists

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MARTIN PUCHNER

Theatre Research International / Volume / Issue 01 / March 2004, pp 4 - 15

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303001214 (About DOI), Published online: 29 March 2004

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Beyond Drama: Writing for Postdramatic Theatre Beyond Drama: Writing for Postdramatic Theatre

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MALGORZATA SUGIERA

Theatre Research International / Volume / Issue 01 / March 2004, pp 6 - 28

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303001226 (About DOI), Published online: 29 March 2004

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Look who's Looking!: Perspective and the Paradox of Postdramatic Subjectivity Look who's Looking!: Perspective and the Paradox of Postdramatic Subjectivity

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MAAIKE BLEEKER

Theatre Research International / Volume / Issue 01 / March 2004, pp 29 - 41

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303001238 (About DOI), Published online: 29 March 2004

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Theatre of Potentiality. Communicability and the Political in Contemporary Performance Practice Theatre of Potentiality. Communicability and the Political in Contemporary Performance Practice

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NIKOLAS MÜLLER-SCHÖLL

Theatre Research International / Volume / Issue 01 / March 2004, pp 42 - 56

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S030788330300124X (About DOI), Published online: 29 March 2004

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Research Articles

Animal Labour in the Theatrical Economy Animal Labour in the Theatrical Economy

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NICHOLAS RIDOUT

Theatre Research International / Volume / Issue 01 / March 2004, pp 57 - 65

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303001251 (About DOI), Published online: 29 March 2004

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Dining with the Perpetrators. Eva Diamantstein's Performative Exploration of the Role of Women in National Socialism Dining with the Perpetrators. Eva Diamantstein's Performative Exploration of the Role of Women in National Socialism

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ANJA I. KLÖCK

Theatre Research International / Volume / Issue 01 / March 2004, pp 66 - 77

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303001263 (About DOI), Published online: 29 March 2004

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Book Reviews

Performance and Literature in the commedia dell'arte. By Robert Henke. Cambridge: Cambridge University Press, 2002. Pp. xiv + 263 + illus. £45 Hb. Music and Women of the commedia dell'arte in the Late Sixteenth Century. By Anne MacNeil. Oxford: Oxford University Press, 2003. Pp. viii + 360 + illus. $85 Hb. Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (‘Studia Litteraria’, 10). By Britta Brandt. Wilhelmsfeld: Gottfried Egert, 2002. Pp. viii + 284 and pp. xxxv + 267. €26 Pb. La Mirtilla: a pastoral (Medieval and Renaissance Texts and Studies, 242). By Isabella Andreini, translated from the Italian, introduced and annotated by Julie D. Campbell. Tempe: Arizona Center for Medieval and Renaissance Studies, 2002. Pp. xxvii + 105. $26 Hb. Improvisation in the Arts of the Middle Ages and Renaissance (Early Drama, Art and Music Monograph Series, 30). Edited by Timothy J. McGee. Kalamazoo: Medieval Institute Publications (Western Michigan University), 2003. Pp. xii + 331 + illus. $30 Hb; $15 Pb. Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (‘Maske und Kothurn’, 48, 1–4). Edited by Brigitte Marschall. Vienna: Böhlau, 2002. Pp. 521 + illus. €78.20 Pb. Performance and Literature in the commedia dell'arte. By Robert Henke. Cambridge: Cambridge University Press, 2002. Pp. xiv + 263 + illus. £45 Hb. Music and Women of the commedia dell'arte in the Late Sixteenth Century. By Anne MacNeil. Oxford: Oxford University Press, 2003. Pp. viii + 360 + illus. \$85 Hb. Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (‘Studia Litteraria’, 10). By Britta Brandt. Wilhelmsfeld: Gottfried Egert, 2002. Pp. viii + 284 and pp. xxxv + 267. €26 Pb. La Mirtilla: a pastoral (Medieval and Renaissance Texts and Studies, 242). By Isabella Andreini, translated from the Italian, introduced and annotated by Julie D. Campbell. Tempe: Arizona Center for Medieval and Renaissance Studies, 2002. Pp. xxvii + 105. \$26 Hb. Improvisation in the Arts of the Middle Ages and Renaissance (Early Drama, Art and Music Monograph Series, 30). Edited by Timothy J. McGee. Kalamazoo: Medieval Institute Publications (Western Michigan University), 2003. Pp. xii + 331 + illus. \$30 Hb; \$15 Pb. Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (‘Maske und Kothurn’, 48, 1–4). Edited by Brigitte Marschall. Vienna: Böhlau, 2002. Pp. 521 + illus. €78.20 Pb.

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M. A. Katritzky

Theatre Research International / Volume / Issue 01 / March 2004, pp 78 - 81

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303211275 (About DOI), Published online: 29 March 2004

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The Cambridge Companion to Shakespeare. Edited by Margreta de Grazia and Stanley Wells. Cambridge: Cambridge University Press, 2001. Pp. xx + 328 + illus. £40 Hb; £14.95 Pb. The Cambridge Companion to Shakespearean Tragedy. Edited by Claire McEachern. Cambridge: Cambridge University Press, 2002. Pp. xiii + 274 + illus. £40 Hb; £14.95 Pb. The Cambridge Companion to Shakespearean Comedy. Edited by Alexander Legatt. Cambridge: Cambridge University Press, 2002. Pp. xviii + 237 + illus. £40 Hb; £14.95 Pb. The Cambridge Companion to Shakespeare. Edited by Margreta de Grazia and Stanley Wells. Cambridge: Cambridge University Press, 2001. Pp. xx + 328 + illus. £40 Hb; £14.95 Pb. The Cambridge Companion to Shakespearean Tragedy. Edited by Claire McEachern. Cambridge: Cambridge University Press, 2002. Pp. xiii + 274 + illus. £40 Hb; £14.95 Pb. The Cambridge Companion to Shakespearean Comedy. Edited by Alexander Legatt. Cambridge: Cambridge University Press, 2002. Pp. xviii + 237 + illus. £40 Hb; £14.95 Pb.

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Ewan Fernie

Theatre Research International / Volume / Issue 01 / March 2004, pp 81 - 83

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303221271 (About DOI), Published online: 29 March 2004

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The Convict Theatres of Early Australia: 1788–1840. By Robert Jordan. Sydney: Currency House, 2002. Pp xiii + 370 + illus. AUS $49.95 Hb. The Convict Theatres of Early Australia: 1788–1840. By Robert Jordan. Sydney: Currency House, 2002. Pp xiii + 370 + illus. AUS \$49.95 Hb.

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Elizabeth Webby

Theatre Research International / Volume / Issue 01 / March 2004, pp 83 - 83

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303231278 (About DOI), Published online: 29 March 2004

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A Triptych from the Russian Theatre: An Artistic Biography of the Komissarzhevskys. By Victor Borovsky. London: C. Hurst & Co, 2001. Pp. xxi + 485 + illus. £29.95 Hb. A Triptych from the Russian Theatre: An Artistic Biography of the Komissarzhevskys. By Victor Borovsky. London: C. Hurst & Co, 2001. Pp. xxi + 485 + illus. £29.95 Hb.

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Bella Merlin

Theatre Research International / Volume / Issue 01 / March 2004, pp 84 - 84

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303241274 (About DOI), Published online: 29 March 2004

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A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries. By Kazimierz Braun. Lampeter: Edwin Mellen Press, 2003. Pp. xxviii + 476 + illus. $139.95 Hb. A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries. By Kazimierz Braun. Lampeter: Edwin Mellen Press, 2003. Pp. xxviii + 476 + illus. \$139.95 Hb.

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Paul Allain

Theatre Research International / Volume / Issue 01 / March 2004, pp 84 - 85

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303251270 (About DOI), Published online: 29 March 2004

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The Showmakers: Great Directors of the American Musical Theatre. By Lawrence Thelen. New York: Routledge, 2002. Pp. x + 254 + illus. $19.95 Pb. The Showmakers: Great Directors of the American Musical Theatre. By Lawrence Thelen. New York: Routledge, 2002. Pp. x + 254 + illus. \$19.95 Pb.

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Judith Sebesta

Theatre Research International / Volume / Issue 01 / March 2004, pp 85 - 86

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303261277 (About DOI), Published online: 29 March 2004

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Black Theatre: Ritual Performance in the African Diaspora. Edited by Paul Carter Harrison, Victor Leo Walker ii, and Gus Edwards. Philadelphia: Temple University Press, 2003. Pp. ix + 418. $74.50 Hb; $27.95 Pb. Black Theatre: Ritual Performance in the African Diaspora. Edited by Paul Carter Harrison, Victor Leo Walker ii, and Gus Edwards. Philadelphia: Temple University Press, 2003. Pp. ix + 418. \$74.50 Hb; \$27.95 Pb.

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Nadine George-Graves

Theatre Research International / Volume / Issue 01 / March 2004, pp 86 - 87

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303271273 (About DOI), Published online: 29 March 2004

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How Theatre Educates: Convergences and Counterpoints with Artists, Scholars and Advocates. Edited by Kathleen Gallagher and David Booth. Toronto: University of Toronto Press, Inc., 2003. Pp. xii + 282. $50.00 Hb; $27.95 Pb. How Theatre Educates: Convergences and Counterpoints with Artists, Scholars and Advocates. Edited by Kathleen Gallagher and David Booth. Toronto: University of Toronto Press, Inc., 2003. Pp. xii + 282. \$50.00 Hb; \$27.95 Pb.

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MELISSA DANA GIBSON

Theatre Research International / Volume / Issue 01 / March 2004, pp 87 - 88

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S030788330328127X (About DOI), Published online: 29 March 2004

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Between Two Fires: Gypsy Performance and Romani Memory from Pushkin to Postsocialism By Alaina Lemon. Durham & London: Duke University Press, 2000. Pp. ix + 308 + illus. $18.95 Pb. Between Two Fires: Gypsy Performance and Romani Memory from Pushkin to Postsocialism By Alaina Lemon. Durham & London: Duke University Press, 2000. Pp. ix + 308 + illus. \$18.95 Pb.

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IOANA SZEMAN

Theatre Research International / Volume / Issue 01 / March 2004, pp 88 - 89

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303291276 (About DOI), Published online: 29 March 2004

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The Dramatic Art of Athol Fugard: From South Africa to the World. Edited by Albert Wertheim Bloomington; Indiana University Press, 2000. Pp. xv + 273 + illus. $45 Hb; $17.95 Pb. The Dramatic Art of Athol Fugard: From South Africa to the World. Edited by Albert Wertheim Bloomington; Indiana University Press, 2000. Pp. xv + 273 + illus. \$45 Hb; \$17.95 Pb.

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JEANNE COLLERAN

Theatre Research International / Volume / Issue 01 / March 2004, pp 89 - 90

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303301270 (About DOI), Published online: 29 March 2004

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Puppet Theater in Contemporary Indonesia: New Approaches to Performance Events. Edited by Jan Mrazek Michigan: Centers for South and Southeast Asian, University of Michigan, 2002. Pp. vii + 376 + illus. $70 Hb; $35 Pb. Puppet Theater in Contemporary Indonesia: New Approaches to Performance Events. Edited by Jan Mrazek Michigan: Centers for South and Southeast Asian, University of Michigan, 2002. Pp. vii + 376 + illus. \$70 Hb; \$35 Pb.

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IAN JARVIS BROWN

Theatre Research International / Volume / Issue 01 / March 2004, pp 90 - 90

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303311277 (About DOI), Published online: 29 March 2004

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The Oxford Encyclopedia of Theatre and Performance. Edited by Dennis Kennedy Oxford: Oxford University Press, 2003. 2 volumes; vol. 1 pp. li + 776; vol. 2 pp. vi + 782. £175/$250 Hb. The Oxford Encyclopedia of Theatre and Performance. Edited by Dennis Kennedy Oxford: Oxford University Press, 2003. 2 volumes; vol. 1 pp. li + 776; vol. 2 pp. vi + 782. £175/\$250 Hb.

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MARTIN BANHAM

Theatre Research International / Volume / Issue 01 / March 2004, pp 91 - 92

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303321273 (About DOI), Published online: 29 March 2004

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Theatre Research International / Volume / Issue 01 / March 2004, pp 93 - 93

International Federation for Theatre Research 2004

DOI: http://dx.doi.org/10.1017/S0307883303001287 (About DOI), Published online: 29 March 2004

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