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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 28 - Issue 02  

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Articles

 
 

J. M. Synge and the Pitfalls of National Consciousness

PAUL MURPHY

Theatre Research International, Volume 28, Issue 02, July 2003, pp 125-142
doi:10.1017/S0307883303001019 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Serious Fun: Berlin Dada's Tactical Engagement with German National Narration

LEIGH CLEMONS

Theatre Research International, Volume 28, Issue 02, July 2003, pp 143-156
doi:10.1017/S0307883303001020 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

The Making of a Martyr: The Legend of Meyerhold's Last Public Appearance

LAURENCE SENELICK

Theatre Research International, Volume 28, Issue 02, July 2003, pp 157-168
doi:10.1017/S0307883303001032 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Reconsidering Joyce's Exiles in its Theatrical Context

KIRSTEN SHEPHERD-BARR

Theatre Research International, Volume 28, Issue 02, July 2003, pp 169-180
doi:10.1017/S0307883303001044 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Ethnicity, Class and Gender in Israeli Community Theatre

SHULAMITH LEV-ALADGEM

Theatre Research International, Volume 28, Issue 02, July 2003, pp 181-192
doi:10.1017/S0307883303001056 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Finding a Home on Stage: A Place for Romania in Europe?

IOANA SZEMAN

Theatre Research International, Volume 28, Issue 02, July 2003, pp 193-210
doi:10.1017/S0307883303001068 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Book Reviews

 
 

Marlowe and the Popular Tradition: Innovation in the English Drama Before 1595. By Ruth Lunney. Manchester and New York: Manchester University Press, 2002. Pp. x + 246. £40 Hb

Mark Thornton Burnett

Theatre Research International, Volume 28, Issue 02, July 2003, pp 211-212
doi:10.1017/S0307883303211093 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Rescripting Shakespeare: The Text, the Director, and Modern Productions. By Alan C. Dessen. Cambridge: Cambridge University Press, 2002. Pp. xi + 268. $65 Hb; $23 Pb

Daniel Fischlin

Theatre Research International, Volume 28, Issue 02, July 2003, pp 212-213
doi:10.1017/S030788330322109X (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Ben Jonson's Antimasques: A History of Growth and Decline. By Lesley Mickel. Aldershot: Ashgate, 1999. Pp. vi + 207. £47.50/$84.95 Hb

Hugh Craig

Theatre Research International, Volume 28, Issue 02, July 2003, pp 213-214
doi:10.1017/S0307883303241092 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

French ‘Classical’ Theatre Today: Teaching, Research, Performance. Edited by Philip Tomlinson. Amsterdam & Atlanta: Rodopi, 2001. Pp. 307 + illus. €55 Pb

E. M. Langille

Theatre Research International, Volume 28, Issue 02, July 2003, pp 213-213
doi:10.1017/S0307883303231096 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Reflecting the Audience: London Theatregoing, 1840—1880. By Jim Davis and Victor Emeljanow. Iowa City: University of Iowa Press, 2001. Pp. xiv + 299. $49.95 Hb

Henk Gras

Theatre Research International, Volume 28, Issue 02, July 2003, pp 214-215
doi:10.1017/S0307883303251099 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Performing Shakespeare in the Age of Empire. By Richard Foulkes. Cambridge: Cambridge University Press, 2002. Pp. x + 235 + illus. £40 Hb

John Stokes

Theatre Research International, Volume 28, Issue 02, July 2003, pp 215-216
doi:10.1017/S0307883303261095 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Canvas Documentaries: Panoramic Entertainments in Nineteenth-Century Australia and New Zealand. By Mimi Colligan. Melbourne: University Press, 2003. Pp. xvi + 250 + illus. AU$59.95 Hb

Richard Fotheringham

Theatre Research International, Volume 28, Issue 02, July 2003, pp 216-217
doi:10.1017/S0307883303271091 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

The Heroine as Social Redeemer in the Plays of Jean Giraudoux. By Victoria B. Korzeniowska. Bern: Peter Lang, 2001. Pp. 144. £18 Pb

Mary Noonan

Theatre Research International, Volume 28, Issue 02, July 2003, pp 217-218
doi:10.1017/S0307883303281098 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

See How It Runs: Nimrod and the New Wave. By Julian Meyrick. Sydney: Currency Press, 2002. Pp. viii + 312. AU$39.95 Pb

Richard Fotheringham

Theatre Research International, Volume 28, Issue 02, July 2003, pp 218-219
doi:10.1017/S0307883303291094 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Mapping Cultural Identity in Contemporary Australian Performance. By Helena Grehan. Brussels: P.I.E.-Peter Lang, 2001. Pp. 164 + illus. £20 Pb Body Shows: Australian Viewings of Live Performance. Edited by Peta Tait. Amsterdam and Atlanta, GA: Rodopi, 2000. Pp. xi + 243 + illus. £45 Hb; £17 Pb

Jill Dolan

Theatre Research International, Volume 28, Issue 02, July 2003, pp 219-220
doi:10.1017/S0307883303301099 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Strip Show: Performances of Gender and Desire. By Katherine Liepe-Levinson. London & New York: Routledge, 2002. Pp. ix + 256 + illus. $15.99 Pb

Dean Wilcox

Theatre Research International, Volume 28, Issue 02, July 2003, pp 220-221
doi:10.1017/S0307883303311095 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Dances that Describe Themselves: The Improvised Choreography of Richard Bull. By Susan Leigh Foster. Middletown, CT: Wesleyan University Press, 2002. Pp. vii + 334 + illus. $65Hb; $19.95 Pb

Cara Gargano

Theatre Research International, Volume 28, Issue 02, July 2003, pp 221-222
doi:10.1017/S0307883303321091 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Making an Entrance: Theory and Practice for Disabled and Non-Disabled Dancers. By Adam Benjamin. London: Routledge, 2002. Pp. vii + 255 + illus. £14.99 Pb

Cara Gargano

Theatre Research International, Volume 28, Issue 02, July 2003, pp 222-223
doi:10.1017/S0307883303331098 (About doi), Published Online by Cambridge University Press 26 Jun 2003
 

Books Received

 
 

Books Received

Theatre Research International, Volume 28, Issue 02, July 2003, pp 224-226
doi:10.1017/S0307883303001081 (About doi), Published Online by Cambridge University Press 26 Jun 2003
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