Theatre Research International Vol. 28 Issue 02

Theatre Research International

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Table of Contents - Volume 28 - Issue 02 - 2003

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Articles

J. M. Synge and the Pitfalls of National Consciousness

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PAUL MURPHY

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 125 - 142

DOI: http://dx.doi.org/10.1017/S0307883303001019 (About DOI), Published online: 26 June 2003

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Serious Fun: Berlin Dada's Tactical Engagement with German National Narration

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LEIGH CLEMONS

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 143 - 156

DOI: http://dx.doi.org/10.1017/S0307883303001020 (About DOI), Published online: 26 June 2003

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The Making of a Martyr: The Legend of Meyerhold's Last Public Appearance

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LAURENCE SENELICK

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 157 - 168

DOI: http://dx.doi.org/10.1017/S0307883303001032 (About DOI), Published online: 26 June 2003

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Reconsidering Joyce's Exiles in its Theatrical Context

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KIRSTEN SHEPHERD-BARR

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 169 - 180

DOI: http://dx.doi.org/10.1017/S0307883303001044 (About DOI), Published online: 26 June 2003

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Ethnicity, Class and Gender in Israeli Community Theatre

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SHULAMITH LEV-ALADGEM

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 181 - 192

DOI: http://dx.doi.org/10.1017/S0307883303001056 (About DOI), Published online: 26 June 2003

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Finding a Home on Stage: A Place for Romania in Europe?

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IOANA SZEMAN

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 193 - 210

DOI: http://dx.doi.org/10.1017/S0307883303001068 (About DOI), Published online: 26 June 2003

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Book Reviews

Marlowe and the Popular Tradition: Innovation in the English Drama Before 1595. By Ruth Lunney. Manchester and New York: Manchester University Press, 2002. Pp. x + 246. £40 Hb

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Mark Thornton Burnett

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 211 - 212

DOI: http://dx.doi.org/10.1017/S0307883303211093 (About DOI), Published online: 26 June 2003

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Rescripting Shakespeare: The Text, the Director, and Modern Productions. By Alan C. Dessen. Cambridge: Cambridge University Press, 2002. Pp. xi + 268. $65 Hb; $23 Pb

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Daniel Fischlin

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 212 - 213

DOI: http://dx.doi.org/10.1017/S030788330322109X (About DOI), Published online: 26 June 2003

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French ‘Classical’ Theatre Today: Teaching, Research, Performance. Edited by Philip Tomlinson. Amsterdam & Atlanta: Rodopi, 2001. Pp. 307 + illus. €55 Pb

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E. M. Langille

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 213 - 213

DOI: http://dx.doi.org/10.1017/S0307883303231096 (About DOI), Published online: 26 June 2003

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Ben Jonson's Antimasques: A History of Growth and Decline. By Lesley Mickel. Aldershot: Ashgate, 1999. Pp. vi + 207. £47.50/$84.95 Hb

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Hugh Craig

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 213 - 214

DOI: http://dx.doi.org/10.1017/S0307883303241092 (About DOI), Published online: 26 June 2003

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Reflecting the Audience: London Theatregoing, 1840—1880. By Jim Davis and Victor Emeljanow. Iowa City: University of Iowa Press, 2001. Pp. xiv + 299. $49.95 Hb

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Henk Gras

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 214 - 215

DOI: http://dx.doi.org/10.1017/S0307883303251099 (About DOI), Published online: 26 June 2003

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Performing Shakespeare in the Age of Empire. By Richard Foulkes. Cambridge: Cambridge University Press, 2002. Pp. x + 235 + illus. £40 Hb

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John Stokes

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 215 - 216

DOI: http://dx.doi.org/10.1017/S0307883303261095 (About DOI), Published online: 26 June 2003

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Canvas Documentaries: Panoramic Entertainments in Nineteenth-Century Australia and New Zealand. By Mimi Colligan. Melbourne: University Press, 2003. Pp. xvi + 250 + illus. AU$59.95 Hb

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Richard Fotheringham

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 216 - 217

DOI: http://dx.doi.org/10.1017/S0307883303271091 (About DOI), Published online: 26 June 2003

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The Heroine as Social Redeemer in the Plays of Jean Giraudoux. By Victoria B. Korzeniowska. Bern: Peter Lang, 2001. Pp. 144. £18 Pb

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Mary Noonan

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 217 - 218

DOI: http://dx.doi.org/10.1017/S0307883303281098 (About DOI), Published online: 26 June 2003

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See How It Runs: Nimrod and the New Wave. By Julian Meyrick. Sydney: Currency Press, 2002. Pp. viii + 312. AU$39.95 Pb

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Richard Fotheringham

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 218 - 219

DOI: http://dx.doi.org/10.1017/S0307883303291094 (About DOI), Published online: 26 June 2003

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Mapping Cultural Identity in Contemporary Australian Performance. By Helena Grehan. Brussels: P.I.E.-Peter Lang, 2001. Pp. 164 + illus. £20 Pb Body Shows: Australian Viewings of Live Performance. Edited by Peta Tait. Amsterdam and Atlanta, GA: Rodopi, 2000. Pp. xi + 243 + illus. £45 Hb; £17 Pb

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Jill Dolan

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 219 - 220

DOI: http://dx.doi.org/10.1017/S0307883303301099 (About DOI), Published online: 26 June 2003

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Strip Show: Performances of Gender and Desire. By Katherine Liepe-Levinson. London & New York: Routledge, 2002. Pp. ix + 256 + illus. $15.99 Pb

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Dean Wilcox

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 220 - 221

DOI: http://dx.doi.org/10.1017/S0307883303311095 (About DOI), Published online: 26 June 2003

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Dances that Describe Themselves: The Improvised Choreography of Richard Bull. By Susan Leigh Foster. Middletown, CT: Wesleyan University Press, 2002. Pp. vii + 334 + illus. $65Hb; $19.95 Pb

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Cara Gargano

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 221 - 222

DOI: http://dx.doi.org/10.1017/S0307883303321091 (About DOI), Published online: 26 June 2003

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Making an Entrance: Theory and Practice for Disabled and Non-Disabled Dancers. By Adam Benjamin. London: Routledge, 2002. Pp. vii + 255 + illus. £14.99 Pb

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Cara Gargano

Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 222 - 223

DOI: http://dx.doi.org/10.1017/S0307883303331098 (About DOI), Published online: 26 June 2003

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Books Received

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Theatre Research International / Volume 28 / Issue 02 / July 2003, pp 224 - 226

DOI: http://dx.doi.org/10.1017/S0307883303001081 (About DOI), Published online: 26 June 2003

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