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  • Editor(s):
  • Elaine Aston, Lancaster University, UK
    Charlotte Canning, The University of Texas at Austin, USA

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Table of Contents - Volume 28 - Issue 01  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Research Articles

 
 

Words and Bodies: A Discourse on Male Sexuality in Late Eighteenth-Century English Representational Practices

Michal Kobialka

Theatre Research International, Volume 28, Issue 01, March 2003, pp 1-19
doi:10.1017/S0307883303000117 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Psychodrama: Hypertheatricality and Sexual Excess on the Gothic Stage

George E. Haggerty

Theatre Research International, Volume 28, Issue 01, March 2003, pp 20-33
doi:10.1017/S0307883303000129 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

coMEDIA electrONica: Performing Intermediality in Contemporary Theatre

Peter M. Boenisch

Theatre Research International, Volume 28, Issue 01, March 2003, pp 34-45
doi:10.1017/S0307883303000130 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Shakespeare as Virtual Event

Yong Li Lan

Theatre Research International, Volume 28, Issue 01, March 2003, pp 46-60
doi:10.1017/S0307883303000142 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Staging the Televised (Nation)

Johan Callens

Theatre Research International, Volume 28, Issue 01, March 2003, pp 61-78
doi:10.1017/S0307883303000154 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Consuming the Asian Other in Singapore: Interculturalism in TheatreWorks' Desdemona

William Peterson

Theatre Research International, Volume 28, Issue 01, March 2003, pp 79-95
doi:10.1017/S0307883303000166 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Book Reviews

 
 

Acting Emotions. By Elly A. Konijn, translated by Barbara Leach. Amsterdam: Amsterdam University Press, 2000, Pp. 5 + 208. £16.95 Pb.

Meg Mumford

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303400175 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

The Performance Arts in Africa: A Reader. Edited by Frances Harding. London: Routledge, 2002. Pp.364. £18.89 Pb.

Martin Banham

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303390170 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

The Theatrical Event: Dynamics of Performance and Perception. By Willmar Sauter. Iowa City: University of Iowa Press, 2000. Pp. x + 272 + illus. $42.95 Hb.

Dean Wilcox

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303370178 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Space and Time in Epic Theatre: The Brechtian Legacy. By Sarah Bryant-Bertail. Rochester, NY, and Woodbridge, UK: Camden House, 2000. Pp. 245 + illus. £40/$59 Hb

Daniel Meyer-Dinkgräfe

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303360171 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Workers' Playtime: Theatre and the Labour Movement since 1970. By Alan Filewod and David Watt. Sydney: Currency Press, 2001. Pp. xiii + 280 + illus. AUS$39.95 Pb.

Paul Makeham

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303350175 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Double Act: A Life of Tom Stoppard. By Ira Nadel. London, Methuen, 2002. Pp. xviii + 622 + illus. £25 Hb. Stoppard's Theatre: Finding Order Amid Chaos. By John Fleming. Austin: University of Texas Press, 2001. Pp. xvii + 325. £34.50 Hb.

Dominic Shellard

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303340179 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Beckett and Religion; Beckett/Aesthetics/Politics. Edited by Mary Bryden, Lance St John Butler and Peter Boxall. Amsterdam & Atlanta, GA: Rodopi, 2000. (Samuel Beckett Today/Aujourd'hui 9.) Pp. 329. Hfl. 165/$70 Hb; Hfl. 65/$28 Pb. L'Affect dans l'œuvre beckettienne. Edited by Yann Mével and Michèle Touret. Amsterdam & Atlanta, GA: Rodopi, 2000. (Samuel Beckett Today/Aujourd'hui 10.) Pp. 238 + illus. €55/$55 Hb; €25/$25 Pb. Samuel Beckett: Endlessness in the Year 2000. Edited by Angela Moorjani and Carola Veit. Amsterdam & New York: Rodopi, 2001. (Samuel Beckett Today/Aujourd'hui 11.) Pp. 493 + illus. €110/$103 Hb; €45/$42 Pb. Samuel Beckett auto-traducteur ou l'art de l'«empêchement». By Pascale Sardin-Damestoy. Arras: Artois Presses Université, 2002. Pp. 320. €20 Pb.

John Fletcher

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303330172 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Beckett: Waiting for Godot (Plays in Production). By David Bradby. Cambridge: Cambridge University Press, 2001. Pp. xii + 255 + illus. £40/$60 Hb; £14.95/$22 Pb.

Antje Diedrich

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303320176 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

British Theatre Between the Wars, 1918–1939. Edited by Clive Barker and Maggie B. Gale. Cambridge: Cambridge University Press, 2001. Pp. x + 260 + illus. £40/$59.95 Hb.

Adrienne Scullion

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S030788330331017X (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Women and Theatre in the Age of Suffrage: The Pioneer Players, 1911-1925. By Katharine Cockin. Basingstoke & New York: Palgrave, 2001. Pp. x + 239. £42.50 Hb.

Jan McDonald

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303300173 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Joseph Jefferson: Dean of the American Theatre. By Arthur W. Bloom. Savannah, GA: Frederic C. Beil, 2000. Pp. xviii + 507. $35 Hb.

Edward Kahn

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303290179 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590–1619. By Clare McManus. Manchester University Press, 2002. Pp. xi + 276. £45 Hb; £14.99 Pb.

Rebecca D'Monté

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303280172 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

‘A moving Rhetoricke’: Gender and Silence in Early Modern England. By Christina Luckyj. Manchester and New York: Manchester University Press, 2002. Pp. viii + 198. £40 Hb. Quoting Shakespeare: Form and Culture in Early Modern Drama. By Douglas Bruster. Lincoln and London: University of Nebraska Press, 2000. Pp. xi + 288. £35.50 Hb. Theaters of Intention: Drama and the Law in Early Modern England. By Luke Wilson. Stanford, CA: Stanford University Press, 2000. Pp. x + 361. £35 Hb.

Janette Dillon

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S030788330326017X (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Shakespeare Survey 53: Shakespeare and Narrative. Edited by Peter Holland. Cambridge: Cambridge University Press, 2000. Pp. 346 + illus. £50/$74.95 Hb. Shakespeare Survey 54: Shakespeare and Religions. Edited by Peter Holland. Cambridge: Cambridge University Press, 2001. Pp. 359 + illus. £55/$80 Hb.

Peter Thomson

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303270176 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Ben Jonson and Possessive Authorship. By Joseph Loewenstein. Cambridge: Cambridge University Press, 2002. Pp. xii + 221. £45/$60 Hb.

Stanley Stewart

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303250173 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

The Drama of John Marston: Critical Re-Visions. Edited by T. F. Wharton. Cambridge: Cambridge University Press, 2001. Pp. xiii + 233. £40/$59.95 Hb.

Ewan Ferrie

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303240177 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Farce and Farcical Elements. Edited by Wim Hüsken and Konrad Schoell in conjunction with Leif Søndergaard. Amsterdam and New York: Rodopi, 2002. Pp. 223. €55 Hb; €25 Pb.

Alison Williams

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303230170 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

The Staging of Drama in the Medieval Church. By Dunbar H. Ogden. Newark: University of Delaware Press, 2002. Pp. 251 + illus. £33 Hb.

David Coleman

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303220174 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Room, Room, Ladies and Gentlemen ...: An Introduction to the English Mummers' Play. By Eddie Cass and Steve Roud. London: English Folk Dance and Song Society, 2002. Pp. 120 + illus. £12.95 Pb.

Sandra Billington

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303210178 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Herrschaft des Symbolischen: Bewegungsformen gesellschaftlicher Theatralität Europa, Asien, Afrika. Edited by Antje Budde and Joachim Fiebach. Berliner Theaterwissenschaft, Band 8. Berlin: Vistas, 2002. Pp. 366 + illus. €24 Pb.

Daniel Meyer-Dinkgräfe

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303380174 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

On the Edge of Your Seat: Popular Theater and Film in Early Twentieth-Century American Art. By Patricia McDonnell with contributions by Robert C. Allen, C. Lance Brockman, Leo Charney, Walter Murch, David Nasaw, Robert Silberman, Laural Weintraub, Sylvia Yount and Rebecca Zurier. New Haven and London: Yale University Press in association with the Frederick R. Weisman Art Museum, University of Minnesota, 2002. Pp. xii + 219 + illus. $45/£35 Hb.

Laurence Senelick

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303410171 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Impossible Dance: Club Culture and Queer World-Making. By Fiona Buckland. Middletown, CT: Wesleyan University Press, 2002. Pp. xxiv + 224. $19.95 Pb.

Mick Wallis

Theatre Research International, Volume 28, Issue 01, March 2003, pp 96-121
doi:10.1017/S0307883303420178 (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Books Received

 
 

Books Received

Theatre Research International, Volume 28, Issue 01, March 2003, pp 122-123
doi:10.1017/S030788330300018X (About doi), Published Online by Cambridge University Press 17 Feb 2003
 

Editorial

 
 

Editorial

Brian Singleton

Theatre Research International, Volume 28, Issue 01, March 2003, pp iii-iv
doi:10.1017/S0307883303000191 (About doi), Published Online by Cambridge University Press 18 Feb 2003
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