Theatre Research International

Table of Contents - Volume 38 - Special Issue 02 (Theatre and the Arab Spring) - July 2013

Obituaries

Dedication

 
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Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 83 - 83

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000242 (About DOI), Published online: 31 May 2013

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Introduction

Introduction: Rehearsing Arab Performance Realities

 
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HAZEM AZMY and MARVIN CARLSON

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 84 - 86

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000230 (About DOI), Published online: 31 May 2013

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Articles

Re-enacting Revolution and the New Public Sphere in Tunisia, Egypt and Morocco

 
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KHALID AMINE

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 87 - 103

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000011 (About DOI), Published online: 31 May 2013

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Tahrir Square as Spectacle: Some Exploratory Remarks on Place, Body and Power

 
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MOHAMED SAMIR EL-KHATIB

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 104 - 115

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000205 (About DOI), Published online: 31 May 2013

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From Tahrir to ‘Tahrir’: Some Theatrical Impulses toward the Egyptian Uprising

 
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MARGARET LITVIN

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 116 - 123

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000217 (About DOI), Published online: 31 May 2013

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Sufism and Shakespeare: The Poetics of Personal and Political Transformation in Sa'dallah Wannus's Tuqus al-Isharat wa-l-Tahawwulat

 
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ROBERT MYERS and NADA SAAB

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 124 - 136

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000229 (About DOI), Published online: 31 May 2013

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Clowns of the Revolution: The Malas Twins and Syrian Oppositional Performance

 
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EDWARD ZITER

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 137 - 147

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000023 (About DOI), Published online: 31 May 2013

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The Tunisian Revolution and the Dialectics of Theatre and Reality

 
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RAFIKA ZAHROUNI

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 148 - 157

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000035 (About DOI), Published online: 31 May 2013

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Book Reviews

Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost. By Margaret Litvin. Princeton and Oxford: Princeton University Press, 2012. Pp. xviii + 269. Hb.

 
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Lobna Ismail

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 158 - 159

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000047 (About DOI), Published online: 31 May 2013

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Bastard or Playmate? Adapting Theatre, Mutating Media and the Contemporary Performing Arts. Edited by Robrecht Vanderbeeken, Christel Stalpaert, David Depestel and Boris Debackere. Amsterdam: Amsterdam University Press, 2012. Pp. 264 + 59 illus. €27.50 Pb.

 
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Dirk Gindt

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 159 - 160

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000059 (About DOI), Published online: 31 May 2013

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The Oxford Companion to Theatre and Performance. Edited by Dennis Kennedy. Oxford: Oxford University Press, 2010. Pp. xiv + 689. £10.99/$19.95 Pb; £25/$45 Hb.

 
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Francisco Costa

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 160 - 161

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000060 (About DOI), Published online: 31 May 2013

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The Oxford Handbook of the American Musical. Edited by Raymond Knapp, Mitchell Morris and Stacy Wolf. New York: Oxford University Press, 2011. Pp. 470. £95/$150 Hb.

 
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Dr George Rodosthenous

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 161 - 163

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000072 (About DOI), Published online: 31 May 2013

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The Golden Age of American Musical Theatre 1943–1965. By Corinne J. Naden. Plymouth: The Scarecrow Press, 2012. Pp. 268. £24.95/$39.95 Hb.

 
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Arthur Pritchard

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 163 - 164

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000084 (About DOI), Published online: 31 May 2013

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New Directions in Renaissance Drama and Performance Studies. Edited by Sarah Werner. New York: Palgrave Macmillan, 2010. Pp. x + 226. £50/$80 Hb.

Popular Shakespeare: Simulation and Subversion on the Modern Stage. By Stephen Purcell. New York: Palgrave Macmillan, 2009. Pp. x + 262. £52/$85 Hb.

Shakespeare in Stages: New Theatre Histories. Edited by Christine Dymkowski and Christie Carson. Cambridge: Cambridge University Press, 2010. Pp. xvi + 306. £55/$95 Hb.

 
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Peter W. Marx

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 164 - 166

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000096 (About DOI), Published online: 31 May 2013

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Shakespeare and the Staging of English History. By Janette Dillon. Oxford: Oxford University Press, 2012. Pp. viii + 148. £40 Hb; £14.99 Pb.

 
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Brian Schneider

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 166 - 167

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000102 (About DOI), Published online: 31 May 2013

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Performing Embodiment in Samuel Beckett's Drama. By Anna McMullan. London: Routledge, 2010. Pp. 196. £85/$125 Hb.

 
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S. E. Gontarski

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 167 - 168

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000114 (About DOI), Published online: 31 May 2013

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Performance in the Blockades of Neoliberalism: Thinking the Political Anew. By Maurya Wickstrom. Basingstoke and New York: Palgrave Macmillan, 2012. Pp. vii + 210 + 9 photographs. $85 Hb.

 
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Fintan Walsh

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 168 - 169

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000126 (About DOI), Published online: 31 May 2013

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New Francophone African and Caribbean Theatres. By John Conteh-Morgan, with Dominic Thomas. Bloomington: Indiana University Press, 2010. Pp. xvii + 208. $70 Hb; $24.95 Pb.

 
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Emily Sahakian

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 169 - 170

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000138 (About DOI), Published online: 31 May 2013

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Cooperation and Conflict: GDR Theatre Censorship, 1961–1989. By Laura Bradley. Oxford: Oxford University Press, 2010. Pp. 312. £49.50 Hb.

 
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Anselm Heinrich

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 170 - 171

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S030788331300014X (About DOI), Published online: 31 May 2013

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Radical Visions 1968–2008: The Impact of the Sixties on Australian Drama. By Denise Varney. Amsterdam: Rodopi, 2011. Pp. 294 + 21 illus. $86 Pb.

 
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Geoffrey Milne

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 171 - 172

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000151 (About DOI), Published online: 31 May 2013

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Worldly Stage: Theatricality in Seventeenth-Century China. By Sophie Volpp. Cambridge, MA: Harvard University Asia Center, Distributed by Harvard University Press, 2011. Pp. xi + 371. $44.95 Hb.

 
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Min Tian

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 172 - 173

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000163 (About DOI), Published online: 31 May 2013

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Biographical Theatre. By Ursula Canton. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. ix + 209. £50Hb.

 
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Sheila McCormick

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 173 - 174

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000175 (About DOI), Published online: 31 May 2013

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Entertaining Crisis in the Atlantic Imperium, 1770–1790. By Daniel O'Quinn. Baltimore: The Johns Hopkins University Press, 2011. Pp. xii + 428. £39/$75 Hb.

 
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Jason Shaffer

Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 174 - 175

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000187 (About DOI), Published online: 31 May 2013

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Books Received

Books Received

 
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Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 176 - 177

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000199 (About DOI), Published online: 31 May 2013

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Corrigendum

Philosophers and Thespians: Thinking Performance: Cultural Memory in the Present. By Freddi Rokem. Stanford: Stanford University Press, 2010. Pp. xii + 227. £18.53/$20.76 Pb; £50.83/$59.64 Hb Reviewed by Arno Böhler, University of Vienna, arno.boehler@univie.ac.at – CORRIGENDUM

 
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Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp 178 - 178

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000254 (About DOI), Published online: 26 March 2013

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Front Cover (OFC, IFC) and matter

TRI volume 38 issue 2 Cover and Front matter

 
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Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp f1 - f4

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000266 (About DOI), Published online: 31 May 2013

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Back Cover (IBC, OBC) and matter

TRI volume 38 issue 2 Cover and Back matter

 
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Theatre Research International / Volume 38 / Special Issue 02 / July 2013, pp b1 - b8

Copyright © International Federation for Theatre Research 2013 

DOI: http://dx.doi.org/10.1017/S0307883313000278 (About DOI), Published online: 31 May 2013

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