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Journal of the Society for American Music

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  • Editor(s):
  • Leta Miller, University of California, Santa Cruz, USA

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Table of Contents - Volume 2 - Issue 01  

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Research Articles

 
 

“You are in a place that is out of the world. . .”: Music in the Detention Camps of the “Global War on Terror”

SUZANNE G. CUSICK

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 1-26
doi:10.1017/S1752196308080012 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Paul Robeson's Ballad for Americans: Race and the Cultural Politics of “People's Music”

LISA BARG

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 27-70
doi:10.1017/S1752196308080024 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

From the New World: Victor Herbert and His Second Cello Concerto

HOWARD POLLACK

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 71-99
doi:10.1017/S1752196308080036 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Book Reviews

 
 

Peggy Glanville-Hicks: A Transposed Life. By James Murdoch. Hillsdale, N.Y.: Pendragon Press, 2002.

Suzanne Robinson

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 101-103
doi:10.1017/S1752196308081017 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Analyzing Popular Music. Edited by Allan F. Moore. Cambridge: Cambridge University Press, 2003.

John S. Cotner

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 103-107
doi:10.1017/S1752196308081029 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Jazz Visions: Reflections on Lennie Tristano and His Legacy. By Peter Ind. London: Equinox Publishing, 2005.

Eunmi Shim

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 107-109
doi:10.1017/S1752196308081030 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Chance and Circumstance: Twenty Years with Cage and Cunningham. By Carolyn Brown. New York: Alfred A. Knopf, 2007.

Michael Hicks

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 109-111
doi:10.1017/S1752196308081042 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Nobody Knows Where the Blues Come From: Lyrics and History. Edited by Robert Springer. Jackson: University Press of Mississippi, 2006.

Vic Hobson

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 111-113
doi:10.1017/S1752196308081054 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Public Worship, Private Faith: Sacred Harp and American Folksong. By John Bealle. Athens: University of Georgia Press, 1997.

Peter B. Olson

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 113-116
doi:10.1017/S1752196308081066 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Recording Reviews

 
 

Jelly Roll Morton: The Complete Library of Congress Recordings by Alan Lomax. Rounder 11661-1889-2 (8 CDs), 2006.

Phil Pastras

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 117-119
doi:10.1017/S1752196308081078 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

How Low Can You Go? Anthology of the String Bass (1925–1941). Dust-to-Digital DTD-04 (3 CDs), 2006.

Thomas Brothers

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 119-121
doi:10.1017/S175219630808108X (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Jewface. Reboot Stereophonic RSR 006, 2006.

Jeffrey Magee

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 122-125
doi:10.1017/S1752196308081091 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Ken Nordine, You're Getting Better: The Word Jazz Dot Masters. Hip-O-Select, Geffen B0005171-02 (2 CDs), 2005.

Phil Ford

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 125-127
doi:10.1017/S1752196308081108 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Multimedia Reviews

 
 

Tail Dragger: My Head Is Bald—Live at Vern's Friendly Lounge, Chicago. With Billy Branch, Lurrie Bell, and Jimmy Dawkins. Steven Wagner, producer; Tom Koester, director. Delmark DVD 782, 2005.

David Grazian

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 129-130
doi:10.1017/S175219630808111X (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

The Plow That Broke the Plains and The River. Pare Lorentz, director; Virgil Thomson, music. Post-Classical Ensemble, Angel Gil-Ordóñez, music director; Joseph Horowitz, artistic director. Naxos DVD 2.110521, 2007.

Julie Hubbert

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 131-134
doi:10.1017/S1752196308081121 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

The Jumping Flea: Tales of the Modern Ukulele. Paul Kraus, director. North Pacific Productions DVD, 2005.

Byron K. Yasui

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 134-135
doi:10.1017/S1752196308081133 (About doi), Published Online by Cambridge University Press 25 Jan 2008
 

Dawn of a New World: Two-Step to LindyHop (1890s–1940s). Renée Camus, director. Centuries Historical Dance DVD, 2005.

Joanna Bosse

Journal of the Society for American Music, Volume 2, Issue 01, February 2008, pp 136-137
doi:10.1017/S1752196308081145 (About doi), Published Online by Cambridge University Press 25 Jan 2008
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