Popular Music

Front Cover (OFC, IFC) and matter

PMU volume 28 issue 2 Cover and Front matter

Popular Music, Volume 28, Issue 02, May 2009, pp f1-f4

doi:10.1017/S026114300999002X (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Back Cover (IBC, OBC) and matter

PMU volume 28 issue 2 Cover and Back matter

Popular Music, Volume 28, Issue 02, May 2009, pp b1-b6

doi:10.1017/S0261143009990031 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Notes on Contributors

The Contributors

Popular Music, Volume 28, Issue 02, May 2009, pp iii-iv

doi:10.1017/S026114300900172X (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Articles

Mediating Music: materiality and silence in Madonna's ‘Don't Tell Me’

ANNE DANIELSEN and ARNT MAASØ

Popular Music, Volume 28, Issue 02, May 2009, pp 127-142

doi:10.1017/S0261143009001743 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Records that play: the present past in sampling practice

VANESSA CHANG

Popular Music, Volume 28, Issue 02, May 2009, pp 143-159

doi:10.1017/S0261143009001755 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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The groove in the box: a technologically mediated inspiration in electronic dance music

AKSEL H. TJORA

Popular Music, Volume 28, Issue 02, May 2009, pp 161-177

doi:10.1017/S0261143009001767 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Popular cultural cringe: language as signifier of authenticity and quality in the Singaporean popular music market

YASSER MATTAR

Popular Music, Volume 28, Issue 02, May 2009, pp 179-195

doi:10.1017/S0261143009001779 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Beyond the Stars and Stripes: charting Van Dyke Parks' new world musical voyage

DALE CARTER

Popular Music, Volume 28, Issue 02, May 2009, pp 197-216

doi:10.1017/S0261143009001780 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Tom Zé and the performance of citizenship in Brazil

CHRISTOPHER DUNN

Popular Music, Volume 28, Issue 02, May 2009, pp 217-237

doi:10.1017/S0261143009001792 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Torpedoing the authorship of popular music: a reading of Gorillaz' ‘Feel Good Inc.’

LARS ECKSTEIN

Popular Music, Volume 28, Issue 02, May 2009, pp 239-255

doi:10.1017/S0261143009001809 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Middle Eight

Conference Report. X Congreso Sociedad de Etnomusicología de España (Tenth Congress of the Spanish Society for Ethnomusicology): Música, ciudades, redes: creación musical e interacción social (Music, Cities, Networks: Musical Creation and Social Interaction), 6–9 March 2008, Salamanca, Spain

HÉCTOR FOUCE

Popular Music, Volume 28, Issue 02, May 2009, pp 257-259

doi:10.1017/S0261143009001810 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Conference Report. Alma corazón y vida: La canción popular y sus discursos analíticos, VIII Congreso IASPM –AL (the 8th Congress of the International Association for the Study of Popular Music [IASPM] Latin America), 18–22 June 2008, Lima, Perú

JAN FAIRLEY

Popular Music, Volume 28, Issue 02, May 2009, pp 259-260

doi:10.1017/S0261143009001822 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Bill Drummond's ‘The 17’, Part 2

Popular Music, Volume 28, Issue 02, May 2009, pp 261-262

doi:10.1017/S0261143009001834 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Reviews

The Encyclopaedia of Popular Music. Edited by Colin Larkin. Oxford University Press, 2006. Vol. 1, vii + 890 pp., Vol. 2, 907 pp., Vol. 3, 904 pp., Vol. 4, 904 pp., Vol. 5, 903 pp., Vol. 6, 880 pp., Vol. 7, 803 pp., Vol. 8, 882 pp., Vol. 9, 931 pp., Vol. 10, 740 pp. ISBN-10: 0-19-5313739; ISBN-13: 978-0-19-5313734

Paul Carr

Popular Music, Volume 28, Issue 02, May 2009, pp 263-265

doi:10.1017/S0261143009001846 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Empire of Dirt: The Aesthetics and Rituals of British Indie Music. By Wendy Fonarow. Middletown: Wesleyan University Press, 2006. xiv + 315 pp. ISBN 978-0-8195-6811-3 (pb)

Kyle Devine and Tom Everrett

Popular Music, Volume 28, Issue 02, May 2009, pp 265-267

doi:10.1017/S0261143009001858 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Bob Marley: Herald of a Postcolonial World? By Jason Toynbee. Cambridge and Malden: Polity, 2007. 263 pp. ISBN-13: 978-07456-3089-2 (pb)

David Butz

Popular Music, Volume 28, Issue 02, May 2009, pp 267-269

doi:10.1017/S026114300900186X (About doi), Published Online by Cambridge University Press 18 Jun 2009

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El futuro ya está aquí. By Héctor Fouce. Pictures by Miguel Trillo. Madrid: Velecío Editores, 2006. 201 pp. ISBN 84-935000-3-8, M-51940-2006

Alberto J. Ribes

Popular Music, Volume 28, Issue 02, May 2009, pp 269-272

doi:10.1017/S0261143009001871 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Cuba Represent: Cuban Arts, State Power, and the Making of New Revolutionary Cultures. By Sujatha Fernandes. Duke University Press, 2006. 218 pp. ISBN-13: 978-0-8223-3859-8

Sounding Salsa, Performing Latin Music in New York City. By Christopher Washburne. Temple University Press, 2008, 254 pp. ISBN-13: 978-1-59213-315-4

From Afro-Cuban Rhythms to Latin Jazz. By Raúl Fernandez. University of California Press. 199 pp. ISBN-13: 978-0-520-24707-9

Jan Fairley

Popular Music, Volume 28, Issue 02, May 2009, pp 272-276

doi:10.1017/S0261143009001883 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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The Gendered Musical Score: Music in 1940s Melodrama and the Woman's Film. By Heather Laing. Ashgate, 2007. 196 pp. ISBN 978-0-7546-5100-0 (hb)

Lisa Colton

Popular Music, Volume 28, Issue 02, May 2009, pp 277-278

doi:10.1017/S0261143009001895 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Jazz Consciousness: Music, Race, and Humanity. By Paul Austerlitz. Middletown: Wesleyan University Press, 2005. 260 pp. ISBN 0-8195-6782-5

Justin Williams

Popular Music, Volume 28, Issue 02, May 2009, pp 279-281

doi:10.1017/S0261143009001901 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Nobody Knows Where the Blues Come From: Lyrics and History. Edited by Robert Springer. Jackson: University Press of Mississippi, 2006. vi + 303 + v pp. ISBN 1-57806-797-9

Samuel Barrett

Popular Music, Volume 28, Issue 02, May 2009, pp 281-283

doi:10.1017/S0261143009001913 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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The Rock Canon. Canonical Values in the Reception of Rock Albums. By Carys Wyn Jones. Aldershot and Burlington: Ashgate, 2008. 169 pp. ISBN 978-0-7546-6244-0

Hélène Laurin

Popular Music, Volume 28, Issue 02, May 2009, pp 283-285

doi:10.1017/S0261143009001925 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Musical Childhoods and the Cultures of Youth. Edited by Susan Boynton and Roe-Min Kok. Middletown, CT: Wesleyan University Press, 2006. 256 pp. ISBN 0-8195-6803-1 (pb)

Antti-Ville Kärjä

Popular Music, Volume 28, Issue 02, May 2009, pp 285-287

doi:10.1017/S0261143009001937 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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Listen Again – A Momentary History of Pop Music (Experience Music Project). Edited by Eric Weisbard. Durham and London: Duke University Press, 2007. 323 pp. ISBN-10: 0822340410; ISBN-13: 978-0822340416

Kieran Curran

Popular Music, Volume 28, Issue 02, May 2009, pp 287-289

doi:10.1017/S0261143009001949 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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The Hidden Musicians: Music-Making in an English Town. By Ruth Finnegan. Wesleyan University Press, 2007. 378 pp. ISBN-10: 0819568538; ISBN-13: 978-0819568533

Mary Fogarty

Popular Music, Volume 28, Issue 02, May 2009, pp 289-292

doi:10.1017/S0261143009001950 (About doi), Published Online by Cambridge University Press 18 Jun 2009

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