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  • Editor(s):
  • Keith Negus, University of London, UK
    John Street, University of East Anglia, UK

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Table of Contents - Volume 27 - Issue 03  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Articles

 
 

Suppose James Brown read Fanon: the Black Arts Movement, cultural nationalism and the failure of popular musical praxis

MICHAEL HANSON

Popular Music, Volume 27, Issue 03, October 2008, pp 341-365
doi:10.1017/S0261143008102173 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

‘Dance drills, faith spills’: Islam, body politics, and popular music in post-Suharto Indonesia

ANDREW N. WEINTRAUB

Popular Music, Volume 27, Issue 03, October 2008, pp 367-392
doi:10.1017/S0261143008102185 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Celluloid love songs: musical modus operandi and the dramatic aesthetics of romantic Hindi film

NATALIE SARRAZIN

Popular Music, Volume 27, Issue 03, October 2008, pp 393-411
doi:10.1017/S0261143008102197 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

The Beastie Boys: Jews in whiteface

JON STRATTON

Popular Music, Volume 27, Issue 03, October 2008, pp 413-432
doi:10.1017/S0261143008102203 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Musical ambition, cultural accreditation and the nasty side of progressive rock

JAY KEISTER and JEREMY L. SMITH

Popular Music, Volume 27, Issue 03, October 2008, pp 433-455
doi:10.1017/S0261143008102227 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

German symbolism in rock music: national signification in the imagery and songs of Rammstein

ROBERT G.H. BURNS

Popular Music, Volume 27, Issue 03, October 2008, pp 457-472
doi:10.1017/S0261143008102239 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Firm organisation and marketing strategy in the Japanese music industry

SUMIKO ASAI

Popular Music, Volume 27, Issue 03, October 2008, pp 473-485
doi:10.1017/S0261143008102240 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Reviews

 
 

Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. By Sara Cohen. Aldershot: Ashgate, 2007. x +252 pp. ISBN 978-0-7546-3242-9 (hb)

Dave Laing

Popular Music, Volume 27, Issue 03, October 2008, pp 487-488
doi:10.1017/S0261143008212250 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four. Edited by Kenneth Womack and Todd F. Davis. New York: State University of New York Press, 2006. 249 pp. ISBN 978-0-7914-6716-3 (pb)

Ian Inglis

Popular Music, Volume 27, Issue 03, October 2008, pp 489-490
doi:10.1017/S0261143008222257 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Genre in Popular Music. By Fabian Holt. Chicago and London: The University of Chicago Press, 2007. 221 pp. ISBN 0-226-35039-8 (pb)

Franco Fabbri

Popular Music, Volume 27, Issue 03, October 2008, pp 490-492
doi:10.1017/S0261143008232253 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Transported by Song: Corsican Voices from Oral Tradition to World Stage. By Caroline Bithell. Lanham, MD: Scarecrow Press, 2007. 344 pp. ISBN 0-8108-5439-2

Catherine Baker

Popular Music, Volume 27, Issue 03, October 2008, pp 492-494
doi:10.1017/S026114300824225X (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Nobody Knows Where the Blues Come From: Lyrics and History. Edited by Robert Springer. Jackson, MS: University Press of Mississippi, 2006. vi+303+v pp. ISBN 1-57806-797-9

Samuel Barrett

Popular Music, Volume 27, Issue 03, October 2008, pp 494-496
doi:10.1017/S0261143008252256 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Music, Media, Multiculture. By Dan Lundberg, Krister Malm and Owe Ronström. Stockholm: The Centre for Swedish Folk Music and Jazz Research, 2003. 455 pp. ISBN 91-8537-437-7

Martin Cloonan

Popular Music, Volume 27, Issue 03, October 2008, pp 496-498
doi:10.1017/S0261143008262252 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

A Song for Europe. Edited by Ivan Raykoff and Robert Dean Tobin. Aldershot: Ashgate, 2007. 190 pp. ISBN 978-0-7546-5879-5

Martin Cloonan

Popular Music, Volume 27, Issue 03, October 2008, pp 498-501
doi:10.1017/S0261143008272259 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

‘Blerwytirhwng?’ – The Place of Welsh Pop. By Sarah Hill. Aldershot, UK and Burlington, VT, USA: Ashgate, 2007. 236 pp. ISBN-13: 978-0-7546-5898-6

Kieran Curran

Popular Music, Volume 27, Issue 03, October 2008, pp 501-502
doi:10.1017/S0261143008282255 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Zimbabwean Mbira Music on an International Stage: Chartwell Dutiro’s Life in Music. Edited by Chartwell Dutiro and Keith Howard. SOAS Musicology Series. Aldershot, UK & Burlington, VT: Ashgate, 2007. xiii+101 pp. ISBN 978-0-7546-5799-6 (hb)

Lindelwa Dalamba

Popular Music, Volume 27, Issue 03, October 2008, pp 502-506
doi:10.1017/S0261143008292251 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Between Montmartre and the Mudd Club – Popular Music and the Avant-garde. By Bernard Gendron. University of Chicago Press, 2002. 388 pp. ISBN 0-226-28737-8

Martin J.C. Dixon

Popular Music, Volume 27, Issue 03, October 2008, pp 506-509
doi:10.1017/S0261143008302256 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Gender in the Music Industry: Rock, Discourse and Girl Power. By Marion Leonard. Aldershot, Hampshire: Ashgate, 2007. 239 pp. ISBN 978-0-7546-3862-9

The Lost Women of Rock Music: Female Musicians of the Punk Era. By Helen Reddington. Aldershot: Ashgate, 2007. 220 pp. ISBN 978-0-7546-5773-6

Pimp’s Up, Ho’s Down: Hip-Hop’s Hold on Young Black Women. By T. Denean Sharpley-Whiting. New York University Press, 2007. 186 pp. ISBN-13 978-0-8147-4014-9

Jan Fairley

Popular Music, Volume 27, Issue 03, October 2008, pp 510-514
doi:10.1017/S0261143008312252 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Rock Music in Performance. By David Pattie. Basingstoke: Palgrave Macmillan, 2007. 188 pp. ISBN 10 1-4039-4746-5 (hb)

Nicholas Greco

Popular Music, Volume 27, Issue 03, October 2008, pp 515-516
doi:10.1017/S0261143008322259 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

The Music and Art of Radiohead. Edited by Joseph Tate. Aldershot and Burlington: Ashgate, 2005. xxi+210 pp. ISBN 0 7546 3979 7 (hb), 0 7546 3980 0 (pb)

Radiohead’s OK Computer. By Dai Griffiths. New York and London: Continuum, 2004. xiii+123 pp. ISBN 0 8264 1663 2 (pb)

Nadine Hubbs

Popular Music, Volume 27, Issue 03, October 2008, pp 516-518
doi:10.1017/S0261143008332255 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Inside British Jazz: Crossing Borders of Race, Nation and Class. By Hilary Moore. Aldershot: Ashgate, 2007. 157 pp. ISBN 978-0-7546-5744-6 (cloth)

Bruce Johnson

Popular Music, Volume 27, Issue 03, October 2008, pp 518-521
doi:10.1017/S0261143008342251 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

This is Your Brain on Music. By Daniel Levitin. London: Atlantic Books, 2007. 320 pp. ISBN 978-1-84354-715-0 (hb)

Laura Mitchell

Popular Music, Volume 27, Issue 03, October 2008, pp 521-522
doi:10.1017/S0261143008352258 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Madonna: A Biography (Greenwood Biographies). By Mary Cross. Connecticut: Greenwood Press, 2007. 120 pp. ISBN-10: 0-313-33811-6 (hb)

Bob Marley: A Biography (Greenwood Biographies). By David V. Moskowitz. Connecticut: Greenwood Press, 2007. 124 pp. ISBN 978-0-313-33879-3 (hb)

Billie Holiday: A Biography (Greenwood Biographies). By Meg Greene. Connecticut: Greenwood Press, 2007. 122 pp. ISBN 0-313-33629-6 (hb)

Elvis Presley: A Biography (Greenwood Biographies). By Kathleen Tracy. Connecticut: Greenwood Press, 2007. 140 pp. ISBN 0-313-33827-2 (hb)

The Words and Music of David Bowie (The Praeger Singer-Songwriter Collection). By James E. Perone. Connecticut: Praeger Publishers, 2007. 198 pp. ISBN-10: 0-275-99245-3 (hb)

The Words and Music of John Lennon (The Praeger Singer-Songwriter Collection). By Ben Urish and Ken Bielen. Connecticut: Praeger Publishers, 2007. 187 pp. ISBN-10: 0-275-99180-6 (hb)

Shara Rambarran

Popular Music, Volume 27, Issue 03, October 2008, pp 522-525
doi:10.1017/S0261143008362254 (About doi), Published Online by Cambridge University Press 05 Nov 2008
 

Goth: Undead Subculture. Edited by Lauren M.E. Goodlad and Michael Bibby. Durham and London: Duke University Press, 2007. 442 pp. ISBN 978-0-8223-3921-2

Ilona van de Bildt

Popular Music, Volume 27, Issue 03, October 2008, pp 525-526
doi:10.1017/S0261143008372250 (About doi), Published Online by Cambridge University Press 05 Nov 2008
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