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Editor(s):
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John Street, University of East Anglia, UK

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Table of Contents - Volume 27 - Issue 02

Introduction

Introduction

Simon Frith and Martin Cloonan

Popular Music, Volume 27, Issue 02, May 2008, pp 189-191

doi:10.1017/S0261143008004005 (About doi), Published Online by Cambridge University Press 30 May 2008

Articles

Popular music policy making and the Instrumental Policy Behaviour Process

Marcus Breen

Popular Music, Volume 27, Issue 02, May 2008, pp 193-208

doi:10.1017/S0261143008004017 (About doi), Published Online by Cambridge University Press 30 May 2008

Policy and performance in the Caribbean

Susan Harewood

Popular Music, Volume 27, Issue 02, May 2008, pp 209-223

doi:10.1017/S0261143008004029 (About doi), Published Online by Cambridge University Press 30 May 2008

‘Amerrrika ist wunderrrbarrr’: promotion of Germany through Radio Goethe’s cultural export of German popular music to North America

Till Krause

Popular Music, Volume 27, Issue 02, May 2008, pp 225-242

doi:10.1017/S0261143008004042 (About doi), Published Online by Cambridge University Press 30 May 2008

A portrait of the politician as a young pub rocker: live music venue reform in Australia

Shane Homan

Popular Music, Volume 27, Issue 02, May 2008, pp 243-256

doi:10.1017/S0261143008004030 (About doi), Published Online by Cambridge University Press 30 May 2008

The state of rock: a history of Finland’s cultural policy and music export

Janne Mäkelä

Popular Music, Volume 27, Issue 02, May 2008, pp 257-269

doi:10.1017/S0261143008004054 (About doi), Published Online by Cambridge University Press 30 May 2008

New Zealand popular music, government policy, and cultural identity

Roy Shuker

Popular Music, Volume 27, Issue 02, May 2008, pp 271-287

doi:10.1017/S0261143008004066 (About doi), Published Online by Cambridge University Press 30 May 2008

Middle Eight

‘Die perfekte Welle’: possible solutions to the crisis of the international music industry with the help of national language music

Irving Wolther

Popular Music, Volume 27, Issue 02, May 2008, pp 289-297

doi:10.1017/S0261143008004078 (About doi), Published Online by Cambridge University Press 30 May 2008

The networked state: New Zealand on Air and New Zealand’s pop renaissance

Michael Scott

Popular Music, Volume 27, Issue 02, May 2008, pp 299-305

doi:10.1017/S026114300800408X (About doi), Published Online by Cambridge University Press 30 May 2008

Canadian content regulations and the formation of a national scene

Scott Henderson

Popular Music, Volume 27, Issue 02, May 2008, pp 307-315

doi:10.1017/S0261143008004108 (About doi), Published Online by Cambridge University Press 30 May 2008

Reviews

Etnomusicología. By Enrique Cámara de Landa. Madrid: Ediciones del Instituto Complutense de Ciencias Musicales, 2003. 572 pp. ISBN 84-89457-29-8

Alexandrine Boudreault-Fournier

Popular Music, Volume 27, Issue 02, May 2008, pp 317-318

doi:10.1017/S0261143008224128 (About doi), Published Online by Cambridge University Press 30 May 2008

Singing Poets: Literature and Popular Music in France and Greece. By Dimitris Papanikolau. Legenda: Oxford, 2007. 159 pp. ISBN13: 9781904350620

Hazel Marsh

Popular Music, Volume 27, Issue 02, May 2008, pp 318-320

doi:10.1017/S0261143008234124 (About doi), Published Online by Cambridge University Press 30 May 2008

The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980. By Gillian Mitchell. Aldershot: Ashgate, 2007. 222 pp. ISBN 0-7546-5756-6. £55.00 (hb)

Catherine Baker

Popular Music, Volume 27, Issue 02, May 2008, pp 320-321

doi:10.1017/S0261143008214121 (About doi), Published Online by Cambridge University Press 30 May 2008

Rock’n’Roll Wisdom: What Psychologically Astute Lyrics Teach about Life and Love. By Barry A. Farber. Westport, CT; London: Praeger, 2007. 190 pp. ISBN-13: 978-0-275-99164-7

Anna Szemere

Popular Music, Volume 27, Issue 02, May 2008, pp 322-323

doi:10.1017/S0261143008244120 (About doi), Published Online by Cambridge University Press 30 May 2008

Faking It: the Quest for Authenticity in Popular Music. By Hugh Barker and Yuval Taylor. London: Faber and Faber, 2007. 304 pp. ISBN 0-571-22659-0

Vincent Egan

Popular Music, Volume 27, Issue 02, May 2008, pp 324-325

doi:10.1017/S0261143008254127 (About doi), Published Online by Cambridge University Press 30 May 2008

Beyond the Soundtrack: Representing Music in Cinema. Edited by Daniel Goldmark, Lawrence Kramer and Richard Leppert. Berkeley & Los Angeles: University of California Press, 2007. 324 pp. ISBN 978-0-520-25070-3 (pb)

John Richardson

Popular Music, Volume 27, Issue 02, May 2008, pp 326-327

doi:10.1017/S0261143008264123 (About doi), Published Online by Cambridge University Press 30 May 2008

Frank Zappa, Captain Beefheart and the Secret History of Maximalism. By Michel Delville and Andrew Norris. SALT Publishing, 2005. 193 pp. ISBN 1-844710-59-9