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  • Editor(s):
  • Keith Negus, University of London, UK
    John Street, University of East Anglia, UK

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Table of Contents - Volume 27 - Issue 01  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Articles

 
 

Sky of blue, sea of green: a semiotic reading of the film Yellow Submarine

MARIANNE TATOM LETTS

Popular Music, Volume 27, Issue 01, January 2008, pp 1-14
doi:10.1017/S026114300800144X (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

2·5×6 metres of space: Japanese music coffeehouses and experimental practices of listening

DAVID NOVAK

Popular Music, Volume 27, Issue 01, January 2008, pp 15-34
doi:10.1017/S0261143008001517 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Sound, text and identity in Korn’s ‘Hey Daddy’

JONATHAN PIESLAK

Popular Music, Volume 27, Issue 01, January 2008, pp 35-52
doi:10.1017/S0261143008001451 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Examining rhythmic and metric practices in Led Zeppelin’s musical style

JOHN BRACKETT

Popular Music, Volume 27, Issue 01, January 2008, pp 53-76
doi:10.1017/S0261143008001487 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Cliff Richard’s self-presentation as a redeemer

ANJA LÖBERT

Popular Music, Volume 27, Issue 01, January 2008, pp 77-97
doi:10.1017/S0261143008001475 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

The medium and materials of popular music: ‘Hound Dog’, turntablism and muzak as situated musical practices

CHARLES FAIRCHILD

Popular Music, Volume 27, Issue 01, January 2008, pp 99-116
doi:10.1017/S0261143008001499 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Abiding memories: the community singing movement and English social life in the 1920s

DAVE RUSSELL

Popular Music, Volume 27, Issue 01, January 2008, pp 117-133
doi:10.1017/S0261143008001505 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Black, white and blue: the racial antagonism of The Smiths’ record sleeves

ANDREW WARNES

Popular Music, Volume 27, Issue 01, January 2008, pp 135-149
doi:10.1017/S0261143008001463 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Middle Eight

 
 

Que viva la música popular! International Association for the Study of Popular music, 14th Biennial Conference, 25–29 June 2007, Mexico City

Rupert Till and Jan Fairley

Popular Music, Volume 27, Issue 01, January 2008, pp 151-154
doi:10.1017/S0261143008001530 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Essay Review

 
 

West Indian Rhythm: Trinidad Calypsos on World and Local Events Featuring the Censored Recordings – 1938–1940, compiled and commented by The Classic Calypso Collective. Bear Family Records. BCD 16623 JM. ISBN: 978–3-89916–229–5

Jocelyne Guilbault

Popular Music, Volume 27, Issue 01, January 2008, pp 155-157
doi:10.1017/S0261143008001529 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Reviews

 
 

Arsenio Rodríguez and the Transnational Flows of Latin Popular Music. By David F. García. Philadelphia: Temple University Press, 2006. xii+210 pp. ISBN 1 59213 386 X (pb)

David-Emil Wickström

Popular Music, Volume 27, Issue 01, January 2008, pp 159-160
doi:10.1017/S0261143008001542 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Choro, A Social History of a Brazilian Popular Music. By Tamara Elena Livingston-Isenhour and Thomas George Caracas García. Indiana University Press, 2005. 253 pp. ISBN 0-253-34541-3 (pb)

Jan Fairley

Popular Music, Volume 27, Issue 01, January 2008, pp 160-163
doi:10.1017/S0261143008008015 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

The Mediterranean in Music: Critical Perspectives, Common Concerns, Cultural Differences. Edited by David Cooper and Kevin Dawe. Lanham, MD: Scarecrow Press, 2005. 247 pp. ISBN 0-8108-5407-4

Catherine Baker

Popular Music, Volume 27, Issue 01, January 2008, pp 163-165
doi:10.1017/S0261143008008027 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

The Games Black Girls Play: Learning the Ropes from Double-dutch to Hip-hop. By Kyra D. Gaunt. New York: New York University Press, 2006. xv + 221 pp. ISBN-10: 0-8147-3120-1 (pb)

Dana Baitz

Popular Music, Volume 27, Issue 01, January 2008, pp 165-167
doi:10.1017/S0261143008008039 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Hip-Hop Japan: Rap and the Paths of Cultural Globalization. By Ian Condry. Durham and London: Duke University Press, 2006. 249 pp. ISBN-10: 0-8223-3892-0 (pb)

Shara Rambarran

Popular Music, Volume 27, Issue 01, January 2008, pp 167-169
doi:10.1017/S0261143008008040 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

To The Break of Dawn: A Freestyle on the Hip Hop Aesthetic. By William Jelani Cobb. New York & London: New York University Press, 2007. 199 pp. ISBN 978-0-8147-1670-0 (cloth: alk. paper)

Justin Williams

Popular Music, Volume 27, Issue 01, January 2008, pp 169-172
doi:10.1017/S0261143008008052 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

A National Acoustics. Music and Mass Publicity in Weimar and Nazi Germany. By Brian Currid. Minneapolis, London: University of Minnesota Press, 2006. 279 pp. ISBN 0-8166-4042-4 (pb) ISBN 0-8166-4041-6 (hb)

Ilona van de Bildt

Popular Music, Volume 27, Issue 01, January 2008, pp 172-173
doi:10.1017/S0261143008008064 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Immigration and American Popular Culture: An Introduction. By Rachel Rubin and Jeffrey Melnick. New York and London: New York University Press, 2007. 302 pp. ISBN 0-8147-7552-3 (pb: alk. paper)

Eric Chong

Popular Music, Volume 27, Issue 01, January 2008, pp 174-175
doi:10.1017/S0261143008008076 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

The Musical: Race, Gender and Performance. Short Cuts Introductions to Film Studies 26. By Susan Smith. London and New York: Wallflower, 2005. 130 pp. ISBN 1-904764-37-1

William A. Everett

Popular Music, Volume 27, Issue 01, January 2008, pp 175-177
doi:10.1017/S0261143008008088 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

The New Blue Music: Changes in Rhythm & Blues, 1950–1999. By Richard J. Ripani. Jackson: University Press of Mississippi, 2006. ISBN 1-57806-862-2 (pb)

Maria Hanáček

Popular Music, Volume 27, Issue 01, January 2008, pp 177-179
doi:10.1017/S026114300800809X (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

True to the Roots: Americana Music Revealed. By Monte Dutton. Lincoln, NE: University of Nebraska Press, 2006. 211 pp. ISBN 0-8032-6661-8 (pb)

Richard Elliott

Popular Music, Volume 27, Issue 01, January 2008, pp 179-181
doi:10.1017/S0261143008008106 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. By Matthew Bannister. Aldershot, UK and Burlington, VT: Ashgate, 2006. 200 pp. ISBN 0-7546-5188-6

Simon Warner

Popular Music, Volume 27, Issue 01, January 2008, pp 181-182
doi:10.1017/S0261143008008118 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

David Bowie: Fame, Sound and Vision. By Nick Stevenson. Cambridge: Polity Press, 2006. 217 pp. ISBN 10 07456-2940-7 (pb)

Nicholas Greco

Popular Music, Volume 27, Issue 01, January 2008, pp 183-184
doi:10.1017/S026114300800812X (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

U2 and Philosophy. How to Decipher an Atomic Band. Edited by Mark A. Wrathall. Chigaco and La Salle, Illinois: Open Court, 2006. 228 pp

Kimi Kärki

Popular Music, Volume 27, Issue 01, January 2008, pp 184-186
doi:10.1017/S0261143008008131 (About doi), Published Online by Cambridge University Press 13 Dec 2007
 

Music, National Identity and the Politics of Location – Between the Global and the Local. Edited by Ian Biddle and Vanessa Knights Hampshire, Burlington: Ashgate, 2007. xii+251 pp. ISBN 978 0 7546 4055 4 (hb)

David-Emil Wickström

Popular Music, Volume 27, Issue 01, January 2008, pp 186-188
doi:10.1017/S0261143008008143 (About doi), Published Online by Cambridge University Press 13 Dec 2007
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