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Editor(s):
Keith Negus, University of London, UK
John Street, University of East Anglia, UK

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Table of Contents - Volume 26 - Issue 03

Articles

The Italian Way(s). A special issue on Italian popular music

GOFFREDO PLASTINO and MARCO SANTORO

Popular Music, Volume 26, Issue 03, October 2007, pp 385-388

doi:10.1017/S026114300700133X (About doi), Published Online by Cambridge University Press 03 Oct 2007

The Italian Canzone and the Sanremo Festival: change and continuity in Italian mainstream pop of the 1960s

ROBERTO AGOSTINI

Popular Music, Volume 26, Issue 03, October 2007, pp 389-408

doi:10.1017/S0261143007001341 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Orchestral Manoeuvres in the 1970s: l’Orchestra Co-operative, 1974–1983

FRANCO FABBRI

Popular Music, Volume 26, Issue 03, October 2007, pp 409-427

doi:10.1017/S0261143007001353 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Lazzari felici: Neapolitan song and/as nostalgia

GOFFREDO PLASTINO

Popular Music, Volume 26, Issue 03, October 2007, pp 429-440

doi:10.1017/S0261143007001365 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Selling Italy by the sound: cross-cultural interchanges through cover records

PAOLO PRATO

Popular Music, Volume 26, Issue 03, October 2007, pp 441-462

doi:10.1017/S0261143007001377 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Authors and Rappers: Italian Hip Hop and the Shifting Boundaries of Canzone d’Autore

MARCO SANTORO and MARCO SOLAROLI

Popular Music, Volume 26, Issue 03, October 2007, pp 463-488

doi:10.1017/S0261143007001389 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Middle Eight

Paolo Conte: Italian ‘Arthouse Exotic’

Tony Mitchell

Popular Music, Volume 26, Issue 03, October 2007, pp 489-496

doi:10.1017/S0261143007001390 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Putting spanners in the works: the politics of the 99 Posse

Tom Behan

Popular Music, Volume 26, Issue 03, October 2007, pp 497-504

doi:10.1017/S0261143007001407 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Essay Review

Spookier than Spooky

James Robert Currie

Popular Music, Volume 26, Issue 03, October 2007, pp 505-512

doi:10.1017/S0261143007001419 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Reviews

Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific. By Heidi Carolyn Feldman . Connecticut: Wesleyan University Press, 2006. xi + 306 pp. ISBN 0-8195-6814-7 (Hardback)

Hazel Marsh

Popular Music, Volume 26, Issue 03, October 2007, pp 513-514

doi:10.1017/S026114300700339X (About doi), Published Online by Cambridge University Press 03 Oct 2007

Popular Music Censorship in Africa. Edited by Michael Drewett and Martin Cloonan . Aldershot and Burlington, VT: Ashgate, 2006. 242 pp. ISBN-13 978-0-7546-5291-5 and ISBB-10 0-7546-5291-2 (hardback)

Kathleen Van Buren

Popular Music, Volume 26, Issue 03, October 2007, pp 514-516

doi:10.1017/S0261143007003406 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Island Musics. Edited by Kevin Dawe . Oxford and New York: Berg, 2004. 217 pp. + index. ISBN 1-85973-797-8

Suzel Reily

Popular Music, Volume 26, Issue 03, October 2007, pp 516-518

doi:10.1017/S0261143007003418 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Music and Urban Geography. By Adam Krims. New York & London: Routledge, 2007. xli + 203 pp. ISBN 0-415-97011-3 (hardback); ISBN 0-415-97012-1 (paperback)

Bas van Heur

Popular Music, Volume 26, Issue 03, October 2007, pp 518-521

doi:10.1017/S0261143007003431 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Music Downtown: Articles from the Village Voice, 1986–2000. By Kyle Gann . Berkeley: University of California Press, 2006. 326 pp. ISBN: 0-520-22981-9 (Cloth); ISBN: 0-520-22982-7 (Paperback)

Stephen Chase

Popular Music, Volume 26, Issue 03, October 2007, pp 521-523

doi:10.1017/S0261143007003443 (About doi), Published Online by Cambridge University Press 03 Oct 2007

The Producer as Composer: Shaping the Sounds of Popular Music. By Virgil Moorefield. Cambridge, MA and London, UK: The MIT Press, 2005. 143 pp.

Kai Fikentscher

Popular Music, Volume 26, Issue 03, October 2007, pp 523-525

doi:10.1017/S0261143007003455 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Remembering Woodstock. Edited by Andy Bennett . Aldershot: Ashgate, 2004. xxi + 159 pp. ISBN 0 7546 0713 5

Adam Behr

Popular Music, Volume 26, Issue 03, October 2007, pp 525-528

doi:10.1017/S0261143007003467 (About doi), Published Online by Cambridge University Press 03 Oct 2007

Rip It Up and Start Again: Post Punk 1978–1984. By Simon Reynolds. Faber and Faber, 2005. 752 pp. ISBN: 0571215696