Popular Music

Articles

t.A.T.u. You! Russia, the global politics of Eurovision, and lesbian pop

DANA HELLER

Popular Music, Volume 26, Issue 02, May 2007, pp 195-210

doi:10.1017/S0261143007001237 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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From blatant to latent protest (and back again): on the politics of theatrical spectacle in Madonna’s ‘American Life’

MARTIN SCHERZINGER and STEPHEN SMITH

Popular Music, Volume 26, Issue 02, May 2007, pp 211-229

doi:10.1017/S0261143007001274 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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‘I Will Survive’: musical mappings of queer social space in a disco anthem

NADINE HUBBS

Popular Music, Volume 26, Issue 02, May 2007, pp 231-244

doi:10.1017/S0261143007001250 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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Marketing androgyny: the evolution of the Backstreet Boys

DARYL JAMIESON

Popular Music, Volume 26, Issue 02, May 2007, pp 245-258

doi:10.1017/S0261143007001286 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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Techno, Frankenstein and copyright

MARK A. McCUTCHEON

Popular Music, Volume 26, Issue 02, May 2007, pp 259-280

doi:10.1017/S0261143007001225 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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Inventing recorded music: the recorded repertoire in Scandinavia 1899–1925

PEKKA GRONOW and BJÖRN ENGLUND

Popular Music, Volume 26, Issue 02, May 2007, pp 281-304

doi:10.1017/S0261143007001298 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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Rethinking the music industry

JOHN WILLIAMSON and MARTIN CLOONAN

Popular Music, Volume 26, Issue 02, May 2007, pp 305-322

doi:10.1017/S0261143007001262 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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The melodic-harmonic ‘divorce’ in rock

DAVID TEMPERLEY

Popular Music, Volume 26, Issue 02, May 2007, pp 323-342

doi:10.1017/S0261143007001249 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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The Hendrix chord: blues, flexible pitch relationships, and self-standing harmony

ROB VAN DER BLIEK

Popular Music, Volume 26, Issue 02, May 2007, pp 343-364

doi:10.1017/S0261143007001304 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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Reviews

Music and Revolution, Cultural Change in Socialist Cuba. By Robin D. Moore. University of California Press, 2006. 305 pp. ISBN 0-520-24711-6 (pb)

Timba: The Sound of the Cuban Crisis. By Vincenzo Perna. Ashgate, 2005. 338 pp. ISBN 0 7546 3941 X (hb)

Cuba and Its Music. From the First Drums to the Mambo. By Ned Soublette. Chicago: Chicago Review Press, 2004. ISBN 1-55652-516-8

Jan Fairley

Popular Music, Volume 26, Issue 02, May 2007, pp 365-368

doi:10.1017/S0261143007003315 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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The Resisting Muse: Popular Music and Social Protest. Edited by Ian Peddie. Ashgate Popular and Folk Music Series, 2006. xxiv + 228 pp. ISBN 0 7546 5114 2 (pb)

Hazel Marsh

Popular Music, Volume 26, Issue 02, May 2007, pp 369-370

doi:10.1017/S0261143007003327 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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Policing Pop. Edited by Martin Cloonan and Reebee Garofalo. USA: Temple University Press, 2003. 241 pp. ISBN 1–56639–989–0 (pb)

Jan Fairley

Popular Music, Volume 26, Issue 02, May 2007, pp 371-373

doi:10.1017/S0261143007003339 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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John Lennon Imagined: Cultural History of a Rock Star. By Janne Mäkelä. New York: Peter Lang, 2004. 312 pp.

Yrjö Heinonen

Popular Music, Volume 26, Issue 02, May 2007, pp 373-375

doi:10.1017/S0261143007003340 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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Noisy Island: a Short History of Irish Popular Music. By Gerry Smyth. Cork: Cork University Press, 2005. 136 pp. ISBN 1 85918 387 5 (hb)

Ciaran Wrenn

Popular Music, Volume 26, Issue 02, May 2007, pp 375-377

doi:10.1017/S0261143007003352 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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Jazz on the River. By William Howland Kenney. Chicago and London: University of Chicago Press, 2005. 229 pp. ISBN 0-226-43733-7 (hb)

The Evolution of Jazz in Britain, 1880–1935. By Catherine Parsonage. Aldershot: Ashgate, 2005. 322 pp. ISBN 0-7546-5076-6 (hb)

Nicholas Gebhardt

Popular Music, Volume 26, Issue 02, May 2007, pp 377-379

doi:10.1017/S0261143007003376 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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Music In Film: Soundtracks and Synergy. By Pauline Reay. London: Wallflower Press, 2004. ISBN 1 903364 65 5 (pb)

Pop Fiction – The Song in Cinema. Edited by Steve Lannin and Matthew Caley. Bristol: Intellect, 2005. 338 pp. ISBN 1 84150 078 X (pb)

Popular Music and Film. Edited by Ian Inglis. London: Wallflower Press, 2003. ISBN 1 903364 72 8 (hb), ISBN 1 903364 71 X (pb)

John Mundy

Popular Music, Volume 26, Issue 02, May 2007, pp 379-381

doi:10.1017/S0261143007003364 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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The Last Waltz of the Band. By Neil Miniturn. ‘CMS Sourcebooks in American Music’ no. 2. Edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2005. 224 pp. ISBN 1-57647-093-8 (pb)

Christopher Garbowski

Popular Music, Volume 26, Issue 02, May 2007, pp 382-384

doi:10.1017/S0261143007003388 (About doi), Published Online by Cambridge University Press 26 Apr 2007

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