Skip to Navigation
Skip to Content
 
Home> Popular Music> Vol. 25 Issue 01

 

Log In

Browse Journals

Special Sales

Cambridge Journals Digital Archive

Click here for details about our archive digitisation project. more details

2009 Journals Catalogue

Click here to download a PDF of our latest catalogue; a comprehensive guide to all of our journals. more details

CJO Now Includes:

567,269 articles from 321 leading journals.

Customize Your Search Toolbar

Popular Music

Search

Social Bookmarking

  • Note: Abstract, PDF and HTML open in a new window

  • Editor(s):
  • Keith Negus, University of London, UK
    John Street, University of East Anglia, UK

Sort by

Previous Issue Next Issue

Table of Contents - Volume 25 - Issue 01  

  Please select Articles below or use Select All, then click the appropriate button above. Select/Deselect All:
 

Articles

 
 

The Contributors

Popular Music, Volume 25, Issue 01, January 2006, pp iii-iv
doi:10.1017/S026114300500067X (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

Introduction

Motti Regev

Popular Music, Volume 25, Issue 01, January 2006, pp 1-2
doi:10.1017/S0261143005000681 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

A prescribed alternative mainstream: popular music and canon formation

ANTTI-VILLE KÄRJÄ

Popular Music, Volume 25, Issue 01, January 2006, pp 3-19
doi:10.1017/S0261143005000711 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

Nevermind The Beatles, here's Exile 61 and Nico: ‘The top 100 records of all time’ – a canon of pop and rock albums from a sociological and an aesthetic perspective

RALF VON APPEN and ANDRÉ DOEHRING

Popular Music, Volume 25, Issue 01, January 2006, pp 21-39
doi:10.1017/S0261143005000693 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

Award ceremony as an arbiter of commerce and canon in the popular music industry

MARY R. WATSON and N. ANAND

Popular Music, Volume 25, Issue 01, January 2006, pp 41-56
doi:10.1017/S0261143005000747 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

‘Must Be Born Again’: resurrecting the Anthology of American Folk Music

KATHERINE SKINNER

Popular Music, Volume 25, Issue 01, January 2006, pp 57-75
doi:10.1017/S0261143005000735 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

‘Loaded’: indie guitar rock, canonism, white masculinities

MATTHEW BANNISTER

Popular Music, Volume 25, Issue 01, January 2006, pp 77-95
doi:10.1017/S026114300500070X (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

Snobs and quétaines: prestige and boundaries in popular music in Quebec

MICHÈLE OLLIVIER

Popular Music, Volume 25, Issue 01, January 2006, pp 97-116
doi:10.1017/S0261143005000723 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

Middle Eight

 
 

The enactment of the field of cultural and artistic production of popular music in Brazil: a case study of the ‘Noel Rosa Generation’ in the 1930s

Wander Nunes Frota

Popular Music, Volume 25, Issue 01, January 2006, pp 117-125
doi:10.1017/S0261143005000759 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

IASPM's 13th Biennial Conference: a review from the periphery

Hyunjoon Shin and Pil Ho Kim

Popular Music, Volume 25, Issue 01, January 2006, pp 127-130
doi:10.1017/S0261143005000760 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

Reviews

 
 

Rockin' Las Américas: The Global Politics of Rock in Latin/o America. Edited by Deborah Pacini Hernandez, Héctor Fernández L'Hoeste and Eric Zolov. Pittsburgh: University of Pittsburgh Press, 2004. xii+420 pp. ISBN 0 8229 5841 4 (paper)

Motti Regev

Popular Music, Volume 25, Issue 01, January 2006, pp 131-132
doi:10.1017/S0261143006210778 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

Musical Theater and American Culture. By David Walsh and Len Platt. Westport, CT & London: Praeger, 2003. 200 pp. ISBN 0 275 98057 X (hardcover)

John Street

Popular Music, Volume 25, Issue 01, January 2006, pp 133-134
doi:10.1017/S0261143006220774 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

Smile When You Call Me a Hillbilly: Country Music's Struggle for Respectability, 1939–1954. By Jeffrey J. Lange. Athens, GA: University of Georgia Press, 2004. 336 pp. ISBN 0-8203-2622-4 (cloth), ISBN 0-8203-2623-2 (paper)

Joli Jensen

Popular Music, Volume 25, Issue 01, January 2006, pp 134-136
doi:10.1017/S0261143006230770 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, 1983–2003. Edited by Santiago Fouz-Hernández and Freya Jarman-Ivens. Aldershot and Burlington: Ashgate, 2004. 223 pp. ISBN 0754633713 (hardback), ISBN 0754633721 (paperback)

Laura Mitchell

Popular Music, Volume 25, Issue 01, January 2006, pp 136-137
doi:10.1017/S0261143006240777 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

Making Beats: the Art of Sample-Based Hip-Hop. By Joseph G. Schloss. Middletown, CT: Wesleyan University Press, 2004. 226 pp. ISBN 0819566950 (cloth), ISBN 0819566969 (paperback)

Philip Ewell

Popular Music, Volume 25, Issue 01, January 2006, pp 138-140
doi:10.1017/S0261143006250773 (About doi), Published Online by Cambridge University Press 17 Feb 2006
 

Bob Dylan, Performing Artist, 1986–1990 and beyond, Mind Out of Time. By Paul Williams. London: Omnibus Press, 2004. 384 pp. ISBN: 184449831X

Keith Negus

Popular Music, Volume 25, Issue 01, January 2006, pp 140-143
doi:10.1017/S026114300626077X (About doi), Published Online by Cambridge University Press 17 Feb 2006
  Please select Articles above or use Select All, then click the appropriate button below. Select/Deselect All:

Sort by

Cambridge University Press