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  • Editor(s):
  • Keith Negus, University of London, UK
    John Street, University of East Anglia, UK

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Table of Contents - Volume 24 - Issue 03  

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Articles

 
 

These magic moments: pop, writing, and the little stuff

Eric Weisbard

Popular Music, Volume 24, Issue 03, October 2005, pp 307-310
doi:10.1017/S0261143005000668 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Cruising a road to nowhere: mechanics and mysteries of the pop moment

DEVIN MCKINNEY

Popular Music, Volume 24, Issue 03, October 2005, pp 311-321
doi:10.1017/S026114300500053X (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

‘Have a little talk’: listening to the B-side of history

GAYLE WALD

Popular Music, Volume 24, Issue 03, October 2005, pp 323-337
doi:10.1017/S0261143005000541 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

The story of ORCH5, or, the classical ghost in the hip-hop machine

ROBERT FINK

Popular Music, Volume 24, Issue 03, October 2005, pp 339-356
doi:10.1017/S0261143005000553 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Elvis Costello, the empire of the E chord, and a magic moment or two

DAVID BRACKETT

Popular Music, Volume 24, Issue 03, October 2005, pp 357-367
doi:10.1017/S0261143005000565 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

White chocolate soul: Teena Marie and Lewis Taylor

MARK ANTHONY NEAL

Popular Music, Volume 24, Issue 03, October 2005, pp 369-380
doi:10.1017/S0261143005000577 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Accidents, hooks and theory

CHARLES KRONENGOLD

Popular Music, Volume 24, Issue 03, October 2005, pp 381-397
doi:10.1017/S0261143005000589 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Going through the motions: popular music performance in journalism and in academic discourse

TIM QUIRK and JASON TOYNBEE

Popular Music, Volume 24, Issue 03, October 2005, pp 399-413
doi:10.1017/S0261143005000590 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Writing about music is writing first

ROBERT CHRISTGAU

Popular Music, Volume 24, Issue 03, October 2005, pp 415-421
doi:10.1017/S0261143005000607 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Middle Eight

 
 

Critical karaoke

Joshua Clover, Ange Mlinko, Greil Marcus, Ann Powers and Daphne A. Brooks

Popular Music, Volume 24, Issue 03, October 2005, pp 423-427
doi:10.1017/S0261143005000619 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Land of a thousand dances: an R&B fable

Oscar Garza

Popular Music, Volume 24, Issue 03, October 2005, pp 429-437
doi:10.1017/S0261143005000620 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Classical puts me to sleep

Brian Goedde

Popular Music, Volume 24, Issue 03, October 2005, pp 439-443
doi:10.1017/S0261143005000632 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Essay Review

 
 

SOME RECENT BOOKS ON THE MUSICAL The Cambridge Companion to the Musical. Edited by William A. Everett and Paul R. Laird. Cambridge: Cambridge University Press, 2002. xvii + 310 pp. ISBN 0 521 79189 8 (hardback), 0 521 79639 3 (paperback) Sondheim on Music: Minor Details and Major Decisions. By Mark Eden Horowitz. Lanham, MD and Oxford: Scarecrow Press, 2003. x + 401 pp. ISBN 0 8108 4437 0 Disintegrating the Musical: Black Performance and American Musical Film. By Arthur Knight. Durham, NC and London: Duke University Press, 2002. xii + 339 pp. ISBN 0 8223 2963 8

Andrew Killick

Popular Music, Volume 24, Issue 03, October 2005, pp 445-452
doi:10.1017/S0261143005000644 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Reviews

 
 

Complicated shadows: The life and music of Elvis Costello. By Graeme Thomson. Edinburgh: Canongate, 2004. 342 pp. ISBN 1841955442 (hb), 1841956651 (pb) Elvis Costello, Joni Mitchell and the Torch song tradition. By Larry David Smith. Westport, CT: Greenwood Publishing, 2004. 312 pp. ISBN 0275973921 (hb)

Keith Negus

Popular Music, Volume 24, Issue 03, October 2005, pp 453-457
doi:10.1017/S0261143005210656 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Russia gets the blues: Music, culture, and community in unsettled times. By Michael Urban (with Andrei Evdokimov). Ithaca and London: Cornell University Press, 2004. 179 pp. ISBN 0-8014-8900-8 (paperback), ISBN 080144229X (hb)

John Street

Popular Music, Volume 24, Issue 03, October 2005, pp 458-459
doi:10.1017/S0261143005220652 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Nuthin' but a ‘G’ thang: The culture and commerce of gangsta rap. By Eithne Quinn. New York: Columbia University Press, 2005. 264 pp. ISBN 0231124082 (cloth) ISBN 0231124090 (paper)

Tom Perchard

Popular Music, Volume 24, Issue 03, October 2005, pp 459-462
doi:10.1017/S0261143005230659 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Musical identities. Edited by Raymond MacDonald, David Hargreaves and Dorothy Miell. Oxford: Oxford University Press, 2002. 224 pp. ISBN 0-19-850932-4 (pb)

Vincent Egan

Popular Music, Volume 24, Issue 03, October 2005, pp 462-463
doi:10.1017/S0261143005240655 (About doi), Published Online by Cambridge University Press 04 Oct 2005
 

Music, space and place: Popular music and cultural identity. Edited by Sheila Whiteley, Andy Bennett and Stan Hawkins. Aldershot: Ashgate, 2004. 224 pp. ISBN 0754637379 (hb)

June Maxwell

Popular Music, Volume 24, Issue 03, October 2005, pp 463-465
doi:10.1017/S0261143005250651 (About doi), Published Online by Cambridge University Press 04 Oct 2005
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