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Editor(s):
Keith Negus, University of London, UK
John Street, University of East Anglia, UK

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Table of Contents - Volume 24 - Issue 02

Articles

Introduction to ‘Literature and Music’ special issue

John Street

Popular Music, Volume 24, Issue 02, May 2005, pp 163-164

doi:10.1017/S0261143005000395 (About doi), Published Online by Cambridge University Press 15 Jun 2005

Dead Channel Surfing: the commonalities between cyberpunk literature and industrial music

KAREN COLLINS

Popular Music, Volume 24, Issue 02, May 2005, pp 165-178

doi:10.1017/S0261143005000401 (About doi), Published Online by Cambridge University Press 15 Jun 2005

Blues, criticism, and the signifying trickster

AYANA SMITH

Popular Music, Volume 24, Issue 02, May 2005, pp 179-191

doi:10.1017/S0261143005000449 (About doi), Published Online by Cambridge University Press 15 Jun 2005

From Tomorrow’s Eve to High Fidelity: novel responses to the gramophone in twentieth century literature

COLIN SYMES

Popular Music, Volume 24, Issue 02, May 2005, pp 193-206

doi:10.1017/S0261143005000462 (About doi), Published Online by Cambridge University Press 15 Jun 2005

García Márquez, macondismo, and the soundscapes of vallenato

ANA MARÍA OCHOA

Popular Music, Volume 24, Issue 02, May 2005, pp 207-222

doi:10.1017/S0261143005000437 (About doi), Published Online by Cambridge University Press 15 Jun 2005

‘Can You Still Keep Your Balance?’: Keith Emerson's anxiety of influence, style change, and the road to prog superstardom

AKITSUGU KAWAMOTO

Popular Music, Volume 24, Issue 02, May 2005, pp 223-244

doi:10.1017/S0261143005000425 (About doi), Published Online by Cambridge University Press 15 Jun 2005

Other Lives: rock, memory and oblivion in post-Franco fiction

MAARTEN STEENMEIJER

Popular Music, Volume 24, Issue 02, May 2005, pp 245-256

doi:10.1017/S0261143005000450 (About doi), Published Online by Cambridge University Press 15 Jun 2005

Hamlet: voice, music, sound

BRUCE JOHNSON

Popular Music, Volume 24, Issue 02, May 2005, pp 257-267

doi:10.1017/S0261143005000413 (About doi), Published Online by Cambridge University Press 15 Jun 2005

Middle Eight

31 Songs and Nick Hornby's pop ideology

Dave Laing

Popular Music, Volume 24, Issue 02, May 2005, pp 269-271

doi:10.1017/S0261143005000486 (About doi), Published Online by Cambridge University Press 15 Jun 2005

‘Jazz at Night and the Classics in the Morning’: musical double-consciousness in short fiction by Langston Hughes

Felicia M. Miyakawa

Popular Music, Volume 24, Issue 02, May 2005, pp 273-278

doi:10.1017/S0261143005000498 (About doi), Published Online by Cambridge University Press 15 Jun 2005

To Be or Not to Bop: Jack Kerouac's On The Road and the culture of bebop and rhythm 'n' blues

David Hopkins

Popular Music, Volume 24, Issue 02, May 2005, pp 279-286

doi:10.1017/S0261143005000474 (About doi), Published Online by Cambridge University Press 15 Jun 2005

That's Me in the Spotlight: rock autobiographies

Thomas Swiss

Popular Music, Volume 24, Issue 02, May 2005, pp 287-294

doi:10.1017/S0261143005000504 (About doi), Published Online by Cambridge University Press 15 Jun 2005

Reviews

Hollywood Theory, Non-Hollywood Practice. Cinema Soundtracks in the 1980s and 1990s. By Annette Davison. Aldershot: Ashgate, 2004. 232 pp. ISBN 0 7546 0582 5 (hardback).

Peter Franklin

Popular Music, Volume 24, Issue 02, May 2005, pp 295-298

doi:10.1017/S0261143005210516 (About doi), Published Online by Cambridge University Press 15 Jun 2005

Ten Little Title Tunes: Towards a Musicology of the Mass Media. By Philip Tagg and Bob Clarida. New York: Mass Media Music Scholars' Press, 2003. xvi+898 pp. ISBN 0-9701684-2-x (paperback).

Allan Moore

Popular Music, Volume 24, Issue 02, May 2005, pp 298-300

doi:10.1017/S0261143005220512 (About doi), Published Online by Cambridge University Press 15 Jun 2005

Popular Music & National Culture in Israel. By Motti Regev and Edwin Seroussi. Berkeley: University of California Press, 2004. 298 pp. ISBN 0-520-23654-8 (paperback).

Galeet Dardashti

Popular Music, Volume 24, Issue 02, May 2005, pp 300-302

doi:10.1017/S0261143005230519 (About doi), Published Online by Cambridge University Press 15 Jun 2005

Celtic Modern: Music at the Global Fringe. Edited by Martin Stokes and Philip V. Bohlman. Lanham, MD: The Scarecrow Press, 2003. 293 pp. ISBN 0-8108-4781-7 (paperback).

Allan Moore

Popular Music, Volume 24, Issue 02, May 2005, pp 303-304

doi:10.1017/S0261143005240515 (About doi), Published Online by Cambridge University Press 15 Jun 2005

Satchmo: The Lewis Armstrong Encyclopaedia. By Michael Meckna. Connecticut: Greenwood Press, 2004. x+432 pp. ISBN 0 31330137 9 (hardback).

Paul Carr