Popular Music

Articles

‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey

THOMAS SOLOMON

Popular Music, Volume 24, Issue 01, January 2005, pp 1-20

doi:DOI:10.1017/S0261143004000273 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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Pop goes the rapper: a close reading of Eminem's genderphobia

VINCENT STEPHENS

Popular Music, Volume 24, Issue 01, January 2005, pp 21-36

doi:DOI:10.1017/S0261143004000261 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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‘Some guy designed this room I’m standing in': marking gender in press coverage of Ani DiFranco

ANNA FEIGENBAUM

Popular Music, Volume 24, Issue 01, January 2005, pp 37-56

doi:DOI:10.1017/S0261143004000285 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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‘Simply Irresistible’: recurring accent patterns as hooks in mainstream 1980s music

DON TRAUT

Popular Music, Volume 24, Issue 01, January 2005, pp 57-77

doi:DOI:10.1017/S0261143004000303 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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Jews, punk and the Holocaust: from the Velvet Underground to the Ramones – the Jewish-American story

JON STRATTON

Popular Music, Volume 24, Issue 01, January 2005, pp 79-105

doi:DOI:10.1017/S0261143004000315 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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The rise and generic features of Shanghai popular songs in the 1930s and 1940s

SZU-WEI CHEN

Popular Music, Volume 24, Issue 01, January 2005, pp 107-125

doi:DOI:10.1017/S0261143004000297 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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Middle Eight

Charles Hamm @80: a song well sung

Lutgard Mutsaers, Simon Frith, Susan C. Cook and David Brackett

Popular Music, Volume 24, Issue 01, January 2005, pp 127-131

doi:DOI:10.1017/S0261143004000339 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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Can we get rid of the ‘popular’ in popular music? A virtual symposium with contributions from the International Advisory Editors of Popular Music

Popular Music, Volume 24, Issue 01, January 2005, pp 133-145

doi:DOI:10.1017/S0261143004000364 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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I'm waiting for the band: protraction and provocation at rock concerts

RICHARD WITTS

Popular Music, Volume 24, Issue 01, January 2005, pp 147-152

doi:DOI:10.1017/S0261143004000376 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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Reviews

Shoot the Singer! Music Censorship Today. Edited by Marie Korpe. London/New York: Zed Books, 2004. 228 pp. ISBN 1 84277 504 9 (hb), 1 84277 505 7 (pb)

John Street

Popular Music, Volume 24, Issue 01, January 2005, pp 153-154

doi:DOI:10.1017/S0261143004230343 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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Music and Cinema. Edited by James Buhler, Caryl Flinn and David Neumeyer. Wesleyan University Press, 2000. 405 pp. ISBN 0-8195-6411-7 (pb)

Anahid Kassabian

Popular Music, Volume 24, Issue 01, January 2005, pp 155-157

doi:DOI:10.1017/S0261143004220347 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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Going for Jazz: Musical Practices and American Ideology. By Nicholas Gebhardt. Chicago and London: The University of Chicago Press, 2001. 216 pp. ISBN 0-226-28466-2 (hb), 0-226-28467-0 (pb)

Bruce Johnson

Popular Music, Volume 24, Issue 01, January 2005, pp 157-159

doi:DOI:10.1017/S0261143004210340 (About doi), Published Online by Cambridge University Press 07 Jan 2005

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Punk Productions: Unfinished Business. By Stacy Thompson. Albany, NY: State University of New York Press, 2004. 216 pp. ISBN 0-7914-6187-4 (hb), 0-7914-6188-2 (pb)

Alan O'Connor

Popular Music, Volume 24, Issue 01, January 2005, pp 159-161

doi:DOI:10.1017/S026114300424034X (About doi), Published Online by Cambridge University Press 07 Jan 2005

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