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  • Editor(s):
  • Keith Negus, University of London, UK
    John Street, University of East Anglia, UK

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Table of Contents - Volume 23 - Issue 03  

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Articles

 
 

Marsalis and Baraka: an essay in comparative cultural discourse

LEE B. BROWN

Popular Music, Volume 23, Issue 03, October 2004, pp 241-255
doi:DOI:10.1017/S0261143004000169 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Fixing a hole in the scale: suppressed notes in the Beatles' songs

NAPHTALI WAGNER

Popular Music, Volume 23, Issue 03, October 2004, pp 257-269
doi:DOI:10.1017/S0261143004000212 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

The promotional state and Canada's Juno Awards

DAVID YOUNG

Popular Music, Volume 23, Issue 03, October 2004, pp 271-289
doi:DOI:10.1017/S0261143004000170 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Conflation and conflict in Brazilian popular music: forty years between ‘filming’ bossa nova in Orfeu Negro and rap in Orfeu

JONATHON GRASSE

Popular Music, Volume 23, Issue 03, October 2004, pp 291-310
doi:DOI:10.1017/S0261143004000182 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Beyond the ‘high fidelity’ stereotype: defining the (contemporary) record collector

ROY SHUKER

Popular Music, Volume 23, Issue 03, October 2004, pp 311-330
doi:DOI:10.1017/S0261143004000224 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Anti-Orpheus: narrating the dream brother

OLIVER LOVESEY

Popular Music, Volume 23, Issue 03, October 2004, pp 331-348
doi:DOI:10.1017/S0261143004000200 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Infrastructure for the Celestial Jukebox

PATRICK BURKART and TOM McCOURT

Popular Music, Volume 23, Issue 03, October 2004, pp 349-362
doi:DOI:10.1017/S0261143004000236 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Reviews

 
 

Rock Over the Edge. Transformations in Popular Music Culture. Edited by Roger Beebe, Denise Fulbrook and Ben Saunders. Durham, NC and London: Duke University Press, 2002. 392 pp. ISBN 0–8223–2915–8 (paperback), 0–8223–2900–X (cloth)

Simon Frith

Popular Music, Volume 23, Issue 03, October 2004, pp 363-372
doi:DOI:10.1017/S0261143004000248 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Continuum Encyclopedia of Popular Music of the World. Volume I: Media, Industry and Society. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. Continuum, 2003. xxxi+800 pp. ISBN 0–8264–6321–5

Juan Pablo Gonzalez

Popular Music, Volume 23, Issue 03, October 2004, pp 373-377
doi:DOI:10.1017/S026114300421025X (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. London: Continuum, 2003. xxx+682 pp. ISBN 0–8264–6322–3

Helmi Järviluoma

Popular Music, Volume 23, Issue 03, October 2004, pp 378-380
doi:DOI:10.1017/S0261143004220256 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

I Sing the Difference: Identity and Commitment in Latin American Song. A Symposium in Honour of Robert Pring-Mill. IPM: Institute of Popular Music, University of Liverpool. ISBN 1–898806–06–3. Copies from the IPM, University of Liverpool; Roxby Building, Chatham Street, Liverpool L69 7ZT

Sue Monk

Popular Music, Volume 23, Issue 03, October 2004, pp 380-382
doi:DOI:10.1017/S0261143004230252 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Popular Music in Contemporary France: Authenticity, Politics, Debate. By David L. Looseley. Berg, 2003. 256 pp. ISBN 1 85973 636 (paperback), ISBN 1 85973 631 9 (hardback)

Motti Regev

Popular Music, Volume 23, Issue 03, October 2004, pp 382-384
doi:DOI:10.1017/S0261143004240259 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Echoes from Dharamsala: Music in the Life of a Tibetan Refugee Community. By Keila Diehl. Berkeley, Los Angeles, London: University of California Press, 2002. 340 pp. ISBN 0–520–23043–4 (hardcover) ISBN 0–520–23044–2 (paperback)

Carole Pegg

Popular Music, Volume 23, Issue 03, October 2004, pp 384-387
doi:DOI:10.1017/S0261143004250255 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Analyzing Popular Music. Edited by Allan Moore. Cambridge: Cambridge University Press, 2003. 280 pp. ISBN 0–521–77120–X

Kenneth Gloag

Popular Music, Volume 23, Issue 03, October 2004, pp 387-389
doi:DOI:10.1017/S0261143004260251 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

The Cambridge Companion to the Guitar. Edited by Victor Anand Coelho. Cambridge: Cambridge University Press, 2003. 278 pp. ISBN 0–521–00040–8

Adam Behr

Popular Music, Volume 23, Issue 03, October 2004, pp 389-391
doi:DOI:10.1017/S0261143004270258 (About doi), Published Online by Cambridge University Press 19 Oct 2004
 

Goth: Identity, Style and Subculture. By Paul Hodkinson. Oxford and New York: Berg, 2002. 288 pp. ISBN 1 85973 605 X (paper), ISBN 1 85973 600 9 (cloth)

Vincent Egan

Popular Music, Volume 23, Issue 03, October 2004, pp 391-393
doi:DOI:10.1017/S0261143004280254 (About doi), Published Online by Cambridge University Press 19 Oct 2004
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