Popular Music Vol. 22 Issue 03

Popular Music

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Table of Contents - Volume 22 - Issue 03 - 2003

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Research Articles

Just a closer walk with thee: New Orleans-style jazz and the Campaign for Nuclear Disarmament in 1950s Britain Just a closer walk with thee: New Orleans-style jazz and the Campaign for Nuclear Disarmament in 1950s Britain

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George McKay

Popular Music / Volume 22 / Issue 03 / October 2003, pp 261 - 281

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003003180 (About DOI), Published online: 23 October 2003

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Popular modernism? The ‘urban’ style of interwar Tin Pan Alley Popular modernism? The ‘urban’ style of interwar Tin Pan Alley

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Ulf Lindberg

Popular Music / Volume 22 / Issue 03 / October 2003, pp 283 - 298

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003003192 (About DOI), Published online: 23 October 2003

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The Raincoats: breaking down punk rock's masculinities The Raincoats: breaking down punk rock's masculinities

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Caroline O'Meara

Popular Music / Volume 22 / Issue 03 / October 2003, pp 299 - 313

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003003209 (About DOI), Published online: 23 October 2003

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A critical reassessment of the reception of early jazz in Britain A critical reassessment of the reception of early jazz in Britain

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Catherine Parsonage

Popular Music / Volume 22 / Issue 03 / October 2003, pp 315 - 336

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003003210 (About DOI), Published online: 23 October 2003

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Space oddities: aliens, futurism and meaning in popular music Space oddities: aliens, futurism and meaning in popular music

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Ken McLeod

Popular Music / Volume 22 / Issue 03 / October 2003, pp 337 - 355

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003003222 (About DOI), Published online: 23 October 2003

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Know history!: John Lydon, cultural capital and the prog/punk dialectic Know history!: John Lydon, cultural capital and the prog/punk dialectic

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Sean Albiez

Popular Music / Volume 22 / Issue 03 / October 2003, pp 357 - 374

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003003234 (About DOI), Published online: 23 October 2003

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Musicology, ethnomusicology and popular music studies: two conferences in Japan in 2002 Musicology, ethnomusicology and popular music studies: two conferences in Japan in 2002

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Tôru Mitsui

Popular Music / Volume 22 / Issue 03 / October 2003, pp 375 - 377

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003003246 (About DOI), Published online: 23 October 2003

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Eileen Southern Eileen Southern

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David Horn

Popular Music / Volume 22 / Issue 03 / October 2003, pp 378 - 379

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S026114300300326X (About DOI), Published online: 23 October 2003

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Book Reviews

Every Sound There Is: The Beatles' ‘Revolver’ and the Transformation of Rock and Roll. Edited by Russell Reising. Aldershot and Burlington: Ashgate, 2002. 278pp. Every Sound There Is: The Beatles' ‘Revolver’ and the Transformation of Rock and Roll. Edited by Russell Reising. Aldershot and Burlington: Ashgate, 2002. 278pp.

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Ian Inglis

Popular Music / Volume 22 / Issue 03 / October 2003, pp 381 - 383

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003213258 (About DOI), Published online: 23 October 2003

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Swing, That Modern Sound. By Kenneth J. Bindas. Jackson: University Press of Mississippi, 2001. 209 pp. Swing, That Modern Sound. By Kenneth J. Bindas. Jackson: University Press of Mississippi, 2001. 209 pp.

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David Horn

Popular Music / Volume 22 / Issue 03 / October 2003, pp 383 - 385

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003223254 (About DOI), Published online: 23 October 2003

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American Kletzmer – Its Roots and Offshoots. Edited by Mark Slobin. University of California Press, 2002. ISBN 0-520-22718-2. American Kletzmer – Its Roots and Offshoots. Edited by Mark Slobin. University of California Press, 2002. ISBN 0-520-22718-2.

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Jonathan Walton

Popular Music / Volume 22 / Issue 03 / October 2003, pp 385 - 386

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003233250 (About DOI), Published online: 23 October 2003

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Popular Music Studies. Edited by David Hesmondhalgh and Keith Negus. Arnold, 2002. ISBN 0 340 76247 0. 272 pp. Popular Music Studies. Edited by David Hesmondhalgh and Keith Negus. Arnold, 2002. ISBN 0 340 76247 0. 272 pp.

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Allan Moore

Popular Music / Volume 22 / Issue 03 / October 2003, pp 386 - 390

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003243257 (About DOI), Published online: 23 October 2003

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Rap Music and Street Consciousness. By Cheryl L. Keyes. Urbana and Chicago: University of Illinois Press, 2002. 302 pp. Rap Music and Street Consciousness. By Cheryl L. Keyes. Urbana and Chicago: University of Illinois Press, 2002. 302 pp.

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Janis McNair

Popular Music / Volume 22 / Issue 03 / October 2003, pp 390 - 393

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S0261143003253253 (About DOI), Published online: 23 October 2003

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Fela: The Life and Times of an African Musical Icon. By Michael E. Veal. Philadelphia: Temple University Press, 2000. xi + 313 pp. Fela: The Life and Times of an African Musical Icon. By Michael E. Veal. Philadelphia: Temple University Press, 2000. xi + 313 pp.

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Sazi Diamini

Popular Music / Volume 22 / Issue 03 / October 2003, pp 393 - 397

2003 Cambridge University Press

DOI: http://dx.doi.org/10.1017/S026114300326325X (About DOI), Published online: 23 October 2003

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Popular Music

Research Articles

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