Popular Music

Research Articles

Blurred affinities: tracing the influence of North Indian classical music in Keith Jarrett's solo piano improvisations

Gernot Blume

Popular Music, Volume 22, Issue 02, May 2003, pp 117-142

doi:10.1017/S0261143003003088 (About doi), Published Online by Cambridge University Press 26 Jun 2003

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Between globalisation and localisation: a study of Hong Kong popular music

Wai-chung Ho

Popular Music, Volume 22, Issue 02, May 2003, pp 143-157

doi:10.1017/S026114300300309X (About doi), Published Online by Cambridge University Press 26 Jun 2003

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‘Ces nymphes, je les veux perpétuer’: the post-war pastoral in space-age bachelor-pad music

Rebecca Leydon

Popular Music, Volume 22, Issue 02, May 2003, pp 159-172

doi:10.1017/S0261143003003106 (About doi), Published Online by Cambridge University Press 26 Jun 2003

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Selling an image: girl groups of the 1960s

Cynthia J. Cyrus

Popular Music, Volume 22, Issue 02, May 2003, pp 173-193

doi:10.1017/S0261143003003118 (About doi), Published Online by Cambridge University Press 26 Jun 2003

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Gesturing elsewhere: the identity politics of the Balinese death/thrash metal scene

Emma Baulch

Popular Music, Volume 22, Issue 02, May 2003, pp 195-215

doi:10.1017/S026114300300312X (About doi), Published Online by Cambridge University Press 26 Jun 2003

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Limited pidgin-type patois? Policy, language, technology, identity and the experience of Canto-pop in Singapore

Liew Kai Khiun

Popular Music, Volume 22, Issue 02, May 2003, pp 217-233

doi:10.1017/S0261143003003131 (About doi), Published Online by Cambridge University Press 26 Jun 2003

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Middle Eight

Is ‘world music’ the ‘classic music’ of our time?

Jan Ling

Popular Music, Volume 22, Issue 02, May 2003, pp 235-240

doi:10.1017/S0261143003003143 (About doi), Published Online by Cambridge University Press 26 Jun 2003

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Essay Review

Where in the world is the hip hop nation?

Inez H. Templeton

Popular Music, Volume 22, Issue 02, May 2003, pp 241-245

doi:10.1017/S0261143003003155 (About doi), Published Online by Cambridge University Press 26 Jun 2003

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Book Reviews

Making Popular Music: Musicians, Creativity and Institutions. By Jason Toynbee. London: Arnold, 2000. 199 pp.

Mike Jones

Popular Music, Volume 22, Issue 02, May 2003, pp 247-250

doi:10.1017/S0261143003213167 (About doi), Published Online by Cambridge University Press 26 Jun 2003

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What to Listen For in Rock: a Stylistic Analysis. By Ken Stephenson. Yale University Press, 2002. xvii+ 253 pp. ISBN 0 300 09239 3

Allan Moore

Popular Music, Volume 22, Issue 02, May 2003, pp 250-251

doi:10.1017/S0261143003223163 (About doi), Published Online by Cambridge University Press 26 Jun 2003

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Settling the Pop Score: Pop Texts and Identity Politics. By Stan Hawkins. Aldershot and Burlington: Ashgate, 2002. xiv + 220 pp.

Sarah Hill

Popular Music, Volume 22, Issue 02, May 2003, pp 251-253

doi:10.1017/S026114300323316X (About doi), Published Online by Cambridge University Press 26 Jun 2003

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Performing Identity/Performing Culture: Hip-hop as Text, Pedagogy, and Lived Practice. By Greg Dimitriadis. New York: Peter Lang, 2001. 148 pp

Eithne Quinn

Popular Music, Volume 22, Issue 02, May 2003, pp 253-256

doi:10.1017/S0261143003243166 (About doi), Published Online by Cambridge University Press 26 Jun 2003

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‘You Better Work!’ Underground Dance Music in New York City. By Kai Fikentscher. Hanover, NH: Wesleyan University Press, 2000

Stephen Amico

Popular Music, Volume 22, Issue 02, May 2003, pp 256-258

doi:10.1017/S0261143003253162 (About doi), Published Online by Cambridge University Press 26 Jun 2003

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Errata

You can't rid a song of its words: notes on the hegemony of lyrics in Russian rock songs (Volume 22 Number 1 January 2003, Yngvar B. Steinholt, pp 89-108)

Popular Music, Volume 22, Issue 02, May 2003, pp 259-259

doi:10.1017/S0261143003003179 (About doi), Published Online by Cambridge University Press 26 Jun 2003

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