The purpose of Newspeak was not only to provide a medium of expression for the world-view and mental habits proper to the devotees of Ingsoc, but to make all other modes of thought impossible.

In the 11th chapter of the second book of Samuel, we read how King David saw Bathsheba in the evening: ‘v.2. And it came to pass in an eveningtide, that David arose from off his bed, and walked upon the roof of the king's house: and from the roof he saw a woman washing herself; and the woman was very beautiful to look upon.’

A crow sat in a tree holding in his beak a piece of meat that he had stolen. A fox which saw him determined to get the meat. It stood under the tree and began to tell the crow what a beautiful big bird he was. He ought to be king of all the birds, the fox said, and he undoubtedly would have been made king, if only he had a voice as well. The crow was so anxious to prove that he had a voice, that he dropped the meat and croaked for all he was worth. Up ran the fox, snapped up the meat, and said to him: ‘If you added brains to all your other qualifications you would make an ideal king.’

The ideas of modernity and post-modernity have recently come to figure prominently in social thought. Their importance for social thought about religion, however, has not generally been explored. Yet recent concern with modernity and its aftermath is closely related to the widespread interest that used to be taken in secularization. Indeed, I hope to show that some of the basic questions at issue are much the same.

Anyone who comes to read some of Aquinas' works and at the same time looks around for modern discussions of them will be struck by two things: first, the greater part of the latter is the product of American and European Catholic neo-scholasticism; and second, that, with a few distinguished exceptions,1 what is contributed by writers of the analytical tradition is often a blend of uninformed generalizations and some suspicion that what Aquinas presents is not so much independent philosophy as propaganda for the cause of Christian theology.

Dorothea, an idealistic young lady, is the central figure of George Eliot's Middlemarch. She longs to devote her life to something valuable, looking up to people like St Teresa as her ideal. Contrary to all expectations, she decides to marry Casaubon, an elderly clergyman. For years, Casaubon has been preparing his magnum opus called ‘Key to All Religions’. In the milieu where Dorothea is living—a quiet English parish in the 1830s—Casaubon's scholarly project appears to her as the right object of her devotion. She would lighten the burden of his solitary labour; share his life of wisdom and pursuit of truth.